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Media Manipulation Exposed in George Orwell's “Shooting an Elephant”
The phrase “the power of the press” is used often, but what exactly is the power of the press? Since the beginning of news reporting, it’s been known that what actually gets into the news reports is monitored and carefully picked by higher authorities. What isn’t widely known, however, is that the media can use specific wording and phrases that, on the surface, look like normal news coverage, but are actually a technique of the media to control the images people see and the words they hear and read. From this, people then form their ideals, but are these actually ideals of those people if the media from which they based them off of was controlled to begin with? It is the power of the press to control and manipulate the public’s ideals by what is released in the media.
In childhood, it’s evident from the start that the parents are the ones who hold the power. As the child grows and develops, the parents show him that they are in control by correcting the things he does wrong and by making it clear that they know more than he does about life. Until the child is old enough to create his own ideals of what is right and what is wrong, the parents shape his ideals for him. As the child grows older, however, the parents relinquish this hold on him and allow him to form his own ideals of the world around him. But as he ventures out in the world, is he actually forming his own ideals, or is he still being shaped by an even larger, more powerful source?
In George Orwell’s Shooting an Elephant, Orwell suggests just that; one can form his own ideals, but they will either be changed by the media (symbolized in his essay by the Burmese natives) or constructed from...
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...d and has left them with only the ideals which the press wanted them to have in the first place. The power of the press is not to share the truth about everything; it is the power to control what everyone thinks about everything.
Works Cited
Crocker, Brandon. “What Really Matters.” The American Spectator. 11 May 2004.
Farah, May. Rev. of About Baghdad, pro. Sinan Antoon. The Daily Star. 30 June 2004.
Franklin, H. Bruce. “From Realism to Virtual Reality: Images of America’s Wars.” The Brief Arlington Reader. Ed. Nancy Perry. Boston: Bedford/St. Martin’s, 2004. 384-400.
Murphy, Maureen Clare. Rev. of Peace, Propaganda, and the Promised Land, dir. Bathsheba Ratzkoff & Sut Jhally. The Electronic Intifada 26 March 2004.
Orwell, George. “Shooting an Elephant.” The Brief Arlington Reader. Ed. Nancy Perry. Boston: Bedford/St. Martin’s, 2004. 334-339.
In Orwell’s reflective narrative, “Shooting an Elephant”, he reveals the truth on imperialism. Through the utilization of irony and the method of appeals, Orwell shows the reader that imperialism is just a definition because the people are in control, not Britain.
The media takes a biased approach on the news that they cover, giving their audience an incomplete view of what had actually happened in a story. Most people believe that they are not “being propagandized or being in some way manipulated” into thinking a certain way or hearing certain “truths” told by their favorite media outlets (Greenwald 827). In reality, everyone is susceptible to suggestion as emphasized in the article “Limiting Democracy: The American Media’s World View, and Ours.” The
According to the U.S. constitution and thereunder the first amendment, the press is said to be free, and the government cannot legally prohibit this freedom. Overall, the press holds an enormous responsibility. It is the watchdog of the community, the guarder of the government and the public. They provide an unofficial form of checks and balances on the government by informing the public on what the government is doing. Through this, they can persuade the public to view things in from one perspective or another. They have been given the constitutional right to do this.
A police officer in the British Raj, the supposedly 'unbreakable'; ruling force, was afraid. With his gun aimed at a elephant's head, he was faced with the decision to pull the trigger. That officer was George Orwell, and he writes about his experience in his short story, 'Shooting an Elephant';. To save face, he shrugged it off as his desire to 'avoid looking the fool'; (George Orwell, 283). In truth, the atmosphere of fear and pressure overwhelmed him. His inner struggle over the guilt of being involved in the subjugation of a people added to this strain, and he made a decision he would later regret enough to write this story.
The media has this immense power, this way of showing things how their network wants, and
The students could hardly sit still during penultimate period the day before the long Columbus Day Weekend. The school was gearing up for the annual pep rally held during the last period of the school day before the Columbus Day Weekend. Lots of Calvary Hill teachers would stick it to the students before long weekends and vacations by giving tests and quizzes, others would give up the instructional time and let the kids watch a movie. Peter didn’t test or let the kids waste time with movies, he structured the time with games of Jeopardy and other fun activities that kept the kids engaged and thinking about the content material, while still having fun. When the final bell rang, the students could hardly believe that the period had flown by. They gathered up their materials and headed for the door.
...t it is not what the essay is chiefly about. The essay is actually concerned mainly with the writer's own personality and his views on various matters such as the evils of tyranny and oppression associated with imperialism. It succeeds in presenting the contradictions in the writer's thought and feeling and clarifying his complex attitude towards the British Raj. According to Keith Alldritt, "Shooting an Elephant marks an important stage in Orwell's career because it shows his first discovery of a form appropriate to his needs .........Shooting an Elephant is a transitional essay. It contains vestiges of the early symbolist manner and it also points forward to the mature essays of the forties." The essay is, as Tom Hopkinson points out, "an example of his prose style at its most lucid and precise." It is also emblematic of Orwell's moral nature and human concern.
In this story ,Orwell is taking part in imperialism by proving his power and dignity to the natives presenting imperialism metaphorically through the use of animals. He is using the elephant as a symbol of imperialism representing power as an untamed animal that has control over the village. He uses a large and very powerful animal to represent a significant metaphor for imperialism.. In doing so he leads to the understanding that the power behind imperialism is only as strong as its dominant rulers. Orwell?s moral values are challenged in many different ways, ironically enough while he too was the oppressor. He is faced with a very important decision of whether or not he should shoot the elephant. If he does so, he will be a hero to his people. In turn, he would be giving in to the imperial force behind the elephant that he finds so unjust and evil. If he lets the elephant go free and unharmed the natives will laugh at him and make him feel inferior for not being able to protect the...
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
Like the elephant, the empire is dominant. The elephant, an enormous being in the animal kingdom, represents the British Empire in its magnitude. The size represents power as it is assumed that the two are insuppressible. Also, the elephant and the British empire, both share hideousness in the effect it causes in Burma. To create a comparison between the elephant and the empire, the author describes the elephant as wild and terrorizing when the “elephant was ravaging the bazaar” (324); thus, it symbolizes the British Empire is restraining the economy of the Burmese. When the elephant kills the Indian laborer, it represents the British oppressing the Burmese. On the other hand, the elephant is a symbol of colonialism. Like the natives of Burma who have been colonized and who abuse Orwell, the elephant has a destructive behavior by being provoked and oppressed “it had been chained up” (324). Despite the fact of its aggressive behavior and the Burmese’ more astute rebelliousness could be undeniably good things, they are doing their best given the oppressive conditions, both the Burmese and the elephant have to endure. Also, the elephant symbolizes the economy of the oppressor, as well as the oppressed. This animal is a “working elephant” (326) in Burma, and for the colonial power. The Burmese are also working animals because they are hard workers and involuntarily are following the rules of the British empire.
In some cases, literature may illustrate the idea that individuals are required to blindly follow custom or tradition based upon the fact that it has always been expected. On the other hand, a text may illustrate what happens when one goes against societal expectations. In George Orwell’s “Shooting an Elephant” both of these ideas are actually true. George Orwell attacks Colonialism and Imperialism in his story “Shooting an Elephant.” The glorious days of the imperial giants have passed, marking the death of the infamous and grandiose era of imperialism. In George Orwell's essay, “Shooting an Elephant”, Imperialism is the evil in the story. The unjust shooting of an elephant in Orwell's story is the central focus from which Orwell builds his argument through the two dominant characters, the elephant and its executioner.
Orwell in the story is a colonial policeman that is disrespected by the Burmese people of the town he is policing.He first uses language of himself as”young and ill-educated” to describe his hatred for his job. This allows him to reflect on colonialism and how he dislikes doing his job because he hates the idea of it so much.Orwell’s later in the story had to respond to a report of a local man who had been attacked by an elephant in Musth . Orwell sees the man “lying on his belly with arms crucified and head sharply twisted to the side.” The corpse had “an expression of unendurable agony.” At this point, Orwell feels the pressure of the Burmese people urging him to shoot the elephant, but Orwell knows that the elephant is not dangerous,
Americans look to the press to provide the information they need to make informed political choices. How well the press lives up to its responsibility to provide this information has a direct impact upon Americans: how they think about and act upon the issues that confront them.
Orwell?s extraordinary style is never displayed well than through ?Shooting an Elephant,? where he seemingly blends his style and subject into one. The story deals with a tame elephant that all of a sudden turns bad and kills a black Dravidian coolie Indian. A policeman kills this elephant through his conscience because the Indians socially pressurized him greatly. He justified himself as he had killed elephant as a revenge for coolie.