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Sophocles electra vs euripedes electra
Electra sophocles vs euripides
Similarities in euripides and sophocles versions of electra
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After reading Electra by Sophocles, I came to the conclusion that it was just another retelling of The Libations Bearers by Aeschylus. In Aeschylus The Libation Bearers right after Orestes’ kills Aegisthus there is dialogue between his mother and himself. Before the dialogue happens Orestes’ brings his mother over to where he killed Aegisthus, so that she could be killed by him too. The dialogue that happens between the Orestes and his mother is that she is trying to get him to not kill her because she is his mother and that she raised him and that she did not give him away. His mother continues to give him a speech that she thinks will stop Orestes from killing her, this does not work, he ends up killing her. In Sophocles’ Electra it is the same beginning as The …show more content…
When he is getting ready to kill Aegisthus, Orestes has a talk with Aegisthus. At this point Aegisthus does not know who he is really talking to until a line is said “That although you’re alive, you’ve been matching words with the dead?”(1475-76). When Aegisthus figures out that the man standing in front of him is Orestes. When he finds out that Orestes is not dead and that he is back to avenge his father’s death, Aegisthus knows that he is doomed for death, and wants to know why Orestes is not going to kill him where they were standing. Orestes tells Aegisthus that he is going to kill him where he killed his father, so they can die in the same place. Seeing that in the two similar stories there are slightly different endings shows that when Aeschylus first wrote the myth, thus this story being the traditional story, he wanted revenge on the mother and that meant that he was going to have the mother’s lover killed first by her son. When Sophocles wrote the story he added his new ending to the piece, this made the myth a innovation of the older myth, he wanted the mother to die first because he thought that Aegisthus killed Orestes and Electra’s father; therefore, he is killing
Sophocles style of plot structure was usually to begin in media res. This is particularly true of Oedipus Tyrannus. When the reader or audience is first introduced to the main character, Oedipus is already a grown man and king of his country. In the first few lines, talk of a "fiery plague ravaging the city" is mentioned (Sopochles 3). In the very early stages of the play the reader begins to feel pity for Oedipus and recognizes his suffering. The time span is also another important factor to consider when analyzing the plot structure. The play in its entirety takes place within a one to two day period. The flashback scenes into Oedipus' childhood give the audience a better sense of the big picture, but can be misleading when focusing on the time aspect element.
The difference in Agamemnon’s and Odysseus’s approach of their homeland is a reason for their differing fates. Agamemnon, the king of Argos, returns from Troy after a safe journey. Once he lands on the shores of his native earth, his false sense of security renders him unsuspecting of the possible danger that lurks in his own home. His naiveté leads him to approach his home directly to show his people that he has returned. Since his subjects were no longer loyal to him, his exposure leads to his demise. Their disloyalty is revealed when Aegisthus, the man who plots to kill Agamemnon, gathers the town’s best soldiers to ambush the king. Agamemnon meets Aegisthus, who organized a banquet where the king and his company are mercilessly slaughtered. Because he fails to assess the danger that exists in his homeland, Agamemnon meets his end soon after his return.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
In this case, Orestes's suffering was answered. His fate was changed. However, it is important to note that Orestes did not commit hubris. He did not go out of the bounds of what the gods had set for him. Apollo told him to kill his mother, and he obeyed. Even though this contradicted the laws of the Furies, the help of the young, "new" gods prevailed. So, an answer to suffering is found in the end, but only for certain cases. Even in the final verses, a hint of change is found in the voice of the Furies, "All -seeing Zeus/ and Destiny, unite to seal our truce," (lines 1045-1046). It appears to be a case of a new generation of gods taking over an out-of-date decree.
Aeschylus' The Oresteia features two characters burdened by seemingly hopeless decisions. First is Agamemnon, king of Argos, whose army was thwarted by the goddess, Artemis. Agamemnon was faced with the decision to call off the army's sail to Troy, and thus admit defeat and embarrassment, or to sacrifice his daughter, Iphigenia, to satisfy Artemis whom had stopped the winds to delay Agamemnon's fleet. Second is Orestes, son of Agamemnon, who was given the choice by Apollo to avenge his father's murder, thus committing matricide, or face a series of torturous consequences. Although both Agamemnon and Orestes were faced with major dilemmas, their intentions and their characters are revealed through their actions to be markedly different.
Orestes’ revenge is the first important example of the gods’ revenge in the poem. In Book 1, Hermes told Aegisthus, “’Don’t murder the man,’ he said, ‘don’t court his wife. Beware, revenge will come from Orestes…” (Homer 260). King Nestor delivers the story of Orestes’ revenge to Odysseus’ son Telemachus, while Telemachus is visiting Nestor to discover answers about his fathers’ whereabouts. In Book 3 of The Odyssey, King Nestor tells this of Agamemnon, “…Aegisthus hatched the kings’ horrendous death” (Homer, 285). King Nestor continues on telling of the revenge Agamemnon’s son Orestes has on Aegisthus, “Orestes took revenge, he killed that cunning, murderous Aegisthus…”(Homer, 285). This example of Orestes’ revenge shows that the gods should be listened to or they will give horrific revenges to those who disobey.
Sophocles. Antigone, Oedipus the King, Electra. Trans. H. D. F. Kitto. New York: Oxford University Press, 1962.
However, Aegisthus had been warned: 'we ourselves had sent Hermes, the keen-eyed Giant-slayer, to warn him neither to kill the man nor to court his wife'; (pg. 4). Aegisthus ignored the warning, killing Agamemnon and courting his wife. Orestes, Agamemnon's son, killed Aegisthus to avenge his father's death. The gods saw this as swift, fair, and powerful justice: ' And now Aegisthus has paid the final price for all his sins'; (pg. 4).
The story of Orpheus and Eurydice is one that has been retold countless times over the years. It started as a Greek myth, later being made into a movie titled Black Orpheus. After reading the myth and watching the movie, it is easy to see that there are far more differences in the two works than similarities. These differences are not only in the way the story is told, but also in the organization of the events that take place and in the description of the characters. The main differences in these two versions of the myth are the role of the characters, the main plot scheme, and the journey into the underworld.
...ther and being unable to know what that means, Athena proclaims that "[m]ine is the final vote, [a]nd I award it to Orestes' cause" (Aeschylus 140). He was simply following the unspoken law that you kill the person responsible for your family member's death. No matter what action he took, he would of be looked down upon with disdainment.
Euripides'version is much more dramatic. The play begins with Electra's marriage to a peasant. Aegisthus had tried to kill Electra. but Clytemnestra convinced him to allow her to live. He decided to marry her to a peasant so her children will be humbly born and pose no threat to his throne. Orestes and Pylades arrive. Orestes says that he has come to Apollo's shrine to pledge himself to avenge his father's. murder. Orestes, concealing his identity, talks with Electra about the recent happenings in Mycenae. She admits that she is sad that her brother had been taken away at such a young age and the only person that would recognize him to be her father's old servant. She also discusses her scorn of Aegisthus desecrating the monument over. Agamemnon's grave and his ridicule of Orestes. When the old servant. arrives, after being summoned by Electra, he recognizes and identifies.
The play's plot, in a nutshell, develops like this. After solving the riddle of the Sphynx, who had kept Thebes under a curse of some kind, Oedipus is invited to become king of the city. He marries Jocasta, the widow of the previous king, and they have two children. When the play begins, Thebes is again under some sort of curse, and Oedipus tries to find out its cause so that he can rescue the city. He is told that the cause of the curse is that the murderer of the previous king is still in the city and has gone unpunished. In the process of searching for the murderer, Oedipus discovers that it is he, himself, who is responsible and that he is actually the son of Jocasta and her previous husband. Horrified by his sins of incest and murder, Oedipus claws out his eyes. Jocasta commits suicide because she is so disgraced.
This paper aims to study two significant playwrights, Sophocles and Euripides, and compare their respective attitudes by examining their plays in respect to plot and character structures. To achieve this goal, the paper is organized into two main sections. In the first section, we provide a brief biography of both Sophocles and Euripides. The second and last section includes summaries of Sophocles’ Electra and Euripides’ Electra which were based on same essentials and give an opportunity to observe the differences of the playwrights. This section also includes the comparisons that are made by our observations about the plays.
Her sister Chrysothemis tells Electra that she has seen Orestes lock of hair on Agamemnon burial site. Electra dismisses this and proposes that she and Chrysothemis are now responsible for avenges