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History of modern architecture
History of modern architecture
History of modern architecture
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INTRODUCTION
This case study is focused on the Shodhan House by Corbusier. Le Corbusier proved himself to be proficient in many areas. He had ambitious plans to create whole communities in his designs. He was even called the father of international style. As his style evolved, so did his buildings. The Shodhan House is an example of his purist design. There were many factors that contributed to the design of the Shodhan House, and many things had to be taken into consideration. Firstly, since the building was located in India, there were many considerations regarding weather that had to be taken into account. The owners wanted to stand out among their neighbours with an opulent design. Corbusier worked with this challenge by creating a double height ceiling and mezzanine which were design elements in many of the buildings in the area, but also exhibited the opulence of the owners. Corbusier made this building unique, but used elements common in many of his modernist designs. A flat roof (with garden), a parasol (to shade from the sun), an open facade, and the piers elevating the floor, and a ribbon window. These were the elements used in many of his designs and others.
The main idea of the plan was to address the problem of glaring sunlight in the location of Ahmedabad. There were also considerations taken for the wind, climate and culture of the people in India. This is an example of regionalism in design.
The structure of the design was centred around the iterations of the roof. Corbusier wanted the plan to be open more than anything else, and the structure was reiterated many times to achieve this. The structure of the building itself is very grid based. The structure was skeletal, allowing for changes to be made easily ...
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...f the brise-soleiol on the faades and of the roof parasol, and moreover, in the hanging gardens swept by an orchestration of beneficent air currents. This plan recalls the ingenuity of the Villa Savoye of 1929-1930 at Poissy, placed here in a tropical and Indian setting."
The designs of Le Corbusier revolutionized what people see as modern architecture and the Shodan House is a prime example. Often modern architecture is associated with a vast array of windows, many linear forms and post and beam architecture, all of which are present in this design. The geometrical shape of the Shodan House in conjunction with the lines created from the windows form an example of what is now regarded as modern architecture.
Gehry draws his inspiration from famous paintings such as the Madonna and Child which he qualifies as a “strategy for architecture” (Friedman M. , 2003, p. 42) and which he used as an inspiration for a project in Mexico . Through his interpretation of the paintings and artwork, Gehry looked for a new kind of architecture. His search for a new type of architecture culminated in 1978 with his own house in Santa Monica. What was once a traditional Californian house would be redesigned to become one of the most important and revolutionary designs of the 20th century, giving Gehry international prestige and fame. Frank Gehry’s “Own House” uses a mixture of corrugated metal, plywood, chain link and asphalt to construct a new envelope for an existing typical Californian house. This house has been inspired by Joseph Cornell, Ed Moses and Bob Rauschenberg. Gehry comments on his house by saying that there was something “magical” (Friedman M. , 2003, p. 54) about it. He admits having “followed the end of his [my] nose” (Friedman M. , 2003, p. 54) when it came to constructing the “new” house, which led Arthur Drexler, former Director...
Futagawa, Yukio. Pierre Chareau with Bernard Bijvoet: Maison Dalsace (“Maison de Verre”) Paris, France 1928-1932. (Tokyo: A.D.A. Edita). 1988. Print.
(Image taken from Tranchtenberg, Marvin, Isabelle Hyman. Architecture: From Prehistory to Postmodernity. Second Edition. Prentice Hall, Inc. New Jersey: 2002.)
Le Corbusier’s Vers Une Architecture (Towards a New Architecture) is focused on the architectural qualities of “the machine”. He states that “the house is a machine for living in,” where the principles of architects should be to make the house suited for its purpose, as if it was a machine. This restates the argument that functionalism is more important than appearance, and that progress comes from architects abandoning the concept of traditional styles and decorative effects. Le Corbusier understood that architecture has nothing to do with various styles because functionality will always come before the subjectivity of appearance; he saw the aesthetic, not as just another style but the substance of architecture. In which he drew parallels
It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
Frank Lloyd Wright and Le Corbusier are two very prominent names in the field of architecture. Both architects had different ideas concerning the relationship between humans and the environment. Their architectural styles were a reflection of how each could facilitate the person and the physical environment. Frank Lloyd Wright’s Robie House, is considered one of the most important buildings in the history of American architecture and Le Corbusier s Villa Savoye helped define the progression that modern architecture was to take in the 20th Century. Both men are very fascinating and have strongly influenced my personal taste for modern architecture. Although Wright and Corbusier each had different views on how to design a house, they also had similar beliefs. This paper is a comparison of Frank Lloyd Wright‘s and Le Corbusier ‘s viewpoints exhibited through their two prominent houses, Frank Lloyd Wright’s Robie House and Le Corbusier’s Villa Savoye.
Gehry’s additional design of the exterior has created an unconventional model form of house. The asymmetrical form characterizes the entire external side of the house. According to Goldstein, Gehry tried to slant the house roofline, create a false perspective and cause an absurd viewer’ perception or expectation (1979, 9). The complexity of the form might also produce a relationship with the house’s elements such as door, wall, and roof. For example, those elements, which linearly constructed, were hardly noticed since the distraction of geometric form around the exterior part of the house. It’s even barely hard to find the entrance of the house as a result of the salient angles of exterior.
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
The book as a description of modern architecture, its styles and influence succeeds but falls short as a prescriptive methodology. His work is still recalled for the need by modernists to categorize everything into neat little boxes, not necessarily for the sake of uniformity, but for sake of some ambiguity. The ambiguity may be the triumph of this book as post modern architecture era is supposed to create more questions than the answers.
During the day the Barcelona Pavilion is completely naturally lit. It captures the light with its’ clear walls surrounding the façade. The overhang from the long roof blocks direct sunlight to soften its intensity. He “was replacing the visual dependence of architecture on effects of light and shadow by playing with reflections” (Kostof p.703). The reflective pools are also a way to play with light.
His works were totally reflected and enhanced the environment of nature on the site, the whole idea of a house could be were forever changing when it is his design. Wright’s architectural achievements in simplicity and unity were possible to be build supported by the method of the construction and materials like; Reinforced concrete, steel, metal sheet, glass plate and plastics. This genius architect offered a building with a relationship of Architecture and landscape, with community as well. Many projects nowadays have influenced from Wright’s modern styles, this well-known architect has many influences that became his principles. First is his exemplary teacher...
In his book, Precisions on the Present State of Architecture, Le Corbusier breaks down the construction of the modern house. Following functionalist ideals, he states, “There is really not a square centimeter lost here; and that’s not a small job!” (Le Corbusier 130). This idea of making the most of every centimeter ties back to functionalist thought. In Le Corbusier’s house, there is no excess space, no grandiose rooms or decoration, and no elements that are not essential for living. Each centimeter has a purpose. Later in the passage, Le Corbusier proclaims, “Monsieur will have his cell, Madame also, Mademoiselle also. Each of these cells has floors and a ceiling carried by freestanding independent columns” (130). By reducing each room to simply a cell, Le Corbusier removes the excess of a dwelling; the inhabitants do not have designated rooms or spaces, but cells. Evoking ideas of prison cells, the rooms described by Corbusier appear only large enough to sleep. There will be few extravagancies. Combining the two quotes, functionalisms influence on Corbusier’s planning and thought become strikingly
An important aspect of Critical Regionalism is that the occupants of the building should experience the local climatic conditions as well as the response to the nature of the landscape sensitively and thoughtfully. In my view, I think that each of these architects has achieved this aspect in whatever environment they worked with. In conclusion, I think that these international and regional architects have reached an interaction that contributes to the symbolic and iconic architecture that suggests new formal possibilities.
Abstract: New forms in current world have been testimony to the contemporary style of postmodern architecture and are the strength of today’s generation for creating significant architectural standards. Post modernism has blurred the borders between contemporary and traditional construction classical concepts and simply in the field of art and literature. The architectural elements like domes, arches, and classical shapes have lost their identity but the post modernism tries to bridge between these historical forms and contemporary styles. The related architects not only struggled to achieve the image for the buildings but also rejected oversimplified diagrams for living. The post modernism here tries to achieve theoretical base for their designs that creates the excitement in the design program.
This usually entails the manipulation of texture, proportion and the setting pleasant utilization of sunshine with the intention to realize symmetry, harmony and an accurate equilibrium in complete human life. The essential ideas of good design are pure and to an enormous extent innate. When analyzing the universal properties of sunshine, house, colour and supplies, the inside designer appears to be like at the interplay of the natural legal tips that govern them. The precise design of a room works not only on the customarily ignored senses of odor and listening to but additionally on the emotions. Coloration schemes are selected to copy the mood of a room. Understanding how every side of a design contributes to a common look and feel of a room or area constantly takes precise experience and each architects and designers manipulate these to good