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How lord henry influences dorian gray
Hedonism in Dorian Gray
Hedonism in Dorian Gray
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In The Picture of Dorian Gray by Oscar Wilde, Dorian is a lot different from the innocent young man he was, he undoubtedly became hedonistic and selfish, but the question is why. For what reason did Dorian Gray decide to stray so far from his early years. Now, an obvious answer to that question is that Lord Henry was simply too much for Dorian, and he fell into his mind tricks. But if that’s the case Dorian shouldn’t have been able to resist it for as long as he did, even during the Sibyl “era”. To say it was just him being greedy, ignorant, or selfish is too shallow of an answer. When looking deeper into the subject it becomes clear that Dorian used hedonism as a way to escape from all his earthly issues and problems. This can be found from the source of his hedonism, and even within his hedonistic way of life all those years later. …show more content…
At the time he was in his most vulnerable state, and he was praying, begging for a way to escape from the pain. And hedonism provided just that, it provided an excuse to throw all the blame, the shame onto something else. When thinking hedonistically, Sibyl Vane wasn’t human anymore, she was an idea of a “wonderful tragic figure sent on to … show the supreme reality of Love.” (Wilde 93) Now in general, after someone has died, the people who held that person dear mourn for days, maybe weeks on end. They don’t move on in twelve hours, that shows that they either never truly loved and appreciated that person, or that they loved them to the point where they become unstable and therefore easily changed. For Dorian Gray, Sibyl’s death shook him to the point where he finally cracked under Henry’s pressure, finally gave in and welcomed those hedonistic values. “Explained me to myself … felt all you said, but … was afraid of it,” (Wilde 92) By allowing those hedonistic ideas in, Dorian opened the door to escapism and was able to feel no pain the next
During the novel, The Picture of Dorian Gray, three people die: Sibyl Vane, Basil Hallward, and James Vane. In one way or another Dorian played a part in each of their deaths. Kestner says that the second type of narcissism is the inability to feel (217). Dorian feels no remorse for the deaths of these people and takes no responsibility for his part in it. Sibyl Vane committed suicide after Dorian’s brutal rejection of her. Dorian murdered Basil after showing him the painting. Basil was trying to save Dorian’s soul by begging him to confess his sins. Dorian flew into a rage and stabbed Basil, afterwards “he felt strangely calm” (Wilde 152). He justified his actions by saying that Basil was “the friend who had painted the fatal portrait to which all his misery had been due” (Wilde 152). Then Sibyl Vane’s brother, James Vane, came to get revenge on Dorian Gray and ended up dying when Dorian distracted a gunman during a hunt. None of Dorian’s friends on the hunt cared that the man has died; they only care that he has “spoiled [their] shooting for the day” (Wilde 193). These are the type of people which Dorian surrounds himself, people who will continue his down fall. The friends only care about beauty and titles which then influences Dorian to look at the world in the same way. Oscar Wilde added multiple encounters with Dorian’s friends as a criticism of society. The
Obsession is the most compelling theme of The Picture of Dorian Gray, Dorian’s obsession with his beauty and youth, and Basil’s worship of Dorian, are a driving force. Dorian’s tale is similar to every celebrity that has been adored only to fall in public approval when their true natures are revealed. There is no doubt that Dorian is a celebrity in his time, he is adored by many in London like a celebrity would be admired today. The idolatry, quest for beauty, and downfall of obsession are seen in fiction as well as reality, through Dorian’s obsessions and modern day obsessions like plastic surgery or following a favorite celebrity on every form of social media. Obsession is a toxic force that has a hold on humans regardless if it is in fiction or reality.
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
In society, there has constantly been the question as to whether people can change or not. Author Oscar Wilde proves in his novel The Picture of Dorian Gray, that one can. The question he poses to his readers is “What kind of transformation is shown by the protagonist Dorian Gray: good or bad?” It is possible to think that Dorian Gray has become a better person, not for others, but for himself since he lives in the pursuit of pleasure and always achieves it. However, as it is demonstrated by the portrait, the damnation of the lives of others can provoke damage to one’s conscience and soul. Dorian’s soul is ruined gradually by his hedonistic adventures, eventually failing to redeem his actions, but not before he leaves a devastating path of destruction and experiences self-inflicted destruction.
Dorian Gray inflicts his first and most important act of evil upon Sibyl Vane, a third rate actress he falls in love with, when he confronts her about the performance. His reaction towards Sibyl demonstrates his the lack of care towards what women have to say and their opinions. Dorian claims of Sibyl to be shallow and stupid as regards to her feelings towards him and her reason for the careless performance. The realization of Dorian finally recognizing his love for her acting rather than her as a person reveals the frequent ill treatment of women in the Victorian Era. Due to his first real infliction of evil towards another person, his soul alters and reflects in the painting. As Davis recalls, “His rejection of Sibyl is cruel, and it is this cruelty that he first notices on the alerting portrait,” (Davis 214). Because he did not care about how Sibyl felt at the moment, he becomes selfish and would later become evil. The treatment of Sibyl results in her committing suicide but rather than Dorian grieving, Lord Henry teaches him ...
Wilde says that Dorian’s journey begins with Ordinary World. He is a young and good looking male. He has a normal life till he met Basil and Lord Henry. He now receives the Call of Adventure. When he met Basil at a party, they become friends and everything is still good until he met Lord Henry. He captured the imagination of Basil and for Lord Henry is how he knows that Dorian can do anything with his looks and perfection. Basil made a portrait of Dorian. Lord Henry made Dorian realize that he is not doing anything wrong and he is perfect no matter what. This is how
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
In Oscar Wilde’s “The Picture of Dorian Gray” personal obstacles are met that truely challenge the main character, Dorian Gray, which deter him from the understanding of right and wrong. Dorian’s act of selling his own soul to the devil to remain young and beautiful comes with severe consequences, which the latter of the novel portrays. “The Picture of Dorian Gray” precisely depicts the character trying to achieve a worthwhile goal but facing personal obstacles which can be seen in Dorian Gray’s morality and beauty, while trying not to the let the portrait get to his head. Dorian’s beauty represents the biggest personal obstacle that Dorian seems to face, which the novel mostly centralizes itself upon. Without Dorian’s beauty and the beauty
The film Winter’s Bone is unlike many other Hollywood films. Bearing a strong female lead, Winter’s Bone is able to portray women in a light in which most other films do not. Many aspects of the film contribute to the uncommon characterization of women in today’s movie industry. Winter’s Bone is made out to be a feminist film because of the character dynamics presented throughout the film.
When Dorian Gray first meets Lord Henry at the studio of artist Basil Hallward, he is fascinated with Lord Henry’s wit and the radical social doctrines that he advocates. Dorian is easily molded and falls for the argument he hears. According to Lord Henry the goal of new hedonism, “to realize one’s nature perfectly…to give form to every feeling, expression to every thought, reality to every dream” (198-199). As far as philosophies go this seems rather innocuous until Lord Henry goes on to clarify that, “every impulse that we strive to strangle broods in the mind, and poisons us…the only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing” (199). Lord Henry’s advice entices the malleable Dorian, who does not seem to realize that Lord Henry may advocate giving in to every impulse, even the destructive ones, but he does not follow this advice himself. As Basil Hallward informs Lord Henry, “you never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose” (188). Dorian, however, takes Lord Henry’s advice concerning new hedonism at face value and the results are disastrous.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
Dorian’s double lifestyle proves too much for him to handle, drives him insane, and ultimately results in his death. Wilde employs the use of aesthetic principles and the two dimensional life of Dorian Gray to compose a story that outlines the negative connotations of a lavish and decadent
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
To avoid getting hurt, he pretended to be Lord Henry: decadent, cynical, eloquent, rebellious, and a bit evil in the eyes of bluenoses. Dorian Gray is what he would like to be: be loved, taste all the beauties and exquisite in life and die for what he wants to defend. In this novel, Wilde portrays his philosophy of "aesthetic idealism." He favored nature when it was explained as an internal individualistic impulse, just like Lord Henry who suggests that beauty is the greatest good and doing so diminishes the role of the soul. He does this out of a half-facetious, half-earnest pursuit of that which is more genuine, less socially constructed and therefore less hypocritical.