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Gender roles in William Shakespeare
Desdemona and emilia comparison
Gender roles in William Shakespeare
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Even though Emilia and Desdemona are both killed by their husbands, they are murdered in quite different ways. Desdemona gets killed in a more personal manner, both because Othello and she really loved each other and she does not seem to pose a threat to the men. Emilia is murdered like a man. In the final scene she stands up to the men, which is why she is threatening to the men, especially Iago, because she does not listen to them.:
EMILA. O God! O heavenly God!
IAGO. ’Zounds, hold your peace.
EMILA. ’Twill out, ’twill out! I peace?
No, I will speak as liberal as the north:
Let heaven and men and devils, let them all,
All, all, cry shame against me, yet I’ll speak.
IAGO. Be wise, and get you home.
EMILA. I will not. (Shakespeare 5.2.215-22)
…show more content…
In this play the men take this notion even further, by immediately murdering the women they suspect of being unfaithful or disobedient. Both women are victims of the men, yet their attitudes towards this issue are different. Desdemona seems to accept what is coming over her, while Emilia is trying to not only make Desdemona’s situation right, but also better her own circumstances. Emilia is, especially in this last scene but in the rest of the play as well, more worldly and less naïve than Desdemona. From a man’s point of view in that time period, this could suggest that Emilia has more ‘male’ character features than Desdemona has, which is why Emilia is seen as a threat in the end and killed ‘like a
To start, Iago uses rhetorical questions favorably to cause Othello to question Desdemona’s love for him. When Othello finishes with “…Than answer my waked wrath!” Iago comes back with “Is’t come to this my lord.” Later he goes into “Are...
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
Act Two in Understanding Desdemona in Othello by William Shakespeare The play “Othello” written by William Shakespeare is a tragedy in which appearance and reality are juxtaposed with jealously, hate, honesty and innocence. The character of Desdemona is one of the most admirable, and yet most pitiful, in all of Shakespeare. She is completely innocent, unable to comprehend how her husband can be jealous when “I never gave him cause!”. The other women in the play are cynical Emila and Cassio’s mistress, Bianca: contrasted with these two, Desdemona stands as an icon of female purity.
...illiam and thus “perished on the scaffold as a murderess” for a crime she did not commit. With Desdemona however, on one hand we could interpret her last words in act IV scene II of “nobody- myself – farewell” in response to Emilia’s question of “o, who hath done this deed?” upon finding her dying, as the words of a helpless and hapless victim giving into the patriarchal society – a common critical outlook of her, that she – or we may consider that it is her love for Othello, which leads her to cover him as a murder. The latter would imply that it is perhaps not the oppressive treatment of the patriarchal society that is influencing Desdemona’s reaction, yet the individual disposition of love. This in turn would suggest that Desdemona is actually a character in her own right and not an instrument used by Shakespeare to reveal the effects of a patriarchal society.
The play endorses the society of the time 's attitude that women were objects that could be possessed. This is demonstrated through dialogue; "Thieves, thieves! Look to your house, your daughters, and your bags!" Desdemona is made a possession along with a house and bags. Iago tells Brabantio that Desdemona has been 'stolen '. Desdemona is further objectified when the senator wishes Othello to "use Desdemona well". Emilia points out that they are being treated as objects when she says "They are all but stomachs, and we are all but food, They eat us hungerly, and when they are full, they belch us." This metaphor compares women to food and upholds society 's attitude towards women as objects of desire. Emilia speaks out about the inequality and challenges society 's expectations of women. Emilia 's monologue in Act 4 Scene 3 expresses how men and women aren 't that different, "But I do think it is their husbands ' faults ... The ills we do, their ills instruct us so." This idea would be challenged to a Jacobean audience because of their patriarchal society, they believed men were superior to women. Emilia 's characterisation through her dialogue as an outspoken and bold woman ultimately lead to her death. Her attempt to speak out was shut down by Patriarchy as Iago killed her. To conclude the death of these two women uphold the idea of
Critical Analysis of Iago's Soliloquy in Act 2 Scene 3 of Othello by William Shakespeare
First, in order to defend Desdemona's chastity, Emilia challenges the societal norm of silence. Recall the incident when Othello calls Desdemona a "whore" for cheating. In response, Emilia protests loudly against Othello and attempts to disprove his belief that Desdemona is not chaste: "A halter pardon him [Othello]! And hell gnaw his bones! / Why should he call her [Desdemona] whore? (4.2. 143,144). Instead of Emilia conforming to the attribute of Renaissance women as silent, she condemns Othello for his false accusations against her mistress, Desdemona. Later in the play, after finding Desdemona killed, Emilia challenges silence again: "As ignorant as dirt! Thou hast done a deed-... / The Moor hath killed my mistress!" (5.2. 171,174). Although Othello tells Emilia that it would be "best" for her to remain silent, she ignores his request and ridicules him for killing "sweet" Desdemona (5.2. 169).
Print. West, Fred. “Iago the Psychopath.” South Atlantic Bulletin. 43.2 (1978): 27-35.
Her confession then confirms that Desdemona was faithful and did not deserve to die and as a result she shows one that love can be foolish and naïve. Her love and loyalty to Iago causes her to deceive her friend and this ends with both women being killed because the love they possessed for too foolish men. Othello is responsible for murdering Desdemona; Iago is
Emilia, while lying next to her best friend on her deathbed, began to suppress her passive nature and attempts persecute the murderer. Nonetheless, the only woman who stood up for herself got killed in the end by her own husband. Othello and Iago’s wives were thought to be disloyal to their husband, while only one of them was correct in this accusation, Desdemona and Emilia were both murdered by the people they pledged their allegiance to. But, Emilia was the only woman who denounced the authority men had over women and compares the qualities of both men and women. She is fully aware of the gender
Desdemona's actions make it evident that the female characters in Othello are weak minded. Emilia allows herself to be abused by Iago, making her a weak woman. While she does have good intentions throughout parts of the play and is a kind hearted woman, she never defends herself to her diabolical husband. Iago constantly makes hateful and degrading insults towards Emilia. Come on, come on, come on.
...ps their characters to function with adjusted roles in culture. In his novel Othello, William Shakespeare reveals Desdemona and Emilia’s courage through situations involving conflict to portray the ability for women to stand up for themselves as he exhibits his idea of feminism through their actions. The courageous attitudes of these women and their passionate voice grew stronger throughout the play as they eventually died staying true to their beliefs. This transformation parallels the rights of women over history, as the female population progressed very slowly towards a more equal position in society. With Shakespeare being an advocate for women’s unheard voices during the Elizabethan period of time, he is able to use Desdemona and Emilia’s characteristics to contrast what the world was like during that era, and how he viewed and wished the world would function.
Both marriages portray the role of woman. Both Emilia and Desdemona are under the control of their husbands. They were almost forbidden to speak up. Shakespeare is trying to show that that notion of "love", is not all that it is intended to be. Up until the end of her life, Desdemona defended her husband [act 4 scene 2] "I hope my noble lord esteems me honest.""O, heaven forgive us!". It seems as in all of Shakespeare plays, love always end in a tragedy. This proves to be true in Othello.
...oth of its counterparts. If one is a "fool" then it will die. Thus, Iago's failure to be worthy kills her.