Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The tempest, forgiveness and revenge themes
Who did shakespeare influence
The tempest, forgiveness and revenge themes
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The tempest, forgiveness and revenge themes
Many believe that the quote “forgiveness is the nobles vengeance” said by Henry George Bohn is how forgiveness works majority of the time. However there is literary evidence that says otherwise. People have to start to seek revenge and have it in their grasp before they can finally forgive. Without wanting and seeking revenge, you don’t fully understand why you are forgiving this person, but after being on the other side of things you have a better picture. Not only do you understand the whole situation better, but so does the person who caused you harm in the first place. This order of events leads both sides to understand each other better, making it easier to forgive and move on with their lives. Overall there is more value in vengeance …show more content…
“Shakespeare is the foremost dramatist in the English language with good reason. In Prospero, he creates a complex portrait in which anger, the desire for control, the need for vengeance, and the will to forgive battle it out. In the end, Prospero does not let go and forgive, but not before bringing his enemies to their knees”
Explanation of evidence/reason:
Shakespeare, who is one of the most famous authors, made many of his plays, including The Tempest have vengeance first and forgiveness later. This shows that through the process of revenge you are able to forgive easier after causing some harm, but not enough to cause a lasting outcome.
Reason #2: Prospero was only able to forgive after causing some pain
Selection as supporting Evidence: According Shakespeare through Ariel, “That if you now beheld them, your affections would become tender”. Ariel a spirit feels sorry for the people being tormented, showing that if he feels sorry, so will Prospero, but only through the process of revenge first and will finally forgive them and set them
A longing for revenge can hold people captive in their own minds, influencing thoughts and speech. The Tempest, by William Shakespeare, is a play that follows the story of Prospero, the rightful Duke of Milan, after he is overpowered by his own brother and left to die with his daughter in a cramped sailboat. He seeks vengeance against many; however, he is not alone in his pursuit of revenge. His servant, Caliban, yearns for revenge toward Prospero for commanding him to be his slave. As Prospero seeks revenge on Antonio and Caliban, he does not realize Caliban’s own craving for revenge against him.
Forgiveness is a process. You can still feel the pain, see the events behind your eyes, and feel the loss of the people around you but you have to find a way to forgive. People think that if you forgive someone you are forgetting or saying hey I would hang out with this person now because we’re cool but thats not at all what forgiveness is. Forgiveness is righting the wrong for yourself because you want the injustice you feel to leave. It’s acknowledging to that there a wrong that was done to you and you decide how you want to think about it not anyone
Yes, vengeance and justice can go together . The episode, “dust is a prime example of both vengeance and justice. Dust is an episode that aired on the twilight zone, season 2, episode 12. Evidence causes reason, and one of my reasons would be that the mob showed vengeance then transferred over to forgiveness. And the reasons why they wanted to hang him in the first place is because the evidence proved so, plus he confessed to it to the people around him as well.
At some moments justice and forgiveness are different also but for the most part they are
Betrayal hurts, everyone has felt the damage which betrayal creates. You almost never expect it to happen from your loved ones, your family. And when it does, the feeling can only be described as a gunshot tearing through your trust, and more importantly your love. One can only describe an act of betrayal as dreadful and to forgive such an abhorrent act would be challenging to say the least. In the play, The tempest, Prospero is banished alway by his brother and the king in hopes he and his daughter die. However both make shelter on a deserted island that prospero uses in his revenge. Years later, the king and a small crew of his men, including prospero's brother are tricked into landing on the island i which prospero's uses this time to half heartedly get payback at those who attacked him so long ago. However Prospero feels it's more important to make amends with his brother, and the other antagonists, and decides to forgive them. Clearly shown from the text, prospero forgives the ones who are guilty.
Here, the imaginative sympathy for the sufferings of others leads to an active intervention based upon "virtue" rather than "vengeance." This is a key recognition in the play: virtue expressed in forgiveness is a higher human attribute than vengeance. And in the conclusion of the play, Prospero does not even mention the list of crimes against him. He simply offers to forgive and accept what has happened to him, in a spirit of reconciliation. Unlike other Shakespeare plays, the ending of The Tempest requires neither the death nor the punishment of any of the parties.
Prosperos discovery of mercy leads him to regain political power and leadership. It is likely that desire for revenge has lain dormant in Prospero and after 12 years of being secluded on the island, his enemies are now within his grasp and Prospero revels in it. His desire for justice was so great that he commands his spirits to torture
Moving forward, rather than lagging behind, a truly noteworthy concept of revenge can be seen in the Shakespearean tragedy: “The Tragedy of Hamlet, Prince of Denmark.” It is within this particular tragedy that prince Hamlet is enlightened, by the ghost of his father, to the murder of his father by his uncle, Claudius, an incestuous, adulterous beast who greedily claimed the throne and Hamlet's mother as his wife. (Hamlet 1.5.45-46, 49-53) Nevertheless, it is through this enlightenment that Hamlet sets off toward avenging his father's death, but along the way he is pitted against misfortune as the downward-...
Some people may believe that with justice also comes forgiveness but this is normally not the case. Hamlet is a good example because throughout the story many characters seek justice and only justice. Hamlet especially looks for revenge. The ghost of Hamlet’s father explains to him that Claudius, King Hamlet’s brother and the new king of Denmark, is his murderer. Hamlet then seeks to kill Claudius out of vengeance for his father’s death the remainder of the story. Many people also seek revenge on Hamlet and nobody forgives resulting in the deaths of Claudius, Hamlet, Laertes, and
Forgiveness is such a natural element of man, that hatred, even in the most opportune situations, is forgotten. In The Tempest, Shakespeare delivers this insightful message through Prospero, a complex and angered individual, with the relationships he shares and the magical abilities he possesses. Mistreated by those he least expected, Prospero, in an attempt to regain his lost honor, seeks revenge. However, it is in this process that he is able to learn the reality of what it means to be at peace and thus, forgives. Similarly, notable social activist, Desmond Tutu, describes his ideology on forgiveness, as well as the experiences that aided him towards this understanding, in his article, Desmond Tutu: ‘I am sorry’ – the three hardest words
In The Tempest, there are kind and forgiving characters such as Ariel Miranda, and Ferdinand. However, there are also brutal characters such as Caliban, Antonio, Sebastian, and -to some extent- Prospero. Miranda is a particularly forgiven character, something that is noticeable when she sees the sinking ship and says "O, I have suffered with those that I saw suffer: a brave vessel, who had, no doubt, some noble creature in her,dash 'd all to pieces. O, the cry did knock against my very heart. Poor souls,they perish 'd. Had I been any god of power, I would have sunk the sea within the earth or ere it should the good ship so have swallow 'd and the fraughting souls within her."(1.2.5-13) Very similar to her is Ferdinand, who forgives Prospero for enslaving him simply out love for Miranda. There is also Ariel, whose kind and loyal nature is shown in its love and forgiveness towards Prospero, the man enslaving it. This is good forgiveness in some characters is often countered in many positions such as Antonio 's power seeking betrayal, and his arrogance and inability to acknowledge Prospero and his generosity in forgiving him. This is shown where Prospero says to Antonio in Act 5, Scene 1 “For you, most wicked sir, whom to call brother would even infect my mouth, I do forgive thy rankest fault; all of them; and require my dukedom of thee, which perforce, I know, thou must
Even Prospero’s supposedly virtuous decision to give up his magical powers and release the prisoners is a selfish one. Moreover, it is Ariel, not Prospero, who proposes that the royal party be pardoned. From the beginning of the play until this point, Prospero has been wholly consumed by his need for power and revenge.
The nucleus of the plot in Shakespeare's The Tempest revolves around Prospero enacting his revenge on various characters who have wronged him in different ways. Interestingly enough, he uses the spirit of Ariel to deliver the punishments while Prospero delegates the action. Prospero is such a character that can concoct methods of revenge but hesitates to have direct involvement with disillusioning his foes. In essence, Prospero sends Ariel to do his dirty work while hiding his involvement in shipwrecking his brother, Antonio, from his daughter, Miranda.
Prospero’s conduct from the moment the play begins seems to contradict the basic lessons of Christian forgiveness. Prospero’s enemies are within his grasp and Prospero seizes the opportunity for revenge. “Desire for vengeance has apparently lain dormant in Prospero through the years of banishment, and now, with the sudden advent of his foes, the great wrong of twelve years before is stirringly present again, arousing the passions and stimulating the will to action” (Davidson 225). Though Prospero does not intend to harm anyone and he asks his servant, "But are they, Ariel, safe?" (1.1.218), he does want to put the men through the pain and agony of what they believe is a horrible disaster resulting in the death of the prince, Ferdinand.
William Shakespeare, otherwise known as The Bard, would go on to write several dramas with revenge in their meticulous plots. His tragedies Hamlet, Othello, and Coriolanus each feature a plot reliant on the act of vengeance by their main, eponymous characters. An element shared