How Priestly Uses the Inspector to Create Tension and Suspense in An Inspector Calls

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How Priestly Uses the Inspector to Create Tension and Suspense in An Inspector Calls

J.B. Priestly wrote 'An Inspector Calls' in 1945. It is set in 1912,

two years before the outbreak of the Second World War. It was written

about a time when there was a great divide between the 'haves' and

'have nots' (the rich and the poor).

The Birlings, the main family in the play, are considered to belong to

the better off, the rich part of society at the time. Normally, this

would influence the way that people addressed and spoke to them, and

the way that they themselves thought they could treat people. This is

shown throughout in the play, with the way the family try to influence

the Inspector.

As soon as the Inspector enters, there is an instant atmosphere. He is

created by J.B Priestly to 'create at once an impression of

massiveness, solidity and purposefulness'. This gives the audience the

impression that he has great authority in the play, and is a man not

to be messed with.

When he enters, he does not seem friendly, just professional. Mr

Birling: 'Have a glass of port…' Inspector: 'No thank you, Mr Birling.

I'm on duty.' He ignores Mr Birlings attempts to befriend him, and

make the meeting informal and casual. This in turn makes the audience

curious, and think about the severity of the issue about to be

discussed.

Mr Birling tries to show his importance to the police. 'I was an

alderman for years-and Lord Mayor two years ago-and I'm still on the

Bench-so I know the Brumley police officers pretty well'. The

Inspector just shrugs this off by saying 'Quite so'. This shocks the

audience that the Inspector is not patronised by Mr Birlings supposed

connections with the police, making them uncertain and perhaps

somewhat afraid of him.

The Inspector then goes on to explain Eva Smith's death, using blunt

tones and descriptive language. 'Burnt her inside out, of course…she

was in great agony…suicide of course.' This, again, shocks and appals

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