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Significance of suspense in literature
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Suspense is what keeps a reader going. It is a driving force that encourages the reader to continue turning the pages, and to restrain from putting the book down until the suspense is over. In the murder/mystery Murder on the Orient Express, Agatha Christie keeps us guessing from the title to the last page. The author provides suspense from her portrayals of each character, along with misleading details that derail a reader trying to keep up, but also progressively encompass a reader. She gives initial descriptions of each person, employing stereotypes to dictate how each individual thinks and acts, and later slowly exposes each as complete opposites of their stereotypes, projecting suspicion upon each individual in the process. I Am Number …show more content…
As the clues begin to reveal themselves, one of the most suspenseful is detective Hardman’s description of the possible murderer as being a small, dark man, with a womanish voice. This description is a representation of a misleading detail, and one that persuades the reader to keep reading in hopes of a solution. In comparison, Number Four’s beginning in a new high school includes troubles with the school bully. A strong opinion against the bully is formed by Number Four, and the motive of avoiding the bully at all costs is developed. However, later in the story, the most surprising event comes when the bully joins forces with Number Four, protecting their school and their city in the fight against evil. The bully’s sudden change of character supports the notion that anything is possible, and that integrity is present in everyone’s character, even if it does not seem to appear initially. Contrasting this, the authors of I Am Number Four generally provide vivid, straightforward details, and when the reader’s assumed result of the situation is challenged, one is left stranded while attempting to draw conclusions of what may happen
Even though some suspense doesn’t let the audience know anything, real suspense involves the audience being aware of everything that occurs. In the essay, it states, “The fact that the audience watches actors go blithely through an atmosphere that is loaded with evil makes for real suspense.” (6) This shows that whenever the audience watches the characters don't know anything that’s going on
Josh Pachter’s “Invitation to a Murder” uses passage of time, inference gaps, and foreshadowing to add suspense. Dramatic irony, inference gaps and red herrings create suspense in “Lamb to the Slaughter” by Roald Dahl. “The Adventure of the Speckled Band” by Sir Arthur Conan Doyle uses mystery elements of many possible suspects, accumulation of clues and hidden evidence as catalysts for suspense. All three authors cleverly created anticipation in their work with mystery elements that kept the potential to hold captive their reader’s attention until the very last
In John Irving's novel titled, A Prayer for Owen Meany, suspenseful events are of abundance, and there are multiple ways the author creates this suspense. Among these methods of creating suspense, four that stand out are the use of setting, the pace of the story, the involvement of mysteries to be solved, and the ability of the reader to easily identify and sympathize with the protagonist. By placing a character in a gloomy or solitary place, uncomfortable feelings are created, which append to the suspense. Pace and structure of the story also play into the foundation of suspense, as shorter sentences and stronger, more cutting verbs and adjectives are often used to keep the reader highly interested and reading at a rapid speed. Of course, suspense could not be considered what it is if there were no mystery involved. The element of not knowing what is in store for the future and having the urge to find out is the essence of suspense. Also, if the reader cannot easily relate to and sympathize with the character in the suspenseful situation, a loss of interest can arise, and therefore spoil the spirit of the tension. Uncomfortable settings, pace and structure, use of mysteries, and capability to relate to the main character are four techniques that John Irving uses to create suspense.
Everyone at one point has been captivated and intrigued by the plot of a movie or a book. This captivation is generated by the one tool that authors and directors love the most, suspense. Authors want their audience and readers of their writing to be enthralled by creating tension and thrill in their plot. The usage of style, characterization, point of view, and foreshadowing allows authors and directors to create suspense in their work. Suspense is a very difficult approach to master but with the correct tools it can be as simple as a walk through the park.
Suspense is the build up of anxiety or excitement in a story. It is an incredibly useful literary element. People like to read suspenseful stories, and/or watch suspenseful shows and movies because suspense gets their hearts racing. Suspense in movies and books might keep the audience intrigued and make them wonder what will happen next. People also like suspense because they might like trying to figure out what will happen on their own. This will keep the audience intrigued because they want to know how close they were to the exact answer. There are many stories that display suspense and many different authors who wrote them. One book that used suspense was Cujo, by Stephen King. Cujo was a dog that was bitten by a bat. He then turns into
In Dahl’s short story and in Jacob’s short story, both depict suspense through tone and description. For example, in the “The Landlady”, the narrator stated, “I stuff all my little pets.” This example reveals suspense by providing the landlady killed and stuffed her pets. Furthermore,
As Mccarthy once said “The suspense of a novel is not only in the reader but in the novelist, who is intensely curious about what will happen to the hero. (Mary McCarthy)” In this quote, McCarthy means the main characters in the story are suspenseful to draw the reader to be anxious. Above all, the author incorporates the use of literary terms in his or her’s story to create the feeling of suspense. To be specific, in the story “The Hitchhiker” by Lucille Fletcher, the author includes the elements foreshadowing and supernatural to leave the reader anticipated and anxious what is going on in the story. Also, in “The Monkey's Paw” by W.W Jacobs, the author develops suspense by adding literary devices such as situational irony and cliffhanger
Hitchcock is a director who makes a movie suspenseful in his own way. He is know as “the master of suspense.” His movies have oftimes become classic of thriller and they are enjoyable to watch. One of the most enjoyable movie he has directed is North by Northwest. Hitchcock has directed movies like Strangers on the train, that have similar features as North By Northwest but the one that have more ratings and “has gone on to take its place as one of the best-loved films in motion picture history” (Ehrenstein par1) is North by Northwest. Most importantly, the setting, camera angle, sound, music is so powerful that it made the film stood out from other Hitchcock films. Even Robin Wood commends it for “its charms, its deftness, the constant flow
Suspense is a state or feeling of excited or anxious uncertainty about what may happen. Authors like Bradbury use this to easily draw in the reader to the story, and keep the reader’s attention. elaborate Bradbury most commonly uses this in his book Fahrenheit 451. Bradbury uses suspense in almost horrific ways such as deaths, and the common overdoses that were mentioned.
The scrapbook is about all the main characters in the book “Murder on the Orient Express” by: Agatha Christie. They are all important in the book because without them there would not be a book or a story written. They all play an important role in this story, and they help make this story interesting. The first main character in the scrapbook is Hercule Poirot.
Morals are principles which help people to behave rightly. Also, they need to protect the rules. However, in Agatha Christie’s novel, Murder on the Orient Express, the characters act dishonestly: twelve passengers on the Orient Express murder Cassetti, they lie to the Belgian private detective, Hercule Poirot and the protagonist overlooks the passengers. Agatha Christie wrote these intensions fairly. From Murder on the Orient Express, the readers can learn that some set of morals are endorsed.
Murder is the most sinister of any crime you can commit as you are taking life away from someone who isn't ready to go. It is especially irrational when murder is carried out with no motive. This could only be the work of a madman. With crime people seek justice and will make their best efforts to achieve it. In the ABC Murders by Agatha Christie we explore the mystery of not one, but four murders carried out meticulously and with proper planning. In this novel we get to see the solving process of an interesting murder case through two private detectives who have gotten back together after some time apart in retirement. We get to see how they are able to think like a murder and determine the motives and planning behind the crimes.
Author- Agatha Christie was born in 1890 in England and raised by a wealthy American father and English mother. Her books have sold over a billion copies in English and another billion in 44 foreign languages. She is the author of 78 crime novels and was made a dame in 1971. She was married twice, her second husband being an archeologist whom she often traveled with on his archeological exhibitions to the Middle East. This gave her an understanding of that part of the world, which she used in this story. Agatha Christie died in 1976 in her home in England.
The point of view in The Murder on the Orient Express is third-person omniscient, which is crucial to the book. The reader can see an example when Christie first introduces Mrs. Debenham. Christie tells all about Mrs. Debenham’s adventure up until that point and also gives a brief description of her thoughts and feelings about Hercule (Christie 6). Christie does not, however, reveal any of Mrs. Debenhams involvement in the murder. Knowing the thoughts of the characters is very important in keeping the reader interested and trying to figure out the murder without giving away. Critics supports this idea by saying, although the thoughts and feelings of all characters are given, the restricted information Christie leaves out, gives the readers a dramatic effect ("Murder on the Orient" 152). Christie’s style in The Murder on the Orient Express also included some stereotyping of individuals on the train. This stereotyping was shown when it was decided that the stab wounds seemed to be inflicted by a woman based on the lack of intensity (Christie 56). Another place stereotyping was concerned was when Antonio was suspected solely based on his Italian nationality (Christie 122). The stereotyping Christie includes in her book shows importance to the plot by distracting the readers from more valid evidence. This distraction is another tactic used to keep the reader intrigued in the story. Greg Wilson comments about Christie’s insensitive remarks and says she might use these shallow, stereotypical comments about the characters as a crucial part of the murder plot ("Murder on the Orient" 155). The author’s style draws the reader in by utilizing distracting elements to elude them from the
Agatha Christie wrote most of her books with the same recurring themes. One of the themes that Christie has in her books is feminism. The definition of feminism is the belief in the need to protect rights, and opportunities for women to be equal to those of men. It is also saying they can go through life without having a man in their lives and living as independent women. Anti-feminism is the opposite of feminism and says women are all the same and do need a man in their life. Christie uses feminism and anti-feminism to view women during the twentieth century in the three books.