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Gender representation in fairy tales short article
The little mermaid critical analysis
Gender representation in fairy tales short article
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“The Little Mermaid,” a Danish fairytale by Hans Christian Anderson, is told through a patriarchal Christian lens that provides valuable insights into the experience of Dutch society, specifically as it pertains to young women and their role in society. Originally published in Fairy Tales Told for Children in 1837, “The Little Mermaid” is a story intended for a young audience as it is concerned with the initiation of a woman into Christian society and the Kingdom of Heaven. Folklore, in its numerous mediums and methods of communication, is a mechanism that affords societies a means of imparting culturally specific values, traditions, and expectations of individuals based on ones gender, religious beliefs, social class, etc. Thus, in order to adequately analyze the larger significance encoded in folklore, one must contextualize the piece in the society in which it originated. When “The Little Mermaid” was written in the early 19th Century, Denmark was a patriarchal Christian society …show more content…
Thus, the little mermaid is representative of a virgin in society. Despite her devoting herself fully to the Prince, it would never be the Little Mermaid that the prince would love. Recognizing her innocence and purity, God had mercy on the virgin soul of the Little Mermaid, as God loves all his creatures—non-Christian mermaids included, and offered her the chance to instead be his loyal servant as a means of earning her place in the Kingdom of Heaven. What this serves to project on the audience of the folklore is that women in Christian society cannot exist without the guidance of men. The mermaid is thus an embodiment of male’s fear of womens powerful, life-giving sexuality that threatens the hegemony of patriarchal social order. These stories mandate that women cannot exist in Christian Society without man and was created for the sole purpose of serving
Women were just there to serve their husbands in anyway the men wanted. The first example was in the second creation story God only created man and then realized he needed a helper and then he created a woman with a rib from the man (2). It is saying that women were only really created to help and support men, also its implying that the man helped make the women so he gets control over her. In Genesis 3:16 God says to eve, “your desire shall be for your husband, and he shall rule over you,” she ate from the tree so he is punishing her (3). Women were just objects for the men to control, but then in the first creation story God created men and women equally (1). He created them together and to worship the land and populate it. So the two creation stories contradict each other because one the women are equal and in the other story they are completely separate. It gives two different outlooks on the way women were portrayed, but throughout the story they are portrayed more like the second creation story than the
In James Poniewozik's "The Princess Paradox" (323-325) the author explains how the idea of a feminist, independent woman becoming a fairy tale princess is a paradox and that society is engaging in a paradox through the belief of it. He utilizes the recent bout of Cinderella retellings to show the paradox of how girls cannot be both completely independent and a fairytale princess, and yet society perpetuates the paradox through believing that this is not only possible, but realistically attainable as well. Poniewozik exposes the contradictions that surround these new Cinderellas to defy these "realistic" stories that society has come to embrace. By showing how truly constrictive and illogical these fantasies are, Poniewozik also shows how hypocritical society has become for idolizing them and why this new princess is a true paradox.
Much of the story of Adam and Eve can be explained within biblical context, and its male supremacy bias confirms to be of historical origin rather than divine; however it is perceived as comprising the “fundamental,” and essentially destructive "truths" about the nature of women. Eve has represented the fundamental character and identity of all women. No, there haven’t been other women with redeemable qualities to represent them throughout history. Even those as great as Cleopatra have not earned the title as extraordinary woman in the history books, because her dominance over men was perceived as unbecoming and disgraceful. However, Eve’s image is what has represented women. Through her words and actions, the true nature of women was exposed; her story and “weakness” showcases what women’s innate nature corresponds to. Eve represents everything about a woman a man should guard against; she is the original sinner, and cannot be trusted in both form and symbol. The idea that her actions are not without warrant, and therefore she is a representation of us is, in fact, what has been propagated throughout hundreds of years. Eve is woman, and because of her, all women are by nature disobedient, prone to temptation, weak-willed. The connotations associated with womanhood, in turned have become, untrustworthy, deceitful,
Looking back through many historical time periods, people are able to observe the fact that women were generally discriminated against and oppressed in almost any society. However, these periods also came with women that defied the stereotype of their sex. They spoke out against this discrimination with a great amount of intelligence and strength with almost no fear of the harsh consequences that could be laid out by the men of their time. During the Medieval era, religion played a major role in the shaping of this pessimistic viewpoint about women. The common belief of the patriarchal-based society was that women were direct descendants of Eve from The Bible; therefore, they were responsible for the fall of mankind. All of Eve’s characteristics from the biblical story were believed to be the same traits of medieval women. Of course, this did not come without argument. Two medieval women worked to defy the female stereotype, the first being the fictional character called The Wife of Bath from Geoffrey Chaucer’s The Canterbury Tales. The second woman, named Margery Kempe, was a real human being with the first English autobiography written about her called The Book of Margery Kempe. In these two texts, The Wife of Bath and Margery Kempe choose to act uniquely compared to other Christians in the medieval time period because of the way religion is interpreted by them. As a result, the women view themselves as having power and qualities that normal women of their society did not.
Anderson, Hans Christian. “The Little Mermaid.” Folk and Fairy Tales. 3rd ed. Eds. Martin Hallett and Barbara Karasek. Toronto: Broadview, 2002.
A little girl sits on the floor with her gaze fixed on the television screen in front of her, watching magical images dance before her eyes and catchy songs flow through her ears. Even though she had seen it at least twenty times before, she still loved The Little Mermaid just as much as she did the first time she watched it. As she watched it, she longed to be a beautiful mermaid with a curvy body and wonderful singing voice like Ariel. She longed to be saved by the handsome Prince Eric, and fall in love and live happily ever-after like Ariel did. In today’s society, women strive to achieve equality between the sexes.
Many of these stories include rape, murder, and abuse. The one that Trible points out is the story of the “concubine in Judges 19” (Trible). This story depicts that the concubine’s husband threw her out to men who had originally wanted him to rape. The men raped the concubine to the point of death. Her husband then dismembered her and sent the pieces to the tribes of Israel calling for justice. This story further depicts the role that women play. This helps support Tribles claim that women were considered lower than men. God on the other hand, was so angered by the ill treatment of a women, that he sent the tribes to war over one woman. Showing that God cares deeply about women, just as much as he would a
Although Hans Christian Andersen’s “The Little Mermaid,” published in 1837, contains many patronizing nineteenth-century attitudes towards women, a value system that at least acknowledges the legitimacy of femininity shapes the fairytale. Unfortunately, Walt Disney’s 1989 film version of “The Little Mermaid” eliminates the values that affirm femininity in the original story (Trites 145)
Once upon a time, there was a 16 year old mermaid princess named Ariel who gave up her voice, an important part of her identity, in order to be with a man who she became infatuated with at just one glance. Ariel has a very traditional gender-stereotypical role in the film, as the helpless, clueless, naive, physically weak, submissive, and attractive female protagonist that Disney films, especially the classics, portray so often (England). There is a lot of controversy surrounding this film in regards to its patriarchal ideals. The Little Mermaid, like most media, is build for the ‘male gaze’, a term coined by Laura Mulvey that suggests that visual entertainment, such as movies, are structured to be viewed by a masculine consumer. I will argue that the male gaze perpetuates harmful gender-stereotypes in The Little Mermaid.
Folktales are a way to represent situations analyzing different prospects about gender, through the stories that contribute with the reality of the culture in which they develop while these provide ideas about the behavior and roles of a specific sex building a culture of womanhood, manhood and childhood. This is what the stories of Little Red Riding Hood of Charles Perrault (1697) and Little Red-Cap of the Grimm Brothers (1812) show. This essay will describe some ideas about gender in different ways. First, the use of symbolic characters allows getting general ideas about the environment in the society rather than individuals. Second, it is possible to identify ideas about gender from the plot from the applied vocabulary providing a better understanding of the actions. Finally, the narrative perspective of the tales analyzes deeply the status of the characters referring to the thoughts among the society.
Women were treated as second class citizens. They were willfully ignored by members of the Christianity and Despite the patriarchal society from the biblical days, God is taught as being just as much a Mother as God is a Father (102). The willful ignorance of religious scholars of the time just show that they were making a conscious effort of trying to keep women from retaining any power that they had. This relegation of religious roles in an effort to keep Men in power is a poor example of how Christianity is a religion which promotes for the love and care of all people, no matter their status. The interpretation of God from these times clash severely with my notions of what is now considered to be an all-loving entity.
Corinthians 14:34 states, “Let the women keep silence in the churches: for it is not permitted unto them to speak; but let them be in subjection, as also saith the law” (Holy Bible, King James Edition). Edith Hamilton, "recognized as the greatest woman Classicist", says that the Bible is the only book before our century that looked to women as human beings, no better nor worse than men (Tanner). However, it cannot be said that this book was consistently favorable to women. Maybe not absolutely, but conditionally in personal opinion, the Bible shows numerous examples of a woman’s inferiority to men, an assessment that has been translated into the cultures of generations. In this essay I will address briefly instances in the bible pertaining to women, and continue on with thoughts on how I believe these notions have been interpreted into society.
The stories about women in the bible illustrate the importance of their role and contribution to society. Women were slaves, concubines, and child bearers; they were also wives, matriarchs, and prophets. Although, some women had less important titles than others each served a purpose. Even if the Bible does not explain God’s relationship with women as with Moses and other prophets, it illustrates the love and dedication women had for Him. The scriptures describe brave, nurturing, and God fearing women whose decisions impacted the existence of the Israelites.
The depreciation of women and their overall inferior position in society can be attributed to the androcentric interpretations of the Hebrew Bible, especially the story of Adam and Eve. Throughout history, the story of Adam and Eve has been used by men to point out the inherent evil in women by pinning the eventual expulsion of Adam and Eve from Heaven on the neck of Eve. Eve has long been blamed for the expulsion from Heaven and in effect, women, even up until today, are portrayed as the “gateway to sin.”
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.