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Motivation of macbeth
Macbeth's ambition in macbeth
Lady macbeth motives
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Through the entirety Shakespeare’s play, Lady Macbeth is portrayed as a malicious, manipulative character who will not stop until she gets what she wants. Her behavior and actions in 'Macbeth' prove so, but she doesn’t show her true colors until Macbeth receives the news from the witches about becoming king. She becomes blinded by ambition and begins manipulating Macbeth, contriving a plan to do whatever it takes for her husband to become king. Even if it means getting her hands bloody. She pleads to the witches to rid her of her femininity, only seeing it as a weakness keeping her from being completely ruthless. But even so, she is racked with grief and guilt after Duncan’s murder, Banquo’s death, and ends up taking her own life near the very end, these are not the actions of a typical “evil” character. Lady Macbeth and her husband were both tempted by evil as once in the beginning of the story they were good people, but their ambition was the downfall of them both. Lady Macbeth is not a sympathetic character by any means, but her being unable to commit murder, her genuine remorse, and confessing to the crimes …show more content…
This shows her descent into madness as she panics and exclaims to the doctor and gentlewoman that nothing will ever wash the blood on her hands off. The death of Duncan, Banquo, and Macduff's wife and child is too much for Lady Macbeth, the guilt eating at her, she can no longer live with herself. She commits suicide from the horrible acts she and her husband both committed, this proves she's not a truly evil person. She's unable to relish being queen of Scotland because she's not as evil as her actions make her seem. This specific scene is important because even though it's established that Lady Macbeth is a power-hungry character, she's not completely merciless if she sincerely feels remorse for her
Lady Macbeth’s wicked character has an extreme impact towards her husband. Lady Macbeth is responsible for influencing her husband to commit both crimes; she unleashes the dark side of him and motivates him to become an evil and horrendous man. In various parts throughout the story we find that Lady Macbeth strives beyond limits to be converted into a bitter and sour women. The audience is revolted by her horrific actions and although she may seem repugnant, she is an extremely talented actor. In her role, having a deceitful and convincing character is important
Initially, when her character is introduced, she displays her masculine traits with complete disregard for any form of femininity. She commands the heavens in these lines, ”Come, you spirits/That tend on mortal thoughts, unsex me here,/And fill me from the crown to the toe top-full/Of direst cruelty.”(1.5.30-33). In this, Lady Macbeth sheds any attachment she has to her natural embodiment as a woman, and asks the supernatural to help her in her quest to power. It is clearly shown that Lady Macbeth yearns to achieve ambitions that weren’t considered womanly in the time period that this play is set in. As a consequence, she pushes her husband to fulfill her horrendous dreams, because she knows that she will not be affected if Macbeth fails to execute his plans. If Macbeth gets caught, then she remains blameless, and if he doesn’t, she becomes a queen. Either way she doesn’t get hurt. Nonetheless, Lady Macbeth hides another aspiration, one which is evidenced from her humane actions. As a loyal companion to Macbeth, Lady Macbeth wants to ensure that her husband achieves his dream, to be king, at any cost, even if that means sacrificing her femininity and humanity. Generally speaking, this unique perspective on Lady Macbeth shows that her demeaning of Macbeth’s masculinity is actually a display of her true feminine traits; to always support her husband regardless of the price. Lady
As Macbeth stats to fulfil his prophecy and take the crown, Lady Macbeth falls back on the role in his life. After the banquet scene in act 3, we realize that Lady Macbeth thinks the killing is done. She realizes the need for Banquo's death but, doesn’t push him to do it so soon. She is aware of her husband's evil thoughts, but this time she does not need to encourage them to become actions. Without the much-needed role of partner in crime, Lady Macbeth is simply a sidekick. She tries to comfort Macbeth and is always there but, she does not play an active role in his evil plans. Moreover, without the constant need to do something for the prophecy, Lady Macbeth fell into guilt which led to her go
In general, it could be said that Lady Macbeth takes advantage of her femininity and uses it and her frail image to manipulate the situation to suit her purposes. In Act 1 Scene 7, Lady Macbeth ‘bullies’ her husband by doubting his masculinity and provoking a response. She called Macbeth “afraid” and a “coward”. I am inclined to think that Lady Macbeth chose these words as Macbeth values his courage and fierce nature as it has positioned him highly in society. It is possible that Macbeth’s greatest vulnerability is his love for Lady Macbeth, and that enables her to exploit his love for power.
After analysing Lady Macbeth’s character, I able to conclude that I don’t fully agree with Malcolm’s description of lady Macbeth. Many scenes in this play manage to convince us of her association with the devil. However, some parts lead us to believe that she is not entirely evil and that she is capable of remorse. Lady Macbeth is an ambitious lady, led by her thirst for power. She is capable of unpleasant deeds, some so atrocious, they would have been unheard of by a lady at her time, getting her exactly what she desires.
Lady Macbeth is a very loving wife to Macbeth and she wants to do anything she can for him to achieve his goals. She just takes it a little too far, and she puts too much pressure on Macbeth to commit crimes that he is not sure he wants to do. After Macbeth sends her a letter about the witches’ premonitions, Lady Macbeth is no longer the sweet innocent lady we expect her to be. She turns into a person who is just as ambitious as her husband and she wants to do whatever it takes to help him get Duncan out of the way. She even goes to the point of calling Macbeth a coward, and mocking his bravery when he fails to complete the job. She is even willing to do it herself (plant the bloody knife with the guard). Lady Macbeth is constantly putting the pressure on Macbeth to do things that he is not sure about. She almost turns into a bully who dares Macbeth to go out and do evil things. She even says in a soliloquy that she wants to be released of all her morals and values so that she can help him commit these crimes.
After struggling with the thought of killing Duncan, Macbeth is reprimanded by Lady Macbeth for his lack of courage. She informs him that killing the king will make him a man, insinuating that he isn’t a man if he doesn’t go through with the murder. This develops Lady Macbeth as a merciless, nasty, and selfish woman. She will say, or do anything to get what she desires, even if it means harming others. It is this selfishness that makes it hard for the reader to be empathetic towards her later in the play, as it is evident in this scene that her hardships were brought on by herself. If she hadn’t insisted on the murder, she would not be driven in...
Although Lady Macbeth seemed callous and cruel in the beginning of The Tragedy of Macbeth, the reader begins to see events that negate her maliciousness as the play progresses such as her statement about how she would have killed King Duncan if it was not for his resemblance to her father, the murder of Banquo, and the loss of her sanity in the last act. At first, Lady Macbeth could have been characterized as evil and fiendlike due to her ambition and manipulation of Macbeth. By the end, however, one begins to see how guilt, shame, and regret alter her emotions. Shakespeare uses this change of emotions in order to give the reader insight on why Lady Macbeth was not the monster she claimed to have been. The emphasis of the evil and monstrous qualities in the beginning are contrasted at the end with the feelings of remorse.
At the end of the play this character feels guilt for what she has done and has taken the personality, which was that of her husband in the beginning.At the beginning of the play Lady Macbeth speaks and shows her shows how cruel and heartless she really is; "And fill me from the crown to the toe top-full of direst cruelty". This shows she has no good in her, what so ever. Macbeth on the other hand, began as a good respectable character. When Lady Macbeth speaks of killing Duncan, he gives many reasons for reasons that he could not do so. Some of the reasons he gives in that speech are, that Duncan respects him, and trusts Macbeth. Duncan is also related to him by blood, and if he were to kill him he would never be able to rid himself of the guilt; wash the blood from his hands.At the climax of the play Macbeth makes plans to kill Banquo, with out Lady Macbeth, without anyone.
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass
She was ecstatic about how her husband will become king, and she even started to plan the murder of the king. Her plans were to act innocently towards the king, so when they murder him, no one would suspect them. This reveals the true personality of Lady Macbeth. During that time period, women were thought as, sweet, kind, and gentle. But for Lady Macbeth, this was not true at all because she is greedy, cruel, and heartless. She even gives up her femininity by saying “Come, you spirits that tend on mortal thoughts, unsex me here, and fill me, from the crown to the toe, top-full of direst cruelty.” (Page 41 line 44-46) As Lady Macbeth welcomes King Duncan, she hides her evil character, and greet the king with a fake hospitality. King Duncan does not know her true self, and thinks that she is loyal citizen of his country. This is another dramatic irony because the King thinks Lady Macbeth is a kind and noble gentlewomen, but in reality she is not. Lady Macbeth is ruthless and greedy. Only the audience knows this, while the other characters remains unknowing of the
As well, regret that an up and coming good person will have such terrible end: “What a pity that things should have gone this way, that things should be this way,” and the regret of seeing a destruction of a morally compassionate and emotionally and intellectually fascinating person (Booth). There are many instances in Macbeth where one feels pity for Macbeth throughout the play. For example, one can feel pity for him when he contemplates murdering Macbeth as he says, “I am his kinsman, and his subject, strong both against the deed (I. vii. 14-15).” After, Lady Macbeth goes after Macbeth’s manhood, him being too nice and not being brave enough as such portrayed in her lines “.” Thus, it seems as though without her manipulation, Macbeth would not have killed King Duncan. In the dagger soliloquy of Macbeth (I. vii. 1-28), one can feel pity for Macbeth as he is suffering and pained for the action he is about to take in killing Kind Duncan. Again, even though after Macbeth killed Banquo, one must still have sympathy as Banquo was a threat to his throne
She believed that King Duncan should be murdered to further the power and influence of herself and husband, but was worried that Macbeth would be too good to do the deed. The act of murder for Lady Macbeth seemed obvious and she was willing to do anything to become queen. The murder of Duncan was the thing that changed her, like Macbeth, except she started to change paradoxically to Macbeth. The first murder made her more cautious to the idea of murder then opposed to murder and finally to outright disgust with herself and the things Macbeth was doing. The coping process for Lady Macbeth was the total opposite of Macbeth’s because instead of becoming emotionless she became overwhelmed by feelings of guilt and regret.
This resulted in overwhelming guilt. She is justified in these feelings due to the gravity of her actions. She played a crucial role in the murder of King Duncan and his servants and important roles in the murders of Banquo and everyone in Macduff’s castle. Her role was in the sense that she turned Macbeth into a man who believed these murders were right and just. However, her realization that her actions were unjustified, in Act 5, Scene 1, came too late. Multiple characters were slaughtered by, or under strict orders of, Macbeth. Although lives were cut short at the hand of Macbeth, he was simply a puppet in Lady Macbeth’s puppet
Lady macbeth was an interesting character, in that she was able to play with people’s psychology but ends up getting psychology ill herself. According to M. L. LaBlanc “Lady Macbeth is generally considered one of the most fascinating female characters in Shakespearean drama”. “How in the play she verbally manipulates gender values and expectations to suit her purposes. As Cristina Leon Alfar reminds us, "Lady Macbeth's 'evil' is ... an ideologically inscribed notion that is often linked in our literary tradition to strong female characters who seek power, who reject filial loyalty as prior to self-loyalty, and who pursue desire in all its forms-- romantic, adulterate, authoritarian, and even violent.” Lady Macbeth was full of greed for power