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Count dracula character analysis
Dracula character analysis essay
Theme Of Horror In Dracula
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How does Bram Stoker create fear and suspense during Jonathan Harker's
encounter with the three young women in chapter three of Dracula?
'Dracula' was written 1897 and written in a first person diary format.
The extract from chapter three tells us that Jonathan Harker is
trapped in Draculas castle. He has discovered that he is alone with
Dracula and in the previous chapter has seen him coming from one of
the lower windows, climbing down the wall.
Count Dracula has warned Jonathan Harker not to sleep in any other
room in the castle but Jonathan has other ideas.
"The Counts warning came into my mind, but I took a pleasure in
disobeying it."
This creates suspense as the reader feels apprehensive for Jonathan
and wants to read on to reveal what actually happens.
Jonathan then realises someone has appeared in the room with him.
"I was not alone."
This simple short sentence also creates tension as Jonathan realises
he isn't in the room on his own and there are three young women with
him.
He feels they outnumber him as they do everything together and act as...
he?s a little nervous because he thinks there is a monster under his bed. His
Mina clearly demonstrates her awareness and knowledge of the New Woman movement; whereby she exhibits her familiarity of the debate by referring to the term “New Woman” twice in her journal entries. Grant Allen’s “purity school” New Woman consisted of female characters that expressed particular interest in social problems while still maintaining their propriety. This sense of knowledge is exhibited when Mina attempts to reassure the oversensitive Lucy as they stopped for a “severe tea” (Stoker 141): “I believe we should have shocked the ‘New Woman’ with our appetites. Men are more tolerant, bless them!” (Stoker 141). The New Woman was a common subject of controversy in journalism and fiction (Senf 34). Mina’s preliminary reference merely characterized her as a well-informed young woman of the 1890s. Mina remains neutral and simply suggests her familiarization with the New Woman’s assertion on greater freedom and physical activity. Bicycle riding, badminton playing and bloomer wearing women may have shocked certain conservative people of the 1890s, but they were not enough to worry Stoker’s heroine (Senf 34). Nor was it a shock to her that the New Woman was often characterized as a professional woman who was capable of financially supporting herself. After all, Mina easily fell under this category of the New Woman; her career was not an archetypal Victorian housewife. She was often “overwhelmed with work […] [because] the life of an assistant schoolmistress [was] sometimes trying” (Stoker 83). Mina is able to support herself and by using her note-taking talents she is also able to support her husband too, outside of her domestic role. This notion was revolutionary at the time. Gail Cunningham notes that while independence and in...
Bram Stoker’s Dracula includes themes of death, love, and sex. Stoker’s use of empiricism utilizes the idea that everything is happening “now”. The book offers clear insight into who is evil without explicitly saying it. Stoker’s interest in empiricism uses British womanhood as a way to distinguish between good and evil.
over him and he talks to each member of the family in the order they
In novels it is not uncommon for characters to be identified as morally ambiguous. It can be extremely difficult to identify a character as purely evil or purely good. In the novel Dracula, Bram Stoker presents a morally ambiguous title character, Dracula. Dracula can be seen as evil by the obvious: he is a vampire that bites people to get their blood. But on the other hand, Dracula can also be seen as good. Dracula is not purposely trying to kill people, he is just trying to protect himself. Lots of people believe that they can understand and analyse other people and try to come up with conclusions on how that person is but Stoker shows how in some cases, analyzing a person cannot easily be done. Most people are not black and white. Their
The use of hypnotism is extensive throughout the last few chapters of Bram Stoker’s Dracula. Van Helsing places Mina in a hypnotic state or trance numerous times in order to locate Dracula and to learn about his premeditated actions. Stoker’s great use of hypnotism is what leads to Dracula’s destruction in the end. However, what influences Stoker to use hypnotherapy in order to kill off the most important character in his book? Taking a New Historical approach can help a reader understand how Stoker was influenced by his culture to incorporate hypnosis into Dracula and why he chose it as a method for destroying Dracula, while healing Mina.
A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Victorian Women were highly held back in their full potential. Their main role in the household was to “be happy - a sunbeam in the house, making others happy” (Hardy, E.J. 1887). On top of this, Women in the Victorian era were not allowed to display their sexuality or “tempt” men in public; they were meant to be submissive and meek (Causey S., 2008). The Victorian era lasted from 1837 til 1901, with women being punished everyday for crimes that are nowadays just part of living for a woman. Bram Stoker was born during this era and wrote his most famous novel, Dracula (Miller, E. unknown). One of the main discourses in this novel is that of Women and their Morality of the time.
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
not have the right to be in his room. Neither of the men want to be in any type of trouble with the boss or Curley, His
to make us see how it would feel like, if there was a blood thirsty
Being that the others look up to him so much, they do not really notice this. Because he is in