More handpicked essays just for you.
The use of symbolism in animal farm by George Orwell
Symbolism in george orwell the book
Good essays for orwell 1984
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In George Orwell novel, “Shooting an Elephant” he expresses his fear and indefinite feelings of shooting an elephant so that he can impress the natives of his town as a white man. Orwell’s purpose is to convey the white men of his town that holding a rifle in his hand means that he is self-reliant and can impress the natives. He creates a inside imagery of a convinced feeling and encouragement by the thousands of people that crowded the streets just to see him shot a elephant. By doing so, he builds the confidence from the town people that followed him as a way to show that natives what they expect from him. In George Orwell’s novel “Shooting an Elephant”, he gives the reader a observable understanding through his use of words using his imagery, tone words, and figurative language. …show more content…
In this novel, Orwell’s usage of imagery allows the reader to be standing in the crowd of thousands of people watching him as he kills the elephant.
Orwell’s imagery includes that immense crowd that followed him and blocked the road for a long distance on both sides. As the reader, we can picture a sea load of people that gathered around George as he approaches to kill the elephant. In addition to Orwell’s imagery, he expresses his seeing of a sea of yellow faces. A sea of yellow faces illustrates the mean of all the people that came to watch George as he takes down the elephant to impress the white men of the town. These people have gathered around to watch as he shows the natives of the town what they expect of him. The visual imagery that Orwell uses expresses his surroundings and the atmosphere he is facing as he is standing inside of the town people watching his every move. Orwell’s visual imagery is expressed by the tone words that emphasize his feeling on the
inside. Throughout the novel, Orwell usages of tone words are particularly effective because his approach allows him to reveal a glimpse of his personality. When Orwell uses his visual imagery of seeing a sea of yellow faces he is expressing racism and alienation because he feels trapped by the thousands of people crowded to watch him shot the elephant. Another tone word that Orwell uses is contemptuous. This is causing other voices inside his head that are telling him that shooting an elephant is not worth what other people are expecting of you. This little voice inside his head is able to express his emotions to the people that are watching him that he is nervous and unsure of his actions that are about to take place. Meanwhile he ends up doing what is best for the white men in his town in trying to impress the natives that they can be apart of their tribe.
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
“Shooting an Elephant” focuses on society by pressure. In “Shooting an Elephant,” Orwell is pressured by the native people to shoot and kill the elephant, even though the elephant is no longer harmless. In the beginning of the essay, the natives repeatedly attack Orwell every day. When the elephant goes insane, the natives go to Orwell for help. The natives were constantly pressuring Orwell as he said, “For it is the condition of his rule that he shall spend his life in trying to impress the “natives,” and so in every crisis he has got to do what the “natives” expect of him” (Orwell par. 7). Orwell is pressured by society to do the opposite of what he feels is morally
Orwell used arguments of heart, of values, of facts, of reason, and then of the character in the sixth paragraph in the listed order. The most powerful argument was the facts and the least powerful was from the character. That fact that killing the elephant is comparable to destroying a huge and costly piece o...
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
From the beginning of this essay Orwell’s purpose was never to shoot the elephant. In paragraph 3, lines eight through nine he explains not wanting to shoot it and speaks about bringing the gun to give the elephant a good fright. Leaving the gun at home or bringing the gun would have made no difference to what happened at the end. The gun was of little use, the main gun was not even his own but the riffle.
The essay “Shooting an Elephant,” was written by George Orwell. Orwell was a British author best known for his essays and novels. In “Shooting an Elephant,” the title essay of his 1950 collection, Orwell is a British Police Officer in Lower Burma. After an elephant comes rampaging through the village in must, killing an Indian man, Orwell is looked upon to take care of the problem. The intense scene causes Orwell to make a crucial decision, reflecting on the vicious imperialism with the military in Burma during this time. The author portrays his feelings through the theme of the narrative with feelings such as, guilt, hate, and pressured.
elephant: ?Here I was the white man with his gun, standing in front of the
In this story ,Orwell is taking part in imperialism by proving his power and dignity to the natives presenting imperialism metaphorically through the use of animals. He is using the elephant as a symbol of imperialism representing power as an untamed animal that has control over the village. He uses a large and very powerful animal to represent a significant metaphor for imperialism.. In doing so he leads to the understanding that the power behind imperialism is only as strong as its dominant rulers. Orwell?s moral values are challenged in many different ways, ironically enough while he too was the oppressor. He is faced with a very important decision of whether or not he should shoot the elephant. If he does so, he will be a hero to his people. In turn, he would be giving in to the imperial force behind the elephant that he finds so unjust and evil. If he lets the elephant go free and unharmed the natives will laugh at him and make him feel inferior for not being able to protect the...
...he elephant, and the elephant, who painfully dies, focuses the reader's attention on the suffering that imperialism causes for both parties. If the shooting was justified, Orwell's argument would have been immensely weakened.
Knowing the crowd did not like him and never would, but for the moment at least was not laughing at him, he conformed to the expectations of the majority. He, the elephant and the “sea of yellow faces,” (Orwell, 1946, para.6), are all actors in the precarious theater that, “the futility of the white man’s dominion in the East,” (Orwell, 1946, para.7), has created. Clearly his predicament included concern for his own safety, as he could easily be trampled to death if the animal charged at him. Furthermore, the pressing will of the jeering crowd to entertain them cornered him as the spectacle of the moment if he succeeded in falling the elephant or the laughing stock of the town if he failed.
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
Orwell, George. “Shooting an Elephant.” The Brief Arlington Reader. Ed. Nancy Perry. Boston: Bedford/St. Martin’s, 2004. 334-339.
In the story “Shooting an Elephant”, George Orwell recounts an experience where he was faced with a moral dilemma during the unpleasant years he spent working as a British police officer in Burma. Due to the British empire's dictatorship, the natives ridiculed and mocked his foreign presence and authority. Triggering Orwell to hate his job, hate British imperialism and hate the Burmese natives. However, shooting the elephant gave him a sight of the true nature of imperialism. Through his actions, Orwell efficiently demonstrates the negative effects of imperialism on individuals and society. In the passage, the theme of colonialism is demonstrated through Orwell’s use of key literary elements such as symbolism, tone, setting, and language.
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
Orwell?s extraordinary style is never displayed well than through ?Shooting an Elephant,? where he seemingly blends his style and subject into one. The story deals with a tame elephant that all of a sudden turns bad and kills a black Dravidian coolie Indian. A policeman kills this elephant through his conscience because the Indians socially pressurized him greatly. He justified himself as he had killed elephant as a revenge for coolie.