Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
They poem analysis
Essays on poetry analysis
Essays on poetry analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: They poem analysis
Many times, immigrants seek the “American Dream” for opportunities and success through hard work and dedication. In her short story “Two Kinds,” Amy Tan portrays a mother searching for her daughter’s talent by pressuring her with different activities. With high expectations from the mother, Tan shows the conflicting views between the mother and daughter. In the story, Jing-mei, the daughter, shows disrespect by being lazy and rebellious to her mother. Amy Tan uses point of view, symbolism, and situational irony to illustrate Jing-mei and her mother’s views of high expectations and the “American Dream.”
In the story, the point of view is told in first person. Jing-mei narrates the story from her views and opinions. Due to this point of view, Tan elucidates the idea of high expectations that Jing-mei’s mother burdened her with. An example of this would be in the beginning of the story when her mother stated that Jing-mei had promise in becoming a prodigy. “‘Of course you can be prodigy, too,’ my mother told me when I was nine. ‘You can be best anything. What does Auntie Lindo know? Her daughter, she is only best
…show more content…
tricky’” (382). Jing-mei was just as excited as her mother about the idea that she one day would be a prodigy. “In fact, in the beginning, I was just as excited as my mother, maybe even more so. I pictured this prodigy part of me as many different images, trying each one on for size” (383). Jing-mei’s perspective encourages the idea of the “American Dream”; her mother’s high expectations and harsh authority makes Jing-mei unmotivated to fulfill her mother’s desires of becoming a child prodigy. She claimed that her mother was being too harsh on her for comparing her to a Chinese girl on The Ed Sullivan Show, displaying her laziness. “‘Why don’t you like me the way I am? I’m not a genius! I can’t play the piano. And even if I could, I wouldn’t go on TV if you paid me a million dollars!’ I cried” (385). Hence, the point of view shows Jing-mei’s view of her being a prodigy and her indirect view of the “American Dream” by being disrespectful and stubborn. Tan’s added touch of symbolism, with Jing-mei’s first person perspective reinforces the type of daughter Jing-mei’s mother wants her to be. When Jing-mei reciprocated sorely to her mother’s statement, her mother slapped her. “‘Who ask you be genius?’ she shouted. ‘Only ask you be your best. For you sake. You think I want you be genius? Hnnh! What for! Who ask you! So ungrateful,’ I heard her mutter in Chinese, ‘If she had as much talent as she has temper, she would be famous now’” (385). Her mother’s broken English obviously symbolizes her immigration to America and wanting the best for her family. After watching The Ed Sullivan Show, the Chinese girl that played the piano on the show fascinated Jing-mei’s mother which supplied her with the idea of making Jing-mei into a piano prodigy. She signs Jing-mei up for piano classes with Mr. Chong, a deaf, retired piano teacher who lived on the first floor of their apartment building. Jing-mei takes advantage of his disabilities and becomes undisciplined in playing the piano. Her mother signs her up for a talent show that Jing-mei thought she was prepared for, but played awfully during her performance. Later in the story, Jing-mei, in her adolescent angst, stated that she wished she was dead like her mother’s babies in China. This statement silenced her mother and terminated her piano lessons. For her thirtieth birthday, her mother offered her the piano as a sign of forgiveness for her overwhelming childhood. “For after our struggle at the piano, she never mentioned my playing again. The lessons stopped, the lid to the piano was closed, shutting out the dust, my misery, and her dreams. So she surprised me. A few years ago, she offered to give me the piano, for my thirtieth birthday. I had not played in all those years. I saw the offer as a sign of forgiveness, a tremendous burden removed” (390). The piano symbolizes hard work, effort, and the “American Dream.” At the end of the story, Jing-mei finds out that the piano pieces that she played, “Pleading Child” and “Perfectly Contented” were two halves of the same song. These two songs symbolizes Jing-mei’s unhappy childhood to her adulthood , where she realizes to be perfectly contented. The concept of symbolism portrays Jing-mei’s changes in her life as she was growing up and her efforts to achieve the “American Dream.” Lastly, Tan uses situational irony in addition with symbolism to even further portray her message of the “American Dream.” Tan utilizes situational irony to depict the conflicts and relationship between Jing-mei and her mother. In the story, Jing-mei was excited of the idea that she was going to be a child prodigy with fame and success. As the story progresses, Jing-mei was overwhelmed her mother kept pestering her with different activities to prove that she is a genius. “‘Just like you,” she said. ‘Not the best. Because you not trying.’ She gave a little huff as she let go of the sound dial and sat down on the sofa” (385). This quote is ironic because Jing-mei wanted to be a prodigy in the beginning, but her mother knows that she isn’t trying. Her laziness and stubbornness represses the idea of becoming a genius. In this manner, Tan uses situational irony to express the conflicts between Jing-mei and her mother and her mother’s high expectations. In her short story “Two Kinds,” Amy Tan uses point of view, symbolism, and situational irony to very well represent the idea of high expectations and the “American Dream” through the example of Jing-mei becoming a prodigy.
She uses Jing-mei’s point of view to show her opinion on her being a prodigy which allows the reader to understand what she and her mother thinks about. Tan also uses the concept of symbolism to provide Jing-mei’s substantial change from the beginning through the end. Finally, Tan uses situational irony to highlight the opposing conflicts between her and her mother’s expectations. Through her message of the “American Dream,” Tan distinctly allows the readers to understand the meaning of respect and success by giving the idea of being one’s true self whether it has to do with generational differences or the belief of the “American
Dream.”
The fact that they’re 24 carrot gold indicates that she wants the best for herself and her new life. It also symbolizes her purity and strength as a person.
In analyzing these two stories, it is first notable to mention how differing their experiences truly are. Sammy is a late adolescent store clerk who, in his first job, is discontent with the normal workings of society and the bureaucratic nature of the store at which he works. He feels oppressed by the very fabric and nature of aging, out-of date rules, and, at the end of this story, climaxes with exposing his true feelings and quits his jobs in a display of nonconformity and rebellion. Jing-Mei, on the other hand, is a younger Asian American whose life and every waking moment is guided by the pressures of her mother, whose idealistic word-view aids in trying to mold her into something decent by both the double standards Asian society and their newly acquired American culture. In contrasting these two perspectives, we see that while ...
The American-born daughters do not fathom the amount of pain that their mothers had experienced so they do not realize that their problems could be much worse. The daughters relate to their mothers in that they are all facing their greatest problems. No matter how trivial or significant problems may seem, to one it may be the worst they have experienced and to another it could be less worse than what they have experienced. The immigrant mothers grew up with much more pain than their daughters, therefore they have a thicker skin and are less ignorant. Since the daughters have grown up “swallowing more Coca-Cola than sorrow,” (Tan, 17) they experience pain from seemingly insignificant problems in comparison to their mother’s hardships. The mother’s good intentions and struggles are unrecognized by their daughters. Tan writes about this misfortune through describing an old Chinese woman immigrating to America in the beginning of the novel: “But when she arrived in the new country, the immigration officials pulled her swan away from her, leaving the woman fluttering her arms and with only one swan feather for a memory. And then she had to fill out so many forms she forgot why she had come and what she had left behind” (Tan, 17). This immigrant’s story represents the four Chinese-American immigrants and how their hopes and dreams were hit with reality when they came to America. For example, Lindo describes how America has certain secret rules that you must discover. "This American rules...Every time people come out from foreign country, must know rules. You not know, judge say, Too bad, go back. They not telling you why so you can use their way go forward. They say, Don’t know why, you find out yourself. But they knowing all the time. Better you take it, find out why yourself" (Tan, 94). Lindo obviously believes in
Jing-mei realizes her mother was trying to help her out, but since their personalities clash, Jing-mei first believed her mother was forcing her to play piano. She thought her mother was setting up unrealistic expectations for her, when only she just wanted to see her daughter live the American Dream. She didn’t understand the Chinese way of thinking so she thought her mother was just being strict. Her mother wants her to be a strong, independent American woman. She just wanted her daughter to have all the opportunities she wasn’t able to have in China.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
The story "Two Kinds" by Amy Tan is about a mother and daughter who have strong conflicting ideas about what it means to have a sense of self. This may be partly due to the mother growing up in China, which is a very different culture than the American culture where endless opportunities are available to anyone who wants to pursue them. Jing-mei's mother wants her daughter to be the best, a prodigy of sorts, and to have the kind of life, full of hopes and dreams that she did not have. In the beginning of the story Jing-mei liked the idea of becoming a prodigy however, the prodigy in her became impatient. "If you don't hurry up and get me out of here, I'm disappearing for good." It warned. "And then you'll always be nothing" (500). After disappointing her mother several times Jing-mei started to detest the idea of becoming a prodigy. The idea Jing-mei's mother had for her to become a prodigy was too much pressure for a small child and was something that Jing-mei was clearly not ready to be. As a result the pressure that her mother laid upon her only made Jing-mei rebel against her mother and she resisted in giving her best. Jing-mei did this because she only wanted her mother's love and acceptance for who she was not only what she could become. Furthermore, Jing-mei's point of view of being the kind of person that one can be proud of was very different from her mother's point of view.
The American Dream can mean a number of different things to number of different people. Over the years this ideal has evolved and its definition will continue to change for many more years to come. What has not changed is the desire to achieve this dream. For decades now, people from all over the world have immigrated to the United States with hopes of obtaining this dream. However it seems that, to many immigrants the American dream has a very different and more modest definition. To many foreigners it means having the basic necessities in life and giving their children opportunities and life they ever had. Immigration can be a good and a bad thing. On one hand the overall standard of living is better but on the other hand it is almost inevitable that the family, especially the children, will lose some of their culture as they Americanize and assimilate. This is partially the reason why the mothers of The Joy Luck Club continue to have the Joy Luck Club meetings. Even though they are now in America, they want to make sure their daughters are exposed to and maintain the Chinese culture. Mother/ daughter relationships are a large component in Amy Tan’s award winning novel, The Joy Luck Club.
Tan lived a very trying life growing up, and had many things that influenced her writing. One primary element is that Tan was raised in a solely Chinese household. She uses this in many of her novels, which are based on Chinese lifestyles. Another influential event in her life was the loss
Our mothers have played very valuable roles in making us who we are and what we have become of ourselves. They have been the shoulder we can lean on when there is no one else to turn to. They have been the ones we can count on when there is no one else. They have been the ones who love us for who we are and forgive us when no one else wouldn’t. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, which causes Jing-mei to struggle with who she wants to be.
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American, I have faced the same issues that the daughter has been through in the story.
When she arrives, she feels somehow proud to be Chinese. But her main reason why she went back home is to reflect her mother past life on her present life. Through the setting and her relatives, Jing Mei learns the nature of Chinese American culture. The main setting takes place in China, effects of the main character’s point of view through changing her sense of culture and identity. The time period plays a large role on the story, there is disconnect between the mother and daughter who came from different culture. In “A Pair of Tickets”, we learn it’s a first person narrator, we also learn detail of what the narrator is thinking about, detail of her past and how life compared to China and the US are very different. The theme is associated with the motherland and also has to deal with her mother’s death and half sisters. Her imagination of her sister transforming into adult, she also expected them to dresses and talk different. She also saw herself transforming, the DNA of Chinese running through her blood. In her own mind, from a distance she thinks Shanghai, the city of China looks like a major American city. Amy Tan used positive imagery of consumerism to drive home her themes of culture and identity, discovering her ancestral
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
As you can see, T.C. Boyle’s The Tortilla Curtain introduces us to two completely opposite couples whose backgrounds correspond with their different beliefs and values of what the overly sought out American dream is. While immigrants seek out basic necessities in order to thrive and survive in America, many citizens to the states live overly shallow and superficial lifestyles, where what they already have never truly satisfies them. Both the Rincóns and the Mossbachers have their own image of the American dream and eventually realize that their dreams were nothing but false impressions. Delaney and Kyra Mossbacher are an unpleasant illustration of the American Dream, whereas Cándidó and América Rincón are a tragic example of how people struggle to gain that ultimate dream.