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The sniper (characterisation)
Analysis of the sniper by Liam O'Flaherty
Analysis of the sniper by Liam O'Flaherty
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Characterization in The Sniper, by Liam O’Flaherty
The Sniper by Liam O’Flaherty explored the theme of how war can dehumanize those involved through the thoughts, actions, and names of the characters. The story began as O’Flaherty introduced the main character as a young Republican sniper fighting in the civil war of Dublin, Ireland. While waiting for enemies to appear, he began smoking a cigarette which draws an enemy sniper to shoot at him. In the rising action, he was forced to kill an old woman who informed on him and was shot in the arm by an enemy sniper immediately afterwards. His firing arm was disabled and he devised a clever plan to take down the enemy. At the climax, the sniper was forced to take a difficult shot with his revolver
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to kill his enemy which resulted in success. Then, the sniper lapsed into an emotional breakdown where he cursed everything around him and threw his revolver to the ground, almost killing himself. The story concluded without complete resolution as the sniper found the dead sniper to be his brother. One of the most prominent themes in The Sniper was the corruption of people’s humanity due to the pressures of war. For example, when an old woman informed on the sniper, he killed her as “...he fired again. The woman whirled around and fell with a shriek...” (1). Killing an old woman should be a traumatic experience for anyone, particularly a younger soldier. However, he had shown no hesitation nor did he seem perturbed at all. Another example of his degraded state of mind was when he killed his enemy and “...uttered a cry of joy” (2). Again, the enemy had threatened his life which gave him the right to fight back. However, his reaction to his success was much more significant. Smiling before firing and crying for joy afterwards was an abnormal response to overcoming death at the expense of another human’s life. Being in war changed the psychology of the sniper so drastically that his mind adapted to his environment by labeling all who went against him as just an enemy; their deaths were necessary for his survival which is one of the unfortunate aspects of war, when families are torn apart and turned against one another. In The Sniper, O’Flaherty utilized characterization in the form of the characters’ thoughts, actions, and names to present the theme that war could consume the humanity of the people of whom it involved.
After shooting the old woman and not showing any remorse, he placed iodine on his bullet wound as “a paroxysm of pain swept through him” (1). The contrast between his ability to feel physical pain and not emotional pain clearly shows off how numbed his moral senses were because of the war. Secondly, when the sniper threw his revolver on to the ground in frustration of the war and it accidentally discharged close to his head, “he was frightened back to his senses” (2). This perspective into his thoughts about war and himself enhances the author’s portrayal of how devoid of humanity he became in order to survive. Finally, the lack of names throughout the entire story added to the dehumanizing tone: “...the sniper… the enemy… his brother’s...” (1). Not having names for any of the characters was intentional because it reflected the sniper’s point of view when he saw the other characters. Also, not having a name emphasized how these characters were merely one of many being controlled by people more important than them, a common occurrence in warfare. Even by the dramatic ending, his brother, a member of his own family, remained nameless which represented an extreme situation of war, when brother is turned on
brother. The sniper’s thoughts, actions, and lack of a name were all displayed in this fictional story by O’Flaherty to show how a person’s personality can be overwhelmed by war. However, the toll war takes on its participants is very real. Some soldiers return to their homes alive, but thoroughly changed and suffering due to post traumatic stress disorder or PTSD. After rewiring their minds to survive like the sniper did, many are unable to change back. Their lives could be ruined and families never the same again.
Kyle, C with McEwen, S., DeFrelice, J. (2012) American sniper: the autobiography of the most lethal sniper in U.S. military history. American sniper : the autobiography of the most lethal sniper in U.S. military history. Chris Kyle Author. Retrieved from http://libserve.ivytech.edu.allstate.libproxy.ivytech.edu/vwebv/holdingsInfo?searchId=514&recCount=20&recPointer=0&bibId=366194
In “The Sniper” the conflict is man vs man, which means main character is tasked with killing his enemy, but it proves to be quite a challenge. Even though there were many challenges the sniper followed through with his job and persevered even after he was shot in the arm. Wanting to kill his enemy, stay alive, and be one step closer to ending the war was his main goals. Being brave, he took off his hat, placed it on his gun, and raised it above the edge of the roof. Instantly the enemy shot at it and the sniper, pretending to be dead, waited until the enemy got up for him to shoot him. He did some quick thinking and, with determination, handled the conflict quite well.
In the story, “The Sniper”, The sniper showed that he was an intelligent soldier. In the beginning, after Being shot by the enemy sniper the sniper took care of his wound and was able to compose himself and think of a plan. Thinking he had won the battle after the snipers successful decoy the enemy sniper dropped his guard and the second he did the sniper
In Liam O'Flaherty's "The Sniper," all of these. are brought to an acute reality in a single war-torn city. Strong cerebral convictions and opposing philosophies, due to which people want to destroy the seemingly “wrong” plague this world and are the ones who are the ones who are the main reason for the plight. To aid in his creation of such emotional conflict, turmoil and plight, the author has portrayed the sniper as a very controversial character in the story. This story is oriented around one character in the Civil War which he should not even be in as he is. mentioned to be a “student” in the story.
In the short story Ambush the soldier has a partner and in The Sniper the republican sniper is alone. The
Murder is a reprobate action that is an inevitable part of war. It forces humans into immoral acts, which can manifest in the forms such as shooting or close combat. The life of a soldier is ultimately decided from the killer, whether or not he follows through with his actions. In the short stories The Sniper by Liam O'Flaherty and Just Lather, That's All by Hernando Téllez, the killer must decide the fate of their victims under circumstantial constraints. The two story explore the difference between killing at a close proximity compared to killing at a distance, and how they affect the killer's final decision.
Liam O’Flaherty’s realistic fiction story, “The Sniper,” takes place in Dublin, Ireland, where there is a civil war waging between Republicans and Free Staters. The Republican sniper, who is the main character in the story, is fighting in the civil war for the Republican organization. There are numerous amounts of people who are attempting to assassinate the sniper because of his organization, and his enemies are located all around him waiting patiently until they gain their chance. The Republican sniper, however, leaps before he looks most times, thus leading to severe consequences throughout the story. By using description and suspense, O’Flaherty creates the lesson that actions, without thought, will lead to consequences.
As we saw earlier, both authors of both stories were born in different places and did many things. “The Sniper” sets in Dublin, Ireland, during a time of a bitter civil war. It was a war between the Republicans, which wanted Ireland to become ...
The main character of “The Sniper” is the republican sniper and the main character of the “Cranes” is Songsam. In “The Sniper”, the sniper is in a war and he is trying to kill his enemy. At the beginning of the story, he is on a rooftop near O’Connell Bridge lay watching. Beside him lay his rifle and over his shoulders was slung pair of field glasses. He looked like he was a student. He was self disciplined but was extremely devoted towards the war. He was eating a sandwich because he eaten nothing since morning. He is going to smoke but he paused and thought whether he should or shouldn’t but he did. In the “Cranes”, Korean War is going on. During this war, many villages along the thirty-eighth parallel changed hands several times.
The basic plot of the story is based during an evening within the Irish civil wars. It tells of a republican sniper sitting on a rooftop and neutralising enemy units as the cross a bridge. When a free-states sniper shows himself on an opposite roof they wage a fierce and innovative war to see who would end up the better. Eventually the republican sniper gains the upper hand and after taking a bullet in the arm destroys the worthy opponent. After a curious inspection to the identity of the enemy sniper he finds himself looking into the eyes of his dead brother.
In conclusion, the Sniper is, interestingly, a complete contradiction in himself. He is both experienced and amateur, cold and emotional, lusting after war and hating it, self-assured and vulnerable, and logical and mad. This stark paradox may create much of the inner conflict that goes on within the Sniper, and also reflects the outer conflict of the Irish war- a war where both sides are essentially opposing parts of the same whole.
These instances contribute to his emotional turmoil and hatred towards the Vietnam War. The deaths became constant, and most would learn to conceal their emotions on the subject. One day the Alpha Company was traveling from one village near Pinkville to another. Passing by a herd of cows and many young boys in a field, the soldiers took this opportunity for target practice, just like at Fort Lewis. O’Brien did not shoot, but did so without protest. Amazed at his comrades for their actions and outward pleasure by the smiles on their face (pg. 139). Emotionally the war is changing these men, making them numb to the fact of death, and others who watch and wonder are still apart of the overall effect. He mentions on page 81 that O’Brien has even found himself not knowing when people arrive and when others die. The emotional turmoil has affected him and his officers tremendously in the fact that they have all learned that the death of the vietnamese and possibly of their own, are just apart of the war (pg. 141). Mad Mark, the platoon leader, is described to have no-fear or in other words “insanely calm.” This emotionlessness is apparent when he flaunts a ear he just cut off a person he killed. The other soldiers giggle and find his stunt as amusing, all together confirming that the continuous death has damaged his
The mood of the story is dark and weary. In this scene the sky is gloomy and there are Republican and Free Starter soldiers fighting in the Irish Civil war, “The long June twilight faded into the night. Dublin lay enveloped in darkness but for the dim light of the moon that shone through the fleecy clouds.. machine guns and rifles broke the silence of the night, spasmodically” (O’Flaherty 1). Although the mood of the story is creepy and dim for the most part, it is silent with the sudden sounds of guns firing. As the story progresses, the sniper’s emotions begin reflecting on his actions. He begins to feel guilt and remorse for killing someone and the mood shifts to tension and violence.
Usually when someone is murdered, people expect the murderer to feel culpable. This though, is not the case in war. When in war, a soldier is taught that the enemy deserves to die, for no other reason than that they are the nation’s enemy. When Tim O’Brien kills a man during the Vietnam War, he is shocked that the man is not the buff, wicked, and terrifying enemy he was expecting. This realization overwhelms him in guilt. O’Brien’s guilt has him so fixated on the life of his victim that his own presence in the story—as protagonist and narrator—fades to the black. Since he doesn’t use the first person to explain his guilt and confusion, he negotiates his feelings by operating in fantasy—by imagining an entire life for his victim, from his boyhood and his family to his feeling about the war and about the Americans. In The Man I Killed, Tim O’Brien explores the truth of The Vietnam War by vividly describing the dead body and the imagined life of the man he has killed to question the morality of killing in a war that seems to have no point to him.
War and its effects are references throughout the novel, giving a window to experiences of the war and postwar through the actions of military officers. A woman, Uiko, of who Mizoguchi is interested in, insults his stutter. She is seen later helping a deserter. The kempei, the Japanese military police, sought after her and she confided the deserter's location (15). Mizoguchi witnesses all of this, concluding in Uiko’s death after being shot by the betrayed deserter, “Insensitive people are only upset when