How Does Matisse And Gauguin Use Their Paint Works

Can my decorative art be applied in fine art according to the work of Gauguin and Matisse?

I often hear from teachers that my work is too decorative. Most of this decorative work is what I do outside of my studies and includes copying certain materials with paint. Whilst true it´s a very decorative and material focused technique, it cannot be classed as deep in concept. I can, and do, translate some of my work into artworks. It is this translation that makes me believe decoration within art is itself an art form. But what does this mean for me and my work? Is repeating patterns and use of decorative arts within fine arts actually a fine artwork? What is fauvism? Can the way Matisse and Gauguin use their paint work be considered as both?

I am schooled as a decorative painter and never really worked with concepts. I love using the techniques, and I mainly focused on how to use them and not on the concept itself. For example, one of my works was a pyramid of glass. Completely handmade, decorated with different techniques. These were the craftsmanship techniques: gilding, marbling, graining, and verre eglomise. This wasn't assessed very well. "Yes, it is pretty. But what is the concept behind it? Why did you do it?" I did it for myself. I copied the texture of different textures within nature and created these textures with

Artistic movement is the name given to the work made by a group of artists that contains the artist Henri Matisse. Initially, the group was inspired by artists like Vincent van Gogh and Paul Gauguin. They were inspired by the emphasis on personal expression of the artists themselves. They used colour as a separated a part of the painting, and simplified forms and saturated colours inside their work. Above all, artistic movement thought that individual expression was the foremost important; they valued it. The artist's direct expertise of his subjects, his emotional response to nature, and his intuition were all additional necessary than educational theory or elevated material. My work isn't much like the work of the movement. However, what it does have in common is the use of patterns and composition as well as colour. For Matisse, the beautifying nature of a work of art was a vital piece of this way. His comprehension of the improving was inspired largely from Middle Eastern artworks, and specifically, from the woven artworks and calligraphy he found in northern