Character Evolution: From Power to Tragedy In Sophocles' tragedy Antigone, Sophocles explores the importance of listening to others as well as the importance of having the ability to compromise. In the beginning of the play, Creon is an aspiring leader wanting to protect Thebes. Through his interactions with the Chorus, Creon’s personality changes from the original good intentioned leader to a stubborn ruler with close minded ideas; refusing to listen to the advice of others. However, at the end of the play he learns to embrace the advice of others at the cost of his entire family dying. Creon’s character is a good-willed aspiring leader, through his interactions with the Chorus and Haemon. His character shows his transformation into a close …show more content…
Despite just moments ago, the Creon who stated the Chorus' words were not only valuable but something he would take into consideration, he now dismisses. When the Chorus suggests an idea that Creon himself does not believe nor agree with, he abuses his power and makes his words the final decision; as if he were a tyrant. The interaction illustrates his change from a good-willed leader, to a dictator. During the final acts of the play, Creon is faced with an alarming amount of karma that has built up through all the decisions he had made. He learns through a prophet that something was amiss and will lead to Thebes and his own suffering. After mourning the loss of his son, Haemon, he finally accepts the reason that the reason he died was his own fault. The Chorus stands by Creon as a witness acknowledging, “[he] learned to see what’s right-- but far too late” (1457-1458). After the death of his family, Creon is devastated, finally realizing the significance of ignoring other people's warnings and …show more content…
Creon dismisses Haemon’s concerns, accusing him of being young and inexperienced, rather than acknowledging the validity of Haemon’s arguments. Creon belittles his perspective and rejects the advice that Haemon attempts to reason with him. Creon increasingly becomes hostile and defensive, refusing the compromise that Haemon proposed moments earlier. However, during the final moments with his son, he realizes what he has taken for granted. The last moment he shared with his son was when Haemon was trying to kill him. Haemon's murder attempt fails and then goes to the side of his bride and perishes. During this time, Creon has to witness the death of his son, knowing that his son died in mourning of his bride and with anger he has for his father. Once confronted with the devastation of his son's death he cries, “Alas, my son, you died so young-/ a death before your time/. you’re dead, gone/ not your own foolishness but mine” (1453-1456). Through Haemon’s death, Creon is faced with the consequences of his stubbornness, pride, and refusal to listen to
Human emotions and beliefs can be some of the most powerful and forceful factors in the world. They can often time cause humans to overlook their moral and civil duties and instead confront the demands of a private passion. Two people that have contrasting views about passion and responsibility can cause a major conflict which could cause a “classic war” in literature. In the play Antigone, the differences in Antigone and Creon’s passions and responsibilities helps Sophocles illustrate their central flaws. By doing so, the playwright implies that one needs to achieve a balance of passion and responsibility in order to maintain a sense if inner peace and political stability.
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In all works of literature you will find characters that change. From Oedipus the King to Antigone, Creon changes a great deal. In Oedipus the King, Creon has no intention whatsoever of being king. By the end of the play he makes it clear that his intentions have changed and he does want to take Oedipus’s power and become King of Thebes. When we see Creon in Antigone he has become king and he begins to make his mistakes.
In Antigone Creon reveals his obstinate nature and how even someone as important as a king is not invulnerable to the problems such a character flaw causes. In the beginning of Antigone the townspeople of Thebes rejoice in their new leader, “Creon,” they call, “the new man for the new day” (174). The repetition of ‘new’ shows how the city is ready to welcome Creon with open arms; this outright praise of Creon shows how highly he is regarded by his people. “You cannot know a man completely…his sense of judgment, not till he’s shown his colors…making laws” (194-197). Here Sophocles is showing the reader not to trust Creon absolutely because even if it seems that it is a new age is dawning, Creon may not be a good leader. In this passage Creon seems determined to prove that he is as strong as Oedipus and Laius to whom Thebes was extremely loyal even through tough times, he is so desperate to prove himself that soon after he sentences Antigone to death. Later, after Antigone has been captured, Creon’s own son, Haemon, comes to him saying, “don’t please, be quite so single-minded” (789). At this point Creon is being directly told of what he is doing. Haemon is someone Creon shou...
Creon believes that he has the upper hand when it comes on making major decisions. When Creon commands some of the guards to take Ismene and Antigone away, “You, there, take them away and guard them well:For they are but women, and even brave men run When they seen Death coming”(1039,L164,S2.) This is the beginning of Creon’s error in judgement. He believes that Antigone is the enemy of Thebes because she is going against his authority, but in reality he is the enemy by making false judgement. The next example of Creon being doomed to make a serious error in judgement is when Creon discusses the plans for Antigone’s fate with Choragus after Haemon leaves, “I will carry her far away, Out there in the wilderness , and lock her Living in a vault of stone. She shall have food, As the custom is, to absolve the state of her death(1045,S3L142.) This is another starting point on the error of Creon’s judgment by adding Haemon into this conflict. Haemon tries his best to protect Antigone from Creon, but still fails because her imprisonment leads to her and Haemon’s death. This event not only kills Antigone and Haemon, but also Eurydice his wife. Creon’s decision in the story causes him to make a serious error in
Antigone, a tragic drama written by Sophocles explores the different ranges of characters: static and dynamic or flat and round. Creon, King of Thebes in the dramatic play Antigone takes on the role that of a static character. Throughout the whole play Creon believed the idea that he was above the law of the Gods and his decrees cannot be disputed. Unknowingly, who would think that Creon’s sense of pride would cause him the life of his wife, son, and niece? However, at the very end of the play Creon returns to the palace, holding his son’s lifeless body, where he finds out that his wife has killed herself as well. Overwhelmed with grief about the death of his loved ones, Creon turns to the Chorus and says, “Lead me away. I have been rash and foolish. I have killed my son and wife. I look for comfort; my comfort lies here dead. Whatever my hands have touched come to nothing. Fate has brought all my pride to thought of dust” (1833). Creon takes responsibility of the death of his son and wife by calling himself a “rash” man and this is where Creon undergoes the changes of a dynamic character by admitting that he was wrong.
...e is another corpse before me. Alas for the poor mother, alas for the child” (Sophocles 1302-1307). This shows how mean Creon was; however, he does understand how his mistake was as a result of his own actions.
Creon in the play of Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy.
... for his mistakes in the denouement. Devastated by Antigone’s death, Haimon ends up committing suicide. Creon then realizes how wrong he was, however it is too late. This is not the only karma that Creon receives though. Creon’s beloved wife, Eurydice, also met her death when she was told the fate of her son. Creon finally realizes how blinded he was, and how he was continuously making foolish decisions. Two losses in one day- Creon is filled with great remorse and regret. Like the ‘Sun King’, all the sunlight in Creon’s life has faded. The world no longer revolves around Creon, as all his valued things in life have vanished. If you attain power, use it wisely. Otherwise you will end up heartbroken and repentant, just like Creon.
Sophocles remains an amazing wordsmith that mastered an art that was almost lost to time. In his work “Antigone” from around 441BC, Sophocles develops themes of strife between family members, going against the gods and how one’s actions can carry on throughout the entire family. Two wonderfully complex characters he uses to develop these themes using literary strategies is the king of Thebes: Creon and his son, Haemon. The actions of these characters advance the plot in ways that can only be described as vital.
“Antigone” is a play in which Sophocles, the author, explains the story of a prosperous character with a fatal flaw. Creon, the main character, saves the city of Thebes and is admired by many, but his obstinacy gets the best of him and his life starts to collapse. His actions leads to the suicide of Antigone, the protagonist, this sets off a chain reaction and his entire family ends up dead. A part of that death was Creon’s son, Haemon, whose death strikes Creon intensely. Haemon exposes Creon’s inner self, Haemon’s interaction with Creon highlights Creon’s authoritarian side, his stubbornness, and his sexist side.
No one lives life without experiencing tragedy in some form. In the tragic play, Antigone, written by Sophocles, King Creon experiences the conflict between civil law and divine law when dealing with his niece Antigone’s defiance to his newest edict. He has a hard time believing that divine law is more important than civil law, as expressed by Antigone. Creon is the real tragic character in Antigone because he is unable to realize that his thoughts and actions are wrong, and consequently he experiences great tragedy.