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Architecture over time and its effect on society
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Recommended: Architecture over time and its effect on society
Throughout history, the needs of society have constantly been changing. Early humans needed clothing and food, in the Middle Ages people needed their religion, and in the modern era society required more and more space for a rising population. New ideas spread as well, resulting in the want of advanced designs. Architecture has changed and evolved because the needs and wants of society have been continually altered throughout history.
Modern architecture began rising in popularity after World War I. The purpose of the new designs were to create functionality, use a limited amount of materials, and to reject history’s use of ornaments (Lumen). Although the real desire for modern architecture came after World War I, advancements were paving
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In Europe, the church always had the most advanced building; It was the most expressive and most influential structure in society. As time elapsed in Europe, many different styles of architecture became popular, including: Pre-Romanesque, Romanesque, and Gothic. During this time in Europe, Christianity was at the forefront of religion. As a result, Romanesque churches were being built everywhere. Durham World Heritage Site, who has written the article “Romanesque Architecture” reveals that while the churches themselves were constructed into the shape of a cross, the insides of the churches were decorated with biblical images in the form of sculptures and painting. Because much of the population was illiterate, these images properly conveyed the message to all the people. The outside of the Romanesque church boasted thick walls, rounded arches, tiny windows, and sturdy pillars. The need of thick walls and small windows came because churches made the “move from wooden to stone,” resulting in the need for added support (Durham World Heritage Site). In addition, Romanesque churches were known to be massive in size. Soon new architectural ideas became popular and gothic architecture would become the top …show more content…
The climate in Japan included long, humid summers. In addition, Japan, an archipelago of islands, is known to be a hotspot for earthquakes. Because of this, buildings in Japan were frequently made of wood. This was because “of the abundance of timber and the material’s resistance to earthquakes” (Japanese Architecture). When Buddhism arrived in the 6th century, architectural influences were brought too. Shrine buildings became popularized thanks to the new ideas brought from the mainland. Towards the Edo Period in Japan, shrines were becoming more and more elaborate. The most “spectacular of them all” is thought to be the Nikko Toshogu Shrine (Japanese Architecture). The idea of temples also came when Buddhism entered into Japan. The temples were heavily decorated and featured “wide courtyards and symmetrical layouts” (Japanese Architecture). However, as time passed, architects began designing temples that pleased the people. The original design for Japanese homes were quite simple and functional. But as time elapsed and new ideas were introduced, society wanted a different type of architecture. Designs became elaborate and ornate. Soon, the architectural ideas were coming to fruition. The change was brought by a need and a want for a fresh ideas and
Thesis: Both St. John the Baptist Cathedral and Cathedral Basilica of Our Lady of Chartres are constructed in French Gothic style which means that architecturally they have many similarities. However, the 700 year gap between their construction offers St. John the Baptist more flexibility in design and style. Still, their likeness and variations extend far beyond the realm of their design.
I chose two cathedrals for my post, the Durham Cathedral and the Chartres Cathedral. The Durham Cathedral, my example of Romanesque architecture, was built from local sandstone in 1087-1133 CE (the east wing was replaced in 1242) and is currently located in Nothern England. The Gothic style structure, the Chartres Cathedral (also known as the Cathedral of Notre-Dame), was mostly constructed between 1194 and 1220 CE due to a fire causing it to be rebuilt. Assembled utilizing limestone, this colossal structure is currently located in France and is known for it’s strikingly beautiful stained-glass windows. These structures share a few similarities, like their ribbed groin vaults (the crossing segments on the ceiling of the hallways), the high-placed windows as well as their huge circular window that were added to provide light and a
In the end of the 12th century and the start of the 13th century the Gothic and Naturalism movement was moving across Europe. Originally a derogatory term Gothic was used to describe the art of Northern Europe. Despite the resistance to the abandonment of traditional architecture the beauty of stained glass and flamboyant architecture of the gothic style quickly gained popularity. The churches were built by the common people and for the common people. Stained glass was used to depict biblical passages in an intriguing way for those who were illiterate which at the time was a large part of the population. Cathedrals were beacons that could be seen for miles with their pointed spires and from the country side they appeared to be the center of
The church in the Middle Ages was a place that all people, regardless of class, could belong to. As a source of unity, its influence on art and architecture was great during this time. As society drew away from the feudal system of the Romanesque period, a new spirit of human individualism began to take hold; alas, the birth of Gothic. Here, the Church became a place where humanity became more acceptable, alas becoming the ideal place to visual such new ideals. The beauty and elegance of Gothic architecture is depicted most in the great cathedrals of the 12th, 13th and 14th centuries—St. Denis, Notre Dame, Chartres, Salisbury, Durham, Amiens, and more. The experience of looking at one of the great gothic cathedrals is to look up towards God. Indeed, most Gothic structures emphasize the vertical, drawing one’s eyes upwards toward the heavens with the awesomeness of God. These cathedrals were built with towering spires, pointed arches and flying buttresses giving impressions of harmony and luminosity. One of the major accomplishments of the 12th and 13th centuries was to develop the engineering mastery of the ribbed vault, pointed arch and flying buttress to create a great cathedral that is at once taller, lighter, wider, and more elegant than the ones before. Even though the pointed arch could support more weight than its predecessors, there was still the problem of finding a way to support the heavy masonry ceiling vaults over wide spans. In order to support the outward thrust of barrel vaults, vertical support walls have to be very thick and heavy. What makes possible the extensive use of ribbed vaulting and pointed arches to “open” and “lighten” the walls and space of the cathedral is the flying buttress—“an arched bridge above the aisle roof that extends from the upper nave wall, where the lateral thrust of the main vault is greatest, down to a solid pier.”
The Gothic style evolved from that of Romanesque, building on concepts and ideas that led to the creation of larger and grander structures. Today, mankind looks in awe at the structures that were built hundreds of years ago without the assistance of modern technology and equipment. These architectural styles are indisputably different, but equally profound. They made use of differing techniques to become tangible structures that can still be seen
The Romanesque architecture style, which occurred during the late 11th century to the middle 12th century, literally means “roman-like” architecture. The Romans, who were inspired by the Etruscans, used barreled and groined vaulting. Romanesque architects later adapted the use of rounded arches, giving the style its name. The Romanesque style, being inspired by the Roman architecture, used the plan of the basilica style. Romanesque cathedrals were not originally designed for aesthetic purposes. Romanesque style replaced flat wood ceilings with stone vaulting. It was one of the first styles to use mainly all stone, but the walls of the Romanesque cathedrals were built very thickly. They were almost like a fortress. Romanesque cathedrals had few windows as a result of their thick walls so the churches were very dark. In a sense, this echoed the life that was outside of these sanctuaries’ walls during the Middle Ages.
Gothic architecture, though also used in secular buildings, is most associated with the great cathedrals of Europe. The Basilica of Saint Denis is a large medieval abbey church on the outskirts of Paris, France. The building is of significant importance historically and architecturally because it is considered to be the first Gothic church ever built. The building of gothic cathedrals grew as design techniques progressed. Over time, as new techniques combined with new materials, cathedral architecture increased in complexity and sophistication into a recognizable gothic style.
Architecture, the practice of building design and its resulting products, customary usage refers only to those designs and structures that are culturally significant. Today the architecture must satisfy its intended uses, must be technically sound, and must convey beautiful meaning. But the best buildings are often so well constructed that they outlast their original use. They then survive not only as beautiful objects, but as documents of history of cultures, achievements in architecture that testify to the nature of the society that produced them. These achievements are never wholly the work of individuals. Architecture is a social art, yet Frank Lloyd Wright single handily changed the history of architecture. How did Frank Lloyd Wright change architecture?
Architecture made a great deal of changes and developments during the Middle Ages. This involved the types of architecture, the styles and the people who influenced or improved the constructions. It also affected and influenced medieval society and the modern world too.
The ancient capital Kyoto is where modern and ancient society collide along with its technology. Japanese architectural techniques are one of the most seismically sound techniques due to the fact that Japan is located on what of the most active seismic faults in the world. The buildings in the old part of Kyoto are a true testament to the Japanese love for wood. Japan’s spiritual connection with trees inspired Japan’s ancient construction techniques. Some of the key construction features of a traditional Japanese home consist of a central pillar that is connected to supporting beams with intricate joints. The central beam usually runs the length of the building and is typically about sixty feet long. Japanese architecture often includes the natural look of the tree used and occasionally branches. Every piece of the structure is supposed to elicit the spirit Kami that lives inside of every beam.
The designs of Le Corbusier revolutionized what people see as modern architecture and the Shodan House is a prime example. Often modern architecture is associated with a vast array of windows, many linear forms and post and beam architecture, all of which are present in this design. The geometrical shape of the Shodan House in conjunction with the lines created from the windows form an example of what is now regarded as modern architecture.
Another aspect of Gothic architecture, that was heavily influenced by religion, is the implementation and utilization of the rose window. It depicts the final judgement of man and is part of the Gothic tradition in which biblical and historical stories were portrayed in stained glass and sculpture. At a time when most of the population was illiterate, these embellishments made biblical scripture available to everyone. [Pevsner, Nikolaus. 1963. An Outline of European Architecture. Harmondsworth, Middlesex: Penguin Books.]
In conclusion, although the development of modern architecture and the intervention of computer technology to advocate this development, the contemporary architectural outcomes have became more complex and complicated with potential formulation problems. As a result, the new architecture theories came to put boundary lines between being in the range of these problems and producing elegant modern built environment. The seduction of computer-produced form also enhances architects to involve in seeking for new theories to develop the discipline and work to combine formulization with materialization. Finally, some of these theories are accepted and some other still a controversial aspect in architecture.
Through the modern era technologies evolved and avant garde was not just a matter of being ahead in you design concepts,. but also in the materials that you use. Modernist designers, in an obsession of moving forward, where always looking to enhance their ideals with new materials. When the modernist bubble burst the post-modern views came forward, embracing styles and techniques of history, architectures where liberated to be able to blend and combine techniques from throughout history. Contemporary architects, in various forms, continue on with the post-modern legacy of taking inspiration from history and seek out to use traditional building methods not only for convenience but also economical, environmental, contextual and symbolic reasons.
Although these buildings and the Roman Catholic churches have got certain features in common, such as marble columns, fantastic design, and iconic grandeur etc., but the Christian ones were known for their splendid interior decoration along with careful coordination, fine details and craftsmanship. Unlike Roman cathedrals, the basilicas were rectangular in shape and had a rounded end. Most importantly, as Dr. Farber suggested, "...the new Christian churches needed to be visually meaningful. The buildings needed to convey the new authority of Christianity"(n.d.).