How can one distinct between the author and the characters thoughts? Plays, novels, films, and other works of art and literature typically reflect the views or events occurring the time period they were created. Because of this, the average views of society are often the views of the author as well. Authors often project their views and opinions through the character. In Shakespeare's’ Hamlet, many of the male characters make sexist comments and view women as lesser than men. But does that mean Shakespeare is sexist? Although women in Hamlet are viewed as weak, and inferior, many of the female roles in other plays are considered powerful and heroic. The treatment of women in Hamlet provokes the reader/audience to feel bad for them. Coincidentally, …show more content…
As Polonius and Claudius become increasingly curious about Hamlet's sanity, they use Ophelia as a pawn for their plan to get to the root of Hamlet’s issue. Polonius believes that Hamlet is acting crazy because he is “lovesick” for Ophelia. So, he spies on an encounter between the two. Hamlet, however, realizes that this encounter is set up and being spied on by Polonius. Therefore, he becomes very irritated and even yells at Ophelia to “get thee to a nunnery” (3.1.131-162). By saying this, he is degrading Ophelia by calling her a whore. He is stereotyping women as whores based on the bad impressions that he has accumulated caused by his mother's betrayal of his father. Not only does Hamlet insult Ophelia's sexuality, he also insults the possibility of Ophelia becoming pregnant. While speaking to Polonius in reference to Ophelia, he exclaims that if “the sun breed maggots in a dead dog, being a god kissing carrion...Let her not walk i’ th’ sun. Conception is a blessing, but, as your daughter may conceive, friend, look to't” (2.2.197-203). This line can be interpreted as Hamlet comparing pregnancy to a dead dog breeding maggots and “sinners”. Hamlet and other characters look down on women in general and “womanly” subjects, like pregnancy. In an essay by Heather Brown called “Gender and Identity in Hamlet: A modern Interpretation of Ophelia”, Brown points out how Ophelia is used “not as a …show more content…
Because of Hamlet’s built up anger towards his mother, he stereotypes all women to be like her. Although this anger towards Gertrude is expressed to all women, it is mostly directed at his mother. Hamlet gets into a major argument with Gertrude about her actions and yells that she is “the queen, [her] husband’s brother’s wife. And- would it were not so!- [she is Hamlet's] mother” (3.4.lines) . By saying this, Hamlet is telling his mother that he wishes she was not his mother, and that is the last thing a mother would want to hear. In this argument, Hamlet is being both mentally and physically abusive to his mother. She even tells Hamlet that he has “cleft [her] heart in twain” (3.4.lines). However, Hamlet does not seem to care, and continues insulting his mother as if she is of a lower value than he is. Hamlet denounces Gertrude's actions by exclaiming, “Frailty, thy name is woman” (1.2.lines). But, instead of Hamlet only insulting Gertrude, he is insulting all women. This statement generalizes the weakness of one particular woman, his mother, to all of womankind. Hamlet is clearly very upset with his mother's actions and because of this, he develops a stereotype towards all
Hamlets ridiculed feelings for women was because of his mother’s disappointing action. Hamlets mothers’ marriage with Claudius not so long after his father’s death did not show her devotion to her husband’s memory in the way a loving wife should. ”O god a beast that wants discourse of reason would have mourned longer” (l.2.150) degrading Gertrude, as he believes an animal would find the loss of its mate more upsetting than the queen did when she lost her husband. In his mind women are frail and weak this is why he says that women is just another name for weakness. “Frailty, thy name is woman” (l.2.148) generalizing that all women are frail and incapable to withstand temptation. His bitterness has lead him to believe that all women are dishonest and untrustworthy because his mother easily moved on from the husband she so thought to have loved and worse married his brother a month after his death. Hamlet starts to torment his mother by telling her that she is sleeping with her husband’s killer. “But you live in the rank sweat of an enseamed bed, stewed in corruption and making love over that nasty sty” (3.4.100) trying to make her realize the wrong that she has done, being easy to fall in love with another man because she required comfort. To Hamlet his mother is weak, surrendering to lust, changing Hamlets view and sparking his hate for women, seeing how they are not loyal. “When the compulsive ardour gives
Hamlet is even guilty of oppressing women, whether it is the queen/mother or a common girl/girlfriend, because he reduces the women in his life to archetypes—that is, the cunning lover and the frenetic past lover. Hamlet’s oppression of women was a result of his mother’s action to remarry with his uncle, and this causes Hamlet to despise and loath women. Though Hamlet has known these women before the death of his father, he is so wrapped up in revenge that he cannot treat them fairly. Hamlet insulted Gertrude by yelling out, “frailty, thy name is woman!” (1.2.150) When Hamlet talks about frailty, he is talking about weakness.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
Hamlet takes control of the conversation from the very beginning of the scene although it is Gertrude who was meant to be rebuking him and doing much of the talking. Hamlet succeeds in shaming her until the point when she begs him to stop. Hamlet having the upper hand in the conversation, asks his mother to change her ways, which she agrees to and asks for his advice, showing that she has submitted herself to her son. Hamlet does not really show much respect for his mother while reproving her and forcing her to sit down but he does love her. Some critics believe that his love shows sexual connotation and that is a reason why he gets so upset at her remarriage. There is a point in this scene when Gertrude thinks her life is in danger of Hamlet and gets frightened, which shows us that she considers him to be mad and harmful. After this scene she becomes aware that Hamlet isn't mad and starts trusting him as opposed to Claudius. This is exactly how Shakespeare has presented women throughout the play: they are easy to convince, very meek and become submissive to the men (as we can see Ophelia and her response to her father and brother). They are depicted as weak and inferior in comparison to the male figures, who control their lives. After the closet scene Gertrude keeps faith to her son and lies to her husband Claudius for Hamlet saying he killed Polonius in his madness:
In the play, Hamlet is described as an intelligent, emotional, and grief-stricken protagonist but he is consumed by his own thoughts which make him a highly-indecisive individual; Hamlet’s inability to act on his father’s murder, his mother’s hasty remarriage, and his uncle assuming of the throne are all evidence that Hamlet does not know what is going on in his own life. Perhaps Hamlet wants to place the blame on someone else after he wreaks vengeance on King Claudius, or capture the attention of certain characters so that he may find out exactly what has gone “rotten in Denmark” (Act 1, Scene 5, Line 90). Throughout the play Hamlet is deeply hurt by his mother’s decision to remarry his uncle. As Hamlet says, “Frailty thy name is woman”, her actions cause Hamlet to curse women all together (Act 1, Scene 2, Line 146).
Hamlet treats Ophelia like property and because he does not care for her. This is proven because he insults Ophelia, uses her to get his revenge on Claudius and uses her as a way to get attention. To begin with, Hamlet abuses Ophelia by accusing her of having impure motives. To him she “jig[s]… amble and …lisp” (3.1.145) to seduce other men. He also accuses her of being deceitful because she changes the “one face [that]…God hath given” to her by putting on cosmetics. Hamlet verbally abuses Ophelia because he believes that she is worthless. Hamlet is not concerned about the effect that these insult have on Ophelia’s psyche. In addition to verbally abusing Ophelia, Hamlet uses Ophelia as a pawn. Hamlet uses Ophelia as a way to get to Claudius by also physically abusing her. Ophelia description of Hamlet’s abuse exhibits Hamlet’s unruly behaviour towards her: “He took me by the wrist and held me hard; then goes he to the length of all his arm” (2.1.88-89). Hamlet physically abuses Ophelia because he knows that Ophelia will report it to her father who in turn will tell Claudius. By doing this, Claudius will think Hamlet is insane and will then lower his guard and will not suspect that Hamlet intents to kill him. Hamlet does not stop to consider what kind mental toll will take on Ophelia, all he cares about is to finishing what his father asked of him. It is apparent
Since Hamlet is notoriously the worst to the female sex, we will start with the assault on his character. Hamlet said "Frailty, thy name is woman,“ thus Hamlet believes his men are the epitome of stability and strength, right? Not really, but Hamlet's attitude toward women is definitely sexist and biased, and his hate seems to emanate from his revulsion at his mother's marriage to Claudius, which he considers “unfaithfulness” to his dead father. His attitude is totally unjustified.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
He is essentially telling Ophelia how she should be behaving and reacting to her own situations. This is portraying her as a woman who cannot think for herself and is dependant on Polonius. In addition, Polonius’ death is the trigger to Ophelia’s insanity, because she depended upon him a great deal. When Ophelia is told by Polonius to never contact Hamlet again, she obeys Polonius, but Hamlet acts crazy in reaction to her denial. Ophelia says, “No, my good lord; but, as you did command, / I did repel his letters and denied / His actions to me.” (2.1.109-111) By doing everything Polonius tell her to do, she makes matters for herself worse. Ophelia cannot stand up for her...
If Hamlet’s actions towards his mother were to have a direct correlation to how he treats his relationships with other women, such as Ophelia, one can suggest that he would not respect them or refrain from becoming exceedingly angry.
Gertrude influenced Hamlet significantly throughout the course of the play. Hamlet was very angered by his mother's remarriage. A few months after his father's death, Gertrude married Claudius, Hamlet's uncle. He was driven mad when his father's ghost appeared to him and revealed that Claudius was responsible for the death of Old Hamlet. Hamlet even termed the marriage as incest. Hamlet's fury is displayed when he throws his mother on the bed and says, "Frailty, thy name is woman" (Act #. Scene #. Line #). This shows his extent of anger because he makes a generalization that all women are weak. As a result of his mother's actions, Hamlet strives to seek revenge against Claudius for the death of his father. In order to marry Gertrude, Claudius kills his brother. Therefore, Gertrude is the driving factor for the whole setup of the play.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.
Ophelia is manipulated by Hamlet to display to the King and the rest of the court that he is in fact mad. When Hamlet enters her room wearing disheveled clothing and acting quite strange towards her, he knows that Ophelia will tell her father and the King. Ophelia then reports this strange occurrence to her father, telling him about his strange composure of taking her “by the wrist and” holding her hard and then “shaking” when he was about to let go. (Act 2, Scene 1 Lines 86-91) The team of Polonius and the King also exploits Ophelia in order to dig deeper into Hamlet’s madness.
Feminism, a fine line between whether Hamlet written by William Shakespeare was to be or not to be a feminist text. William Shakespeare’s Hamlet focuses on the inferior nature of women in comparison to men and proves that relationships work to limit women as shown through the sexist remarks from the more important male roles, the greater focus on the beauty and nobility solely of the female characters, and, furthermore, the minimal allowance of speech and personal actions for the women. To begin, sexist remarks are proven to be an easy style of anti-feminism throughout all culture, specifically in those of the late middle ages. Hamlet, and Gertrude, his mother, face a harsh reality that is the death of a loved one and in turn brought forward the marriage of Hamlet’s uncle, Claudius and his