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Essay on romantic love stories
Use of irony in Shakespeare tragedy
Essay on romantic love stories
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In the comedy, Twelfth Night by William Shakespeare varied sorts of love are shown. I will explore loves many weaknesses and how one has no self-control when under loves vicious spell. In Shakespeare’s Twelfth Night Orsino gives an explicit explanation as he describes his desire for love:
"If music be the food of love/ play on / Give me excess of it / that, surfeiting / The appetite may sicken and so die.” [7 Act 1 Scene 1 1-5] This speech, though rather complicated, does show how love has conquered Orsino. It also lets us know that the methods used to display love herein will be matters of emotion, desire, romantic complications, rejection, and that of something that can come upon you quite unexpectedly and can’t easily be avoided.
In the
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The next few lines starts raising the question whether romantic love has more to do with the person who is loved or with the person they love, owns imagination. “Even in a minute/ So full of shapes is fancy/ That it alone is high fantastical/ [7 Act 1 Scene 1 14-15] Complicated by Orsino’s comment about the relationship with romance and imagination, this raises the question, the complicated question, of whether romantic love has more to do with the person who is loved or with the lover’s own imagination of what love really is. Orsino and Olivia love each other but a love triangle ensues– Orsino is in love with Olivia who is in love with Viola / Cesario who is in love with Orsino who is in love with Viola / Cesario, this leaving one’s imagination to wonder about the power of love. Love and desire are exploding here; Olivia is in love with Orsino who claims to love Viola creating a tangled web.
Whether any love displayed in all parts of the book are real or imagined for sheer entertainment and delight, love is the focus for all. It may just be the idea of being in love more so than not.
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The grandiose love sickness from which Orsino claims to suffer has led him to love both Olivia and Viola, again proving that love is love with him, all that matters is this thought of being in love, the mere idea. Even though he attempts to speak of love as a sickness [9 Act I Scene 1 23-24] “my desires, like fell and cruel hounds / E’er since pursue me” shows that he speaks of love as some sort of disease, an attack that has overcome him without any warning. In the same way, the power struggle for Olivia, who sent a servant after the departing Cesario to persuade him to return, tries to figure out how to woo him to love her [183 Act 5 Scene 1 330-335] Olivia is willing to pay for love, women are not supposed to do this, this is a man’s role, men usually pay for weddings but through desperation she is offering to fund her own marriage. She seems to think that her love is the type that
When love is in attendance it brings care, faith, affection and intimacy. This is proved true in the spectacular play A Midsummer Night's Dream written by William Shakespeare. This play displays the facts about lust, hatred, jealousy and their roles in something powerfully desirable. It is entitled love. Love is present everywhere, in every form, in every condition and even when one least expects it.
Love is something that one should cherish and hold however, in this book it is something that is used as a ladder to reach the top. Red is a color associated with love, but the love in “The
Viola quickly falls in love with Duke Orsino after meeting him, but she is not able to express her true feelings of love for two different reasons. First, Orsino is lusting after Olivia, so he is not open to the feelings of others. Orsino is so in love with Olivia’s beauty that he had built a wall of emotion around himself, and Viola was not able to penetrate this wall. More importantly, Viola is not Viola to Orsino; she is Cesario, who, disguised as a man, served Orsino as a eunuch. Although she greatly loves Orsino, Viola cannot openly express this love because she was invisible to him. If Viola does let the truth come out, Orsino will still not be able to love her because he is solely focused on gaining Olivia’s affection. Orsino does not love Viola because he does not see her as a woman in love with him but as a faithful servant, so Viola and her love for Orsino go unnoticed as Orsino delegates Viola to woo Olivia for himself. Viola, wishing she was the one whom Orsino loved, was deeply saddened by this: “I’ll do my best/To woo your lady: yet, a barful strife!/Whoe’er I woo, myself would be his wife” (Act I, Scene IV). Orsino made Viola his messenger to court Olivia, but Viola wishes she was the one whom Orsino was courting. Similarly to how Orsino is blinded by his infatuation with Olivia, the boy whom Swift is in love with is blinded by his love
The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the play continues, Cesario falls in love with the Duke, and Olivia falls in love with Cesario, who is really Viola disguised. Maria, Olivia’s servant woman, desires to seek revenge on Malvolio, Olivia’s steward. “To the delight of Sir Toby, Olivia’s uncle, and his friend Sir Andrew, Maria comes up with a plot to drop love letters supposedly written by Olivia in Malvolio’s path. When she does, they observe him, along with Fabian, another servant, as Malvolio falls for the bait. Believing that Olivia loves him, he makes a fool of himself” (Napierkowski 3).
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
Naturally, one of the most reoccurring themes in Shakespeare is romantic love. It is perhaps not a coincidence that he put so much emphasis on this elusive and enigmatic emotion. In the Elizabethan age when he was writing, the arts were being explored more fervently, and thus raw human emotions began to surface in the mainstream culture. In Twelfth Night, love is a confusing and fickle thing, as demonstrated in the relationships between Duke Orsino and Olivia; Olivia and Viola/Curio; Malvolio and Olivia (she certainly has an effect on men doesn't she?); Duke Orsino and Viola/Curio. However, the characters seem to have a love-hate relationship with Cupid. Within the first line of the play, it is glorified: "If music be the food of love, play on..." (Duke Orsino, I:I). And while Olivia is annoyed with Orsino's affection, she craves Curio's.
...h the idea of being in love and enjoys making a spectacle of himself. His attraction to the ostensibly male Cesario injects sexual ambiguity into his character, and reveals that genuine love does exist within his character because he allows himself for that brief scene to be exposed and vulnerable. Olivia, like Orsino likes to wallow I her own misery, and also acts absurdly by falling for Cesario within a matter of a few moments of dialogue. Olivia seems to have no difficulty transporting her affections from one love interest to the next, however, suggesting that her romantic feelings, like most emotions in the play, are not profound. In all, Shakespeare used Twelfth Night to reveal that love can be found in unlikely places; in order for love to be a genuine act it must be a selfless; and love undoubtedly requires patience and endurance through times of absurdity,.
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
Finally, Olivia officially tells Viola (Caesario) that she loves him after Viola delivers another message to Olivia. Olivia tells Caesario that she has been in love with him ever since she first saw him, and that she cannot hold it anymore. She cares not about what her society would think about her for falling in love with a person not from her class. The reader knows that Viola is not interested at all in Olivia since she is in love with Orsino. Lady Olivia’s love for Caesario illustrates a universal truth about life that when someone is in love, he/she will do whatever it takes to show the other person that they love them. They are willing to sacrifice everything they’ve got for their love. In this case, Olivia is sacrificing her social status and reputation.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
This duality of love is established early within the play with Orsino’s commentary on love. In Orsino’s lines, he describes the “spirit of love” as being “quick and fresh” (1.1.9), and he continues to explain how love “…falls into abatement and low pride even in a minute” (1.1.13-14). With these lines, Shakespeare expresses how quickly love can alternate from an entity of joy to one of extreme depression. By employing these lines so early in the play, the vision of love as a force of exceeding strength is firmly planted within the reader’s subconscious, and Shakespeare has prepared the reader to fully grasp the central theme of the play.
Because of this confusing love triangle, some of the characters seem to view love as a curse. They also claim to suffer painfully from being in love or from the “pangs” of unrequited love. In Act 1 scene 5, Olivia describes love as a “plague” from which she suffers terribly. In Act 1 scene 1, Orsino depicts love dolefully as an “appetite” that he wants to satisfy and cannot. Another example of the characters not “liking” love is in Act 2 scene 2 when Viola says “My state is desperate for my master’s love.” This quote relates to the violence in Act 5 scene 1 when Orsino threatens to kill Cesario because he thin...
We see this exaggerated one-sided love play out in many forms throughout the play. Viola, for example, says in this line, “I’ll do my best To woo your lady: Aside. Yet a barful strife! Whoe 'er I woo, myself would be his wife.” (1.4.44-46) This tells us that Viola, having just met Orsino a few days ago, has a desire to be wed to Orsino. This kind of desire that Viola has for Orsino can only be conjured up from a fairytale due to the sheer passion and irrationality of falling in love with an acquaintance. Shakespeare also uses diction in deceptive forms. This is evident when Orsino uses the word “violets” (1.1.6) in his speech and to display the deception that is played out in the play. The word “violets” comes from the comes from the latin word viola. Some readers would be deceived, as many might not even notice the hint that Orsino gives in his own speech. We know this deception to be true in the form of Viola when she disguises herself as a eunuch to Orsino in his own courts as evidence in this line, “For such disguise as haply shall become The form of my intent. I 'll serve this duke: Thou shall present me as an eunuch to him”
The theme of love is brought up over and over again in the play. It is
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.