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Gender theme in taming of the shrew
Gender theme in taming of the shrew
Gender issue in literature
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How Male Characters are Portrayed in The Taming of the Shrew
Male characters in the “Taming of the Shrew” play a significant role
in the play as women in fact without the male characters one can say
that the male characters wouldn’t react in the manner they do.
The characters I have selected are Tranio, Hortensio, Lucentio and
Petruchio because I feel they play more significant roles in the play
then any of the other male characters due to the fact that three of
them are suitors and that one dramatically influences how the play
develops.
I will do this via textual analysis (by selecting relevant segments of
text and giving my detailed opinion on what Shakespeare’s intentions
are in relation to utilising the text and what ideas he might be
trying to convey.
Tranio is the most significant servant character in the in the play.
If it were not for his wise plotting and scheming Lucentio would be
unable to win Bianca or “Achieve” as he puts in act 1 scene 1 line
156. Tranio possesses an impressive arsenal of wit and character. He
possesses a persuasive tongue and furthermore has the ability to
transform into other personas at any time he sees fit.
Although Tranio is a servant he appears to be well educated even more
so then his own master Lucentio. This is made evident throughout Act 1
scene1. One can argue this is due to the fact that he is easily able
to replicate Lucentio actions and words. This is made evident in act
1-scene 1 when Lucentio exchanges clothes with his servant. His
disguise is easily digested and it is clear that he becomes more and
more involved the role. At times he appears to be controlling the
action o...
... middle of paper ...
...conclusion the male characters are a reflection of characters which
one May encounter if you were to, ”Go back in time “ and explore
Elizabethan England.
Although these characters are from a different period of time they are
not that different to people whom we may encounter in our present day
society.
Hortensio- The typical unlucky in love “loser” whom everyone
sympathises with.
Lucentio- The type of guy many girls /woman pine for and men despise.
Tranio- The unsung hero whom every one loves and admires for “sticking
it to the man without being caught, in addition for being humble he’s
adored even more.
Finally Petruchio the, ”Happy go lucky,” tough guy who wears his heart
on his sleeve. He’s passionate and isn’t afraid of anything. One can
argue that he embodies everything a man should aspire to be.
Kate and The Taming of the Shrew describes the progression of the outspoken and headstrong Kate, wife of Petruchio, as she gradually transitions into an almost perfect example of an archetypal loyal wife. This classic female archetype can be expressed through blind and ignorant support of their husband without any personal opinion or any priorities and objectives other than to satisfy the needs and desires of their husbands. While Kate begins possessing traits that oppose the loyal wife archetype due to her strong willed personality, her shift to obedience. However she continues to think with cunning strategy throughout the entire play, regardless of her weakened mental state caused by Petruchio limiting her food and sleep.
There have been strict gender roles set in place for men and women to follow, throughout history. During Shakespearean times, The females were viewed as this weak, emotionally and physically. Women were expected to always listen and obey their husbands, father or male when demanded. Women were never in positions to make the rules. Men on the other hand, were expected to be the head of their households, strong, and wise. In “A Midsummer Night's Dream” written by Shakespeare, you may notice a lot of “gender roles” being played. Oberon and Titania characters are the only couple in the play who have been married for a while in the play. That makes them an important role in “A Midsummer Night's Dream”.The other couples are just starting out
have chosen to analyse to answer my title is the scene where he is at
"Women have a much better time than men in this world; there are far more things forbidden to them." -Oscar Wilde. This quote embodies the fight over gender roles and the views of women in society. Taming of the Shrew deals with Kate and Bianca, two sisters who are at the time to he married off. However, suitors who seek Bianca as a wife have to wait for her sister to be married first. Kate is seen as a shrew because she is strong willed and unlike most women of the time. In his 1603 play The Taming of the Shrew, William Shakespeare enforces traditional gender roles and demonstrates how little say women had in society. He accomplishes this through the strong personality of Kate, Baptista 's attitude towards his daughters as transactions, and
Sexism is an ever changing concept in today’s world. Every day the concept morphs a little bit, changing the entire definition of what is sexist and what is not. In The Taming of the Shrew by Shakespeare, the male characters lie to and abuse their women in order to have the women marry them. Lucentio come to Padua to study, but when he sees a beautiful girl, he pretends to be a teacher in order to marry Bianca. Petruchio on the other hand forces a woman to marry him and then trains her to follow his every command. Although the The Taming of the Shrew is frequently regarded as a particularly sexist play, it is not sexist and demeaning towards women.
In the play The Taming of the Shrew by William Shakespeare, Petrucio recognizes, respects and desires Katherine’s strength of character. Petrucio is a clever man who sees beyond facades because he uses them himself. (II, i 46) (II, I 283 - 89) He is stimulated by Katherine’s sharp tongue and harsh actions. He proves this many times throughout the play.
in this play, women are used as a symbol of male power, or lack of it.
Over the past 400 or so years since Shakespeare wrote _The Taming of the Shrew_, many writers, painters, musicians and directors have adapted and reformed this play of control and subjugation into timeless pieces of art. In _10 Things I Hate About You_ and Kiss Me Kate from two very different times in the twentieth century, and paintings of Katherina and Bianca from the late nineteenth century, the creators of these adaptations have chosen to focus on the role of the two main female characters in the play. The ideas surrounding these women have changed through the years, from Katherina and Bianca simply being young women who deviated from the norm of Shakespeare’s time to women who embody feminist ideals and stereotypes of the more modern world.
Society in the16th century was highly structured. Women of the upper class were expected to be trophies for their husbands. The men were required to hunt, lead, and go into battle. If one chose not to follow these dictates, the rest of society would question, look down on, or even punish the deviant. The prominent author, William Shakespeare, placed this subject into comedy and tragedy plays with dramatically different outcomes. In Macbeth and Much Ado About Nothing, William Shakespeare makes fun of stereotypical gender roles by establishing Beatrice and Lady Macbeth as the dominant characters over Benedick and Macbeth through imagery, dialogue, and character personalities.
"The Taming of the Shrew" is a great example of Shakespear's use of women. Shakespeare indeed does transcend the stereotypes of his own time.
A Shakespearean scholar expanded on this, “The play enacts the defeat of the threat of a woman’s revolt; it does so in a comic form – thus so offers the audience the chance to revel in and reinforce their misogyny while at the same time feeling good” (Gay). The Taming of the Shrew at many points is just praising the men in the novel despite their behavior and putting down the women for being anything but perfect. The novel makes the actions happening comedic and the reader does not get upset at the things happening, but in reading further into it and comparing in to modern day, it is not hard to see the plain and simple abuse. Although gender roles are still prominent into today’s society they are toned back. In contemporary version of The
Constructed upon the model of the ‘tale of the unjust judge’, Measure for Measure presents us with an ambiance which is scarcely typical of Shakespearean comedy. The play is soaked through and through with libidinal urge, sexual appetite, abuse of authority and real threat of dishonour and death, and the characters are not at all light-hearted about life as they usually are in Shakespearean comedy. Prison houses, brothels, judgement chambers and rather uncomfortably enclosed and dark places are the locations where much of the action takes place.
... for both sides. In the case of Katherine and Petruchio, the battle is won because they both love each other and live happily ever after. The battle of the sexes between Bianca and Lucentio is lost because neither is willing to love each other.
yet never means to wed where he hath wooed" (act 3 Scene 2 Lines 15-17).... ... middle of paper ... ... In this play, as any other, Shakespeare proves to be a visionary.
...he fails to allow his dreams to add to his identity (in his case, however, his "dream" appears to actually be his reality). Petruccio, like Neo and Quaid, appears in the play within the play to affirm that "reality" is more than just physical environment (i.e., as he denies the place of the wedding ceremony and his attire to equate his identity). Quaid and Leonard's environments are just as fabricated as Sly's noble environment is, yet even their dreams and implanted memories/mementos shape their identity. All of these texts utilize the notion of autopoiesis and emergence from systems within systems. They acknowledge the validity of implanted memories and dreams to demonstrate that though systems force their inhabitants to view them with limiting lenses, when one is able to acknowledge that they do exist in a system within a larger system, emergence can take place.