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My project is an optical illusion that displays Decius’s ability to be able to manipulate something completely changing the meaning of the picture. Since, Decius was able to flip Calpurnia's terrible dream to almost exactly the opposite of what she had told Caesar. This caused Caesar to change his mind and go to the senate where Decius and the other conspirators took his life. I have shown in my project of this word “LIVE” to represent the fact that before Decius’s came along that Caesar never would have gone to the senate which the conspirators then would not have been able to kill Caesar. If you turn the picture upside down, the word changes and is now “FALL” to represent the fall of Caesar because of Decius’s new interpretation of the dream. …show more content…
The turning of the paper upside down correlates with Decius’s ability to manipulate Calpurnia's dream. In addition both the dream and the picture are not changing, it is the simply the point of view at which you look upon it. This is important as I made it, and if I did not tell you that there were two ways to look at it, you would simply see the side at which I portrayed it as. Decius is special as he was able to look at something and instantly change it to the other way manipulating the meaning. As it took me hours and hours just to turn some letters upside down allowing them to look like other letters! Many of us would do the same as me, in which we can not interpret things as quickly and effectively as Decius could. Than my favorite part of the project especially is the rustic background look that the picture displays (burn marks included). As Decius is able to manipulate Caesar into going because of this new mindset that decius told him he would be a relic or stain. Although Decius was simply trying to just persuade him to going so he would die, little did Decius know that he would be revenged and that many people would look to Caesar as a noble ruler in the
In the following scene, Caesar is set to receive his crown. The night before, Calpurnia sees bad omens, and hopes that Caesar will stay home. On the other hand, the conspirators are planning the assassination of Caesar at the Capitol, and they need him there to receive his fate. Knowing Caesar well, Decius urges Caesar to go to the Capitol and receive his crown. Using various rhetorical devices, Calpurnia attempts to urge Caesar to stay home, while Decius tries to get Caesar to the Capitol.
In this scene, Caesar shows no eagerness to gain power or fame as the citizens have assumed therefore showing no ambition whatsoever. The imagery and logical reasoning persuade the audience into rethinking if Caesar was ambitious and believe that Caesar was
In life, people and things are not always as they appear. William Shakespeare displays this idea throughout his play, Julius Caesar. The play portrays the historical murder of one of ancient Rome's most precious leaders, Julius Caesar. The play takes its readers through the minds of the conspirators as they plot this massive murder and deal with the responsibilities of its consequences. During the aftermath of Caesar's death, Octavius talks to Antony about how they should bring peace back to Rome. He states, "And some that smile...have in their hearts...millions of mischiefs" (4.1.50-51). Here, Octavius is referring to the false appearance of the conspirators. He says that they might appear harmless, but behind their false smiles is a heart full of dirty tricks. He is also saying that someone's outward appearance doesn't always symbolize how he or she feels inside. This theme of appearance versus reality can be seen various times throughout Julius Caesar. It is developed through the personalities and actions of Antony, Brutus, and Cassius. These characters deceive their friends and add to the intriguing plot of the play.
The decursio sides are representations of Antoninus Pius’ deification and funerary rites. The depiction consists of the cavalry circling the standing figures, two of whom carry military standards, while the rest are wearing their cuirass. These scenes represent the ceremony that is essential for the deification of the imperial members. The style that is used within these sides is in relief form, yet they also break from the traditional Classical style. The variation of the Classical style is prominent by depicting stocky human forms and using two types of perspective within a single space. The figures also lack the gracefulness of other works during this time that follow the Classical style. The perspective of the piece is unclear where the figures seem to be suspended in space for what seems to be an overhead view while at the same time using a single perspective. Despite the deviation of the Classical style this p...
In conclusion, William Shakespeare’s Julius Caesar is the quintessence of a tragic hero. He is highly respected in society and holds a position of authority, yet is corrupted by his pride and arrogance. He ignores warnings of assassination, but once he is attacked by his confidant Brutus he realizes his flaws. Unfortunately, he can never repent of his prideful ways, as his life is extinguished. Because he is murdered by one of his greatest friends and did so much to aid the destitute, he is a sympathetic character. Julius Caesar is a complex and multi-faceted man, but the tragedy of his life strikes a chord of sympathy that resonates throughout not only his subjects, but the readers of his downfall for centuries past, present, and future.
Cassius believes that he should not be ruler of Rome for a few very specific reasons, so to combat this he convinces Marcus Brutus to join his conspiracy by forging fake letters. Brutus is very honorable and is loved by many people in Rome, so he would bring the people to their side. On the 15th of March Caesar went to the capital despite the multiple warnings he was given. Calpurnia ,Caesar’s wife, dreamt of his statue running with blood and begged him to stay home. Although Caesar ignored it when Decius convinced him that it represented the good and richness that he would bring to Rome.
However, when Decius arrives at Caesar’s home, he tries to convince Caesar that he has misinterpre...
What interest me the most would be the similarities betwen caeser and the guacho. Both murdered by people they knew well you can tell this from what the spearker said, "a Guacho is set upob by other guachos,and as he falls he recognizes a godson of his"(2). Both of them nver expected anything, shows you just how fast one or a group of people can switch sides. Also just how the writer says, "but he does not know that he has died so that a scene can be played out again"(2). So basically, the witer is saying the scen with the guachos is just another scene being played out of juluis caesar
Brutus is a good man who is easily turned evil by men filled with abhorrence and jealousy. In the play, Julius Caesar, Brutus is a Roman who is easily manipulated, decisive, and proud. These contradicting traits of Brutus show us why the reader does not want to believe that Brutus is an antagonist in the story.
Decius uses flattery and persuasion when speaking to Brutus. Decius is an active member of the Conspirators so he is very motivated into getting Caesar to go to the Senate House. The first thing that Decius says when he walks into Caesar's house is "Caesar, all hail! Good morrow, worthy Caesar" (II, ii, 30). Decius also goes on and calls Caesar "most mighty". Decius is already on Caesar's good side. After catching up on Calpurnia's dream, he uses his quick wit to distort Calpurnia's foreshadowing dream by saying it is "misinterpreted". He explains that the dream "Signifies that from (Caesar) Rome shall suck/Reviving blood, and that great men shall press/for tinctures, stains, relics, and cognizance" (II, ii, 31). Caesar seems to be amazed by this version of the interpretation; in fact, he likes this version a lot better mainly because Decius uses so much flattery.
1, Lines 9-12). This depiction of the Helvetians as brave and surpassing other Gauls in valor was an attempt at heightening the prestige of his victory. Caesar goes on to change his attitude and perception of the Gauls in a negative manner in an attempt to justify his first battle with the Helvetians. Here he nearly completely eliminated the people of the Helvetian district of Tigurini, which was responsible for the defeat of Lucius Cassius and went as far to say, “Qua in re Caesar non solum publicas, sed etiam privatas iniurias ultus es, quod eius soceri L. Pisonis avum, L. Pisonem legatum, Tigurini eodem proelio, quo Cassium, interfecerant” (p. 15, Lines 13-16). Although this in itself is not an exaggeration of the characteristics of the Helvetians, Caesar’s use of both a positive and negative perceptions of the group is an excellent example of Caesar’s conscious effort to use card stacking to positively influence the notion of his victory in the minds of the Roman Senate and the Roman people as a
Here, we will be looking at a rendition of the high marble statue of Augustus Caesar known as “Augustus of Prima Porta.” Originating from 1st Century A.D., it is said that there is a possibility that the original sculpture could have been of greek descent. Upon a general overview of the sculpture, one can see that Augustus fulfils a millitarial role of some kind. From his very stance to the garments portrayed on him, Augustus is draped in a decorative cuirass and a tunic, accompanied by a figure of Cupid clutching on to his right calf. After taking the general themes of the work into account, one can then began to start unraveling the many symbolic elements embedded into the sculpture that allude to godly themes. Starting from the crown of his head, the very chiselment and structure of his face gives the work a youthful element to it, even though some say that Augustus was around 40 years old. A recurring theme within Greek and Roman culture is the matter of godliness and immortality amongst idolized figures themselves. This idea is usually depicted by displaying powerful human being in a younger light. This
Calpurnia’s character had an important role in the plot development. When we see Calpurnia, a worrisome wife who just wants her husband to stay safe, pleading to Caesar to stay home, we then see Caesar in a more domestic state willing to please his wife. We see a more private side to Caesar besides the political life he leads (enotes.com, par 6). The one and only scene with Calpurnia was also the biggest foreshadowing technique that Shakespeare used. The dream Calpurnia had was basically representing that Caesar was going to die because there were people who wanted him dead. No one wanted to believe Calpurnia though and her “foolish” beliefs. At last, when Caesar does decide to go to the Senate, he is assassinated due to repeatedly being stabbed (reference to Calpurnia’s dream of Caesar’s statue with a hundred spouts spouting blood) by Cassius and Brutus; two conspirators against Caesar. Calpurnia’s dream foreshadowed the assassination of
The conspirators had planned the death of Julius. Brutus and Cassius, along with Decius, knew they had draw in to Caesar close. Proving Caesar that they had a firm friendship, that would solidify their situation and leave Julius completely sightless to his doomed fate. Caesar's wife Calphurnia would have a dream. She would see Caesar's statue run with blood and men with swords surrounding him.
When the Soothsayer says, “Beware the ides of March.”(I.ii.18). He is setting up the death of Caesar, allowing the reader to realize that the date will be very significant to the play. This dialogue already sets up the stage for the plot to progress rapidly. Although, once Caesar leaves the stage, Brutus and Cassius are shown. Brutus begins to speak of his worries, “[...]I turn the trouble of my countenance/Merely upon myself. Vexed I am.”(I.ii.37-38). Brutus’ next few lines expresses his conflicts, showing his weakness towards Cassius. Cassius is able to easily swoop in and influence Brutus, without having to break a sweat, to follow through with his conspiracy to kill Caesar. The superstition does not actually come true without the actions of Cassius and Brutus. The exhibition of Brutus’ fear and the manipulation of Cassius, both set up the play to continue and also enhances the foreshadowing. The second warning given to Caesar is from Calpurnia. Caesar repeats what is spoken to him, “She dreamt she saw my statue/Which like a fountain with an hundred of spouts/Did it run pure blood[...]”(II.ii.76-78). Caesar is shown to heed this warning and it does describe what will happen on the ides of March. He repeats this to indicate his belief in his wife. Although, Decius manages to convince him to come. He states, “It was a vision fair and fortunate:[...]/great Rome shall