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Influence of greek and roman architecture
Architectural influences from ancient Greece and the Roman Empire
Chapter 5 the spread of hellenistic culture
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Introduction:
"We might say that when Greece was conquered by Rome, Rome was civilized by Greece" (Morey, 1901). Indeed, while the Romans believed the Greeks were, as a conquered people, fundamentally inferior to them, they nevertheless admired Greek culture, art, and philosophy. As a people with education and intellect, many Greek slaves that were taken by Romans became tutors for noble Roman children. Romans were taught about Greek architecture, religion, and literature. In addition, the Greek language became the second language of the Roman upper class. Importantly, Romain government and military tactics soon became heavily influenced by Greece, which advanced the concept of democracy and catalyzed the growth of the Roman empire respectively.
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Greek became the language of intellect, taught to the wealthy as a second language to their native Latin. "Greek was the language of the educated, and it was used in all official documents and governmental assemblies during the Roman empire" ("halessandrah" GreekinfluenceonRome, 2010). As well, the epic writings of Greek authors, such as Homer and Sophocles, were adopted by the Romans, but read in Greek, emphasizing that only the most cultured and educated Romans could understand them. Eventually, Romans who were inspired enough by the epics of the Greek authors, poets, and philosophers, began to write their own epics. For example, in Rome, the Greek poet Homer was regarded as the greatest of poets, so the Roman poet Virgil studied Homer's Iliad and Odyssey to develop his own style, deriving many characteristics of his epic, Aeneid, from Homer's work (Williams, 2017). The Greeks, however, wrote more than epic poems, and so, the Romans also began to appreciate comedy, tragedy, history, and theater (Wiethoff, 2014), as well as public speaking, which was heavily emphasized as an important skill for a refined Roman citizen to …show more content…
After conquering Greece, the Romans promptly stole many of their beautiful paintings and sculpture as spoils that then made their way to Italy. Ironically, the Roman desire to collect and display Greek art, then to imitate it in admiration of the Greek models, resulted in the Romans becoming "the preservers of Greek art" (Morey, 1901), as many of the surviving Greek sculptures do so only as Roman copies. As Greek art was fashionable, Roman artists often would make copies of the originals. Rather than acknowledge Roman artists, instead writers would rave about the original Greek sculptors and painters. Eirene (Peace) bearing Plutus (Wealth), Roman copy after a Greek votive statue by Kephisodotos (ca. 370 BC) which stood on the agora in Athens. (Kabel, 2005)
"Most historians tend to see Roman art as, at best, a poor copy of Greek art. It is possible that the Romans themselves shared this perspective" (Williams, 2017).
From 500 AD to 500 B.C, during the classical era, Rome and Greece, developed and settled along the Mediterranean Sea. Within these 1000 years, both Rome and Greece went through multiple transitions of power and struggled to maintaining peace. America learned from Greece and Rome’s mistakes and evolved into a more successful version of the two civilizations. The two civilizations did not only teach United States, but they also influenced American culture and infrastructure. Although Greece contributed to many elements of modern day America, Rome had a larger influence on America through the use of democracy, economy, and advancement in culture.
Ridgway, Brunilde S. Hellenistic Sculpture II: The Styles of ca. 200-100 B.C. Madison, Wisc.: The University of Wisconsin Press, 2000.
The Ancient Greeks were nothing if not influential. Ever since it 's formation in the 8th century B.C., Greek civilization has impacted many of the world 's greatest thinkers and shaped the landscape of Western Civilization. Aside from their art and philosophy, the Ancient Greeks were particularly interested in politics and, in the case of Athens, a new system of government known as: democracy! Long before the American founding fathers declared their independence from Britain, Athenian citizens governed their own state and voted to solve political turmoil. However, ancient Athens was no perfect twin to American democracy, and being an upstanding Athenian citizen meant more than simply voting and going about one 's business. A standout Athenian
It is always important to look to the past in order to move towards the future. This was done in the formation of Western Society, and more specifically the formation of American society. The Greek culture served as a frame of reference for many aspects of Western life including government, architecture, math and the arts. Ancient Greek culture served as a very broad base for our society to be built upon.
Thirdly, the Romans were far more advanced than Greece in terms of engineering progress. In both the areas of civil and hydraulic engineering, Rome towered above Greece. They constructed a network of durable, paved highways and city streets; in fact, most everything had concrete walls and pavement.
In addition, the overall theme of the poem highlighted morality, which was a definitive tenet of Greco Roman civilization. In many ways, Virgil wrote the poem as a means of lauding the moral virtues of Roman society and as a personal challenge to outdo Homer’s epic compositions, The Illiad and The Odyssey. Virgil was successful because he had incorporated many of the same tales shared in the works of Homer into one epic poem which presented a linear storyline in the books that detailed the life and times of Aeneas and the Trojans. That being said, Virgil did not stray far from the approach that many writers had used before him; his primary focus throughout the Aeneid was placed squarely upon the back of idealized Greek and Roman moral principles, which were the dedication to ones’ honor, family, and country. By no means is there anything wrong with this approach, but in many ways, the entire poem could be viewed as a “propaganda” piece; while it might have served to enlighten, educate, and create a cohesive and uplifting story for the Roman populace, the poem lacked depth and a more profound exploration of human intricacies. While Virgil’s epic poem has stood the test of time and remains one of the greatest pieces
Western Europe. But how did this western way of life come to be? Their are many different
The Romans have adopted many features from the Greek style of art and architecture during the third and second centuries B.C. During that time period the Romans discovered that they have taking a liking to Greek statues, which they placed in many different places. The Roman sculptors then decided to also start making statues alongside the Greeks. The statues that the Romans created were realistic looking with, sometime, unpleasant details of the body. The Greeks made statues with, what they thought of, ideal appearances in the statues figure. Sculpture was possibly considered the highest form of art by the Romans, but figure painting was very high considered as well. Very little of Roman painting has survived the tests of time.
The construct of the ‘Roman copy’ in art history has deeply rooted and extensive origins. Whilst this prejudiced was attached to Roman sculpture from an extremely early time in modern archaeology and art history, the construct viewed in a current context reveals issues with both its development and contribution to historical understanding and education. The construct is formed upon several main factors that have recently been called into question by revisionist historians. Firstly, the development of the construct by conservative historians during the 18th century, a context that valued artistic originality and authenticity, lead to it’s popularisation and circulation as a respected model. Secondly, the construct rests entirely on the presumption that Greek art is in fact aesthetically and artistically superior, insinuating a negative predisposition towards Roman artistic workmanship and aesthetics. Lastly, technological advancements aiding historiography have asserted the fact that many conclusions drawn by conservative historians through their methodology are in fact irrefutably incorrect. While the basis for much of the conservative historians argument has been seen as flawed, or otherwise seriously questioned in terms of accurate and reliable history, the construct of ‘Roman copies’ of Greek originals has remained a legitimised understanding and interpretation of Roman art for centuries. The question can then be raised as to whether the attention given to this aspect of history is worth the fact that much of the history being taught is now being heavily questioned.
There is a unique culture buried beneath the last 2,500 years. Roman and Greek cultures are large influencers on modern society through aspects like religion and mathematics, but literature is the most tangible. The glorious past of Ancient Greece and Ancient Rome refuse to be lost stories in modern day literature and culture. There are profound similarities in the ancient Greek and ancient Roman patriarchal societies. Robert Harris and Homer highlight these similarities and differences in their works of literature, Dictator and The Odyssey, respectively.
Roman art was also deeply influenced by the art of the Hellenistic world, which had spread to southern Italy and Sicily through the Greek colonies there. The Etruscans and Babylonians can also be seen as inspirations. “With the founding of the Republic, the term Roman art was virtually synonymous with the art of the city of Rome, which still bore the stamp of its Etruscan art” (Honour and Fleming,1999). During the last two centuries, notably that of Greece, Roman art shook off its dependence on Etruscan art. In the last two centuries before Christ, a distinctive Roman manner of building, sculpting, and painting emerged. Indeed, because of the extraordinary geographical extent of the Roman Empire and the number of diverse populations encompassed within its boundaries, “the art and architecture of the Romans was always eclectic and is characterized by varying styles attributable to differing regional tastes and the...
There are many different ways that modern cultures in the west have been impacted and built upon, but there are two ancient cultures that were the most influential. The Greek and Roman cultures helped shape Western Civilization in many ways. Both were very important factors in the development of Western culture. The Greeks contributed through art, architecture, government, philosophy, education, and science. The Romans contributed through language, engineering, law, and government.
The Roman sculptures have a close relation and influence of Greek sculptures. Rome was known for incorporating different aspects of other cultures; the style of clothing, architecture, military techniques, art, etc. to the Roman culture. The Bust of Cicero and Augustus of Prima Porta are examples of unbelievable statuary techniques and style that Rome achieved and improved as their own art.
Greeks had used writing since c. 1400 BC, but it was not until the late 8th century BC that their literature was first written down. Greek literature began in Ionia with the brilliant epics of Homer, the Iliad and the Odyssey. These mature products of a long tradition of oral poetry brought together a vast body of divine and heroic myths and sagas that served as a foundation for much subsequent Greek literature. The epic view of humankind had a lasting influence on Greek thought; indeed, it has been said that later Greek literature is but a series of footnotes to Homer.
Even the few sculptor’s names known to us, usually by chance, from the imperial period are Greek names and seem to confirm the assumption that these artists’ work should be regarded simply as a late phase of Greek art” (Hanfmann, 12). The Greeks were the first western culture to figure out how to accurately depict the human form which they did through the use of geometric ratios. It is also widely accepted that it was even Greek artists who first made marble portraits for the Romans as the Romans originally had no skill with the stone. “It was certainly at first Greek artists who were entrusted by eminent Romans with the execution of portraits of themselves and of important personalities in the Roman state, just as it was Greeks who depicted Aemilius Paulus victory at Pydna and later were largely responsible for the portraits of the emperors” (Kahler 16). The Romans mainly used terracotta for their sculptures and it was only when Augustus reigned that the marble quarries at Carrara were opened and marble was used on a large scale. The Romans inherited the use of realistic proportions, the sense of movement (contrapposto), and the overall beauty of Greek sculptures. A great example of Roman sculpture that was clearly carved by a Greek artist who was familiar with the Hellenistic styles of Greece, is the Relief of the Wedding of Amphitrite and Neptune. It “shows a mythological