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Quotations relationship between hamlet and gertrude
Quotations relationship between hamlet and gertrude
Women in shakespeares hamlet
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Feminism, a fine line between whether Hamlet written by William Shakespeare was to be or not to be a feminist text. William Shakespeare’s Hamlet focuses on the inferior nature of women in comparison to men and proves that relationships work to limit women as shown through the sexist remarks from the more important male roles, the greater focus on the beauty and nobility solely of the female characters, and, furthermore, the minimal allowance of speech and personal actions for the women.
To begin, sexist remarks are proven to be an easy style of anti-feminism throughout all culture, specifically in those of the late middle ages. Hamlet, and Gertrude, his mother, face a harsh reality that is the death of a loved one and in turn brought forward the marriage of Hamlet’s uncle, Claudius and his
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Hamlet comments on his mother’s marriage in an argument where he states, “O God, a beast that wants discourse of reason / would have mourn’d longer! Married with my uncle!” (Shakespeare 1.2.150-151). Hamlet equates his mother to a beast because of her newfound involvement with his uncle. Making her as his mother feel worthless and ashamed. Following Hamlet and Gertrude, Hamlet and Ophelia interact similarly in a way to create an image of importance solely for Ophelia’s sexuality. Hamlet explains that “That’s a fair thought to lie between a maiden’s legs” (3.2.114). Hamlet makes sexual innuendos continuously through the scene putting Ophelia in a position of inferiority. She can not react to the innuendos in a way that proves she understands as not to ruin her reputation although Hamlet continues to have control over Ophelia and the conversation, just as some of the other male characters such as her father have control over her body. After that, Hamlet uses his anger that built up against Gertrude in order to explain his sexist remark: Let me not think on 't; frailty, thy name is woman!”
Hamlet has the disillusion that women are frail after his mother’s rushed remarriage as shown by “Frailty, thy name is woman!” He also believes women do not have the power to reason. (“O God, a beast that wants discourse of reason.”) Ophelia has the power to change his view but her unexplained rejection of him only adds to Hamlet’s disillusion. The ghost’s revelation that Gertrude dishonored Hamlet’s father but also their marriage by the adultery with Claudius is contemplated by Hamlet until he goes into Ophelia’s room to look upon her. As Hamlet searches Ophelia’s face for some sign that might restore his faith in her, he instead believes her face shows guilt and thinks she is another false Gertrude.
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
One way that feminism is shown is through how the characters think that the men in the book act like women. Since the beginning of the book the author subtlety hint that the way Hamlet acts loses his respect because of the way he acts. Such as when the king states” ‘Tis sweet and commendable in your nature, Hamlet, to give these mourning duties to your father.... but to persever in obstinate condolement is a course of impious stubbornness. 'Tis unmanly grief. It shows a will most incorrect to heaven, a heart unfortified, a mind impatient, an understanding simple and unschooled” (1.2.90-92; 96-101). For this reason just because he shows his emotions he gets called a girl. Meanwhile hamlet soon starts making horrible comments about how he acts.
Shakespeare’s Hamlet is set in the late middle ages, in Denmark. A time in history when women were not respected and thought of as the inferior sex. There are two women characters in Hamlet; Gertrude, Hamlet’s mother, and Ophelia, Hamlet’s love interest. Magda Romanska the writer of “Ontology and Eroticism: Two Bodies Of Ophelia”, argues that Ophelia represents the typical idea of women in the nineteenth century. I agree with this, but argue that it is not the only aspect of Ophelia’s character. Ophelia becomes the bearer of Hamlet’s hatred toward the world, and is also the character of lowest status because she is an average women. Ophelia surrenders herself to the cruelty of those around her, and sacrifices her sanctity to please and conform
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
In the play, Hamlet is described as an intelligent, emotional, and grief-stricken protagonist but he is consumed by his own thoughts which make him a highly-indecisive individual; Hamlet’s inability to act on his father’s murder, his mother’s hasty remarriage, and his uncle assuming of the throne are all evidence that Hamlet does not know what is going on in his own life. Perhaps Hamlet wants to place the blame on someone else after he wreaks vengeance on King Claudius, or capture the attention of certain characters so that he may find out exactly what has gone “rotten in Denmark” (Act 1, Scene 5, Line 90). Throughout the play Hamlet is deeply hurt by his mother’s decision to remarry his uncle. As Hamlet says, “Frailty thy name is woman”, her actions cause Hamlet to curse women all together (Act 1, Scene 2, Line 146).
Shakespeare’s Hamlet, shows strong prejudice against woman especially with such characters of Ophelia and Gertrude. Shakespeare created an interesting character with Gertrude; he created a character that sits in the middle of all the conflict and appears to not partake in much of it. However Gertrude does seem intent in defusing it at every possible chance she receives. Gertrude is a central figure in the play. She appears a great deal but doesn’t say much – implying mystery and creating an interesting uncertainty in the audience. Hamlet spends a lot of time dwelling on her marriage to Claudius and Shakespeare leaves many questions unanswered with Gertrude such as did she have an affair with Claudius behind old hamlets back? Why does she drink the poisoned wine that is intended for her son? Does she know it is poisoned? Gertrude is the mother of Hamlet and although they do not have a typical mother son relationship she does love him. Queen Gertrude is often interpreted by many as an adulterate, incestuous woman. Catherine Belsey states that typical interpretations of Hamlet maintain: ‘Gertrude a slut; and Shakespeare a patriarchal bard’ (Belsey,1997:34). Gertrude’s actions throughout the play could be read to show her to be a very passive character, far from a strong independent woman. This is shown with her obedience to Claudius, three times during the play, Gertrude is told to leave and each times she complies without hesitation. In Act 1, scene 2 Claudius says to Gertrude, ‘Madam, come’ (122). Then again, Act 3, scene 1, Claudius says to her, ‘Sweet Gertrude, leave us .’ (28), she complies with ; ‘I shall obey you’ (37). And finally, in Act 4, scene 1, Claudius say, ‘O Gertrude, come away!’ (28). This obedience that Gertrude ...
Since Hamlet is notoriously the worst to the female sex, we will start with the assault on his character. Hamlet said "Frailty, thy name is woman,“ thus Hamlet believes his men are the epitome of stability and strength, right? Not really, but Hamlet's attitude toward women is definitely sexist and biased, and his hate seems to emanate from his revulsion at his mother's marriage to Claudius, which he considers “unfaithfulness” to his dead father. His attitude is totally unjustified.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life
Hamlet, not wanting to offend his mother by telling her about his disapproval, hides his true feelings about the marriage. His disapproval then grows into hatred and is not let out until Hamlet approaches his mother boldly by taunting he...
Most of the worlds cultures follow a patriarchal society and this dates back to the beginning of time. In Hamlet the patriarchal society is clearly depicted by the characters throughout the play. Hamlet is portrayed as an indecisive character when it comes to making a serious decision, for example when he contemplates on killing Claudius. This shows the masculinity and femininity aspect of his character, which offends the ideals in a patriarchal society. Claudius, Polonius, Laertes, Ophelia and Gertrude follow the usual gender roles in a patriarchal society, as for Hamlet, his characteristics come from both gender roles.
Hamlet is solely focusing on Ophelia sexual organs, “‘nothing’ is what lies between maids’ legs” (222). Ophelia seems not to be offended by this language in the least bit, and her actions cannot accurately portray how the women of that time perceived it. In some senses Hamlet may be a misogynist character and Shakespeare gives readers a reason for it in which it might be excused. It might seem as if his mother’s sexuality has poisoned his own, and he declares in his soliloquy, “Frailty, thy name is woman!” (1.2.146). He views her sexual independence as a weakness and is appalled by her choice to remarry so soon after her husband’s death.