Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
History of rap paper
Rap music negative influence on youth
Rap music negative influence on youth
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: History of rap paper
Some questions we kept in mind while researching this topic are as followed: Our research topic mentions “an urban black identity.” What exactly does this mean? What is rap? How is this different from/similar to hip hop? How did rap music come about? When? How has its influence changed over time? Why is it a bad/good thing that rap is being adopted by non-black groups? Why do non-black groups (specifically white people) see rap culture as fashionable, trendy, and cool, all while being racially sensitive? While reading the articles we chose to include in our references list, we thought of additional questions that we would like to explore the answers to in our next round of research. For example, Ice-T’s lyrics in “Cop Killer” received public
outcry because it advocated killing police (Lucas, et al, 177). When Ice-T talked on The College of New Jersey about his career, he made sure that students knew that he was one of the first people to make the hip hop industry big. An audience member asked him who he thought were some of today’s best rappers, and Ice-T laughed before giving the answers of Eminem and Kendrick Lamar. This reaction of one of the creators of the hip hop genre laughing at the rap industry today makes us question, “What do the rappers that started the hip hop industry think of today’s rappers?” As several of the articles we researched stated, hip hop and how it is perceived by the larger society is constantly changing. It would be interesting to see not only how the industry has changed thus far, but research how people project its influence in the future. Other questions we hope to further research include: How can we make hip hop more “understood?” (As was suggested from Low’s classroom experiment.) Or, rather, how can we make people more understanding of hip hop? Does rap have more of a negative/positive effect on people? Are there statistics that prove this? Who has a say in determining what the effects are? (ex. police, politicians, whites, etc.) These last two questions were thought of after reading the Lucas, Hough, and Fisher article. While they explain who has an effect on the sales of hip hop, we would like to look further into who actually decides the stereotypes of hip hop -- we are going to guess these beliefs of hip hop being “dangerous” stem from the belief that black people are dangerous.
In Kitwana’s interview with Tavis Smiley, Kitwana explains why white kids love hip hop. Mainly it has to deal with the time period in which we live. One of the reasons as mentioned in the audio recording is the fact that the economy is changing, many middle class jobs are being outsourced. The cost of goods is going up and the number of whites is greater than the number of blacks that are on welfare. Kitwana briefly mentions the fact that the music industry has focused the listeners toward hip hop, and this can be seen by the concert attendance.
Artists have an interesting perspective about hip hop’s relationship to racism, and racial exploitation. Black and white artists have totally different opinions towards hip hop and its relation to racism. Lots of black artists have come from the poorest situations and made a life for themselves by rapping or singing about hip hop. They rap with passion, courage and energy. Lots of white rappers, who usually come from nice backgrounds, have enough funds to start
One of Williams main topics of concerns is the wrong messages that “public airwaves” are sending to their listeners and followers. Williams claims rap and other medias are representing and sending the wrong message about African American communities. She mentions that rap music once held a positive message but now rap music is bombarding the public with the use of profanity, violence, and obscenity throughout their lyrics and music
They have become more infatuated with the novelty and difference in lifestyles rather than the issues black people face. The media takes advantage of this attraction, and treats the culture as entertainment, demeaning black creations while not really caring about the people who make up the culture. Many individuals love the idea of black culture but do not want to face the real and uncomfortable conflicts associated with black identity such as police brutality, racism, colorism, and intersectionality. If white people are able to partake in something so essential to black identity such as music or hairstyles, why should they feel limited to speak on real and current
Popular in the united states, the rhythmic music known as rap can be traced back generations to it’s ethnic origins. Centuries before hip hop music existed, the Tribes of West Africa were delivering stories rhythmically, over drums and sparse instrumentation. Connections between tribal story telling virtuals and rap music have been acknowledged by many modern day "tribes", spoken word artists, mainstream news sources, and academics. In the 21st century, rappers rap about their lives and how the place they grew up in was very hard and that is why many people think like rap music so much, because there are many connections rapper can relate to.
Music is one of the most powerful and influential language which to many people in
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
However, that is not the case. White artists are taking the styles and genres of African Americans and turning them into a mockery, and on top of all that, they are being rewarded for it. When said they turn these styles into mockery, it means that they change up the style into something completely different than what it originally was. Macklemore and Ryan Lewis are prime examples of artists appropriating hip-hop. “During the 2013 MTV’s Video Music Award, artists Macklemore and Ryan Lewis won an award for best hip-hop video, beating popular African American hip hop artists. Two white men won an award for appropriating hip-hop. Hip hop originated from African Americans, and having a two white artists win an award for misusing our culture’s music is not acceptable” (Cadet). In hip hop, African American artists talked about their plight as African American men and about the struggles growing up. However, these white artists won an award for just taking the style and talking about anything important. They do not talk about their plight because they do not have one comparable to African Americans. They do like musicians did in the past: take the music from African Americans, and then take away the color. “But we cannot blame individual white artists for the inequitable way they are received by the American public—the way their performance of black cultures is
In the modern world today crime is at an all time high. Gangs are now
Compare and contrast the origin and development of Rap and Ragga music in Malawi and Zokela Sounds. In your discussion, point out some of the musical genres that influenced the development of each genre. Be sure to mention a few musicians or groups (or at least one from each) who contributed to the popularization of each genre. Try to be concise and logically organized in your writing as much as possible
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
This is because during the 90’s, rappers such as Tupac Shakur helped ignite rap music into a mainstream genre. This, however, did not come without some controversy. In Carl S. Taylor’s article about hip-hop and youth culture he spoke about the initial outrage of Americans when songs such as “I get around” became popular. This song, and others like it, were scrutinized because they contained vulgar language and promoted immoral behavior. However, at the time of the article Taylor had no definitive evidence of the music actually impacting people’s behavior. Almost exactly 15 years after Carl Taylor’s article was published, a writer by the name of Gretchen Cundiff wrote a scholarly journal entitled, “The influence of rap/hip-hop music: Analysis on audience perceptions of misogynistic lyrics and the issue of domestic violence.” During her research, she analyzed the lyrics of 20 rap/hip-hop songs included in Billboard’s year-end “Hot 100” singles list ranging from 2000-2010. Of the 20 songs, 40 percent were coded for the use of some sort of physical violence in their lyrics, and another 15 percent were coded for referencing rape/sexual assault. This proves not only that the lyrics in hip-hop songs are vulgar, but also that people are still enjoying it anyways. These facts, however, do not provide proof that the music is actually affecting culture. Just because someone listens
Rap has been around since 1973, when Kool DJ Herc introduced this new mash of jazz, soul, gospel, and reggae. This culture has been focused around African Americans, and since has served as a voice for the underrepresented, that is spreading violence, alcohol, and drugs. In this genre the most popular and successful boast about who has murdered more foes as breezily as other artists sing about love. Rap music tells stories of drugs, violence, and alcohol. The youth of America is constantly exposed to this kind of music, and our teenagers are being desensitized to the effects of these stories.
The Rap or Hip Hop culture varies widely depending on what city the artist is from. Each city has its own style but typically evolved from an urban community and often times comes from poverty and hardships. The 5 main cities rap has evolved from are New York, Atlanta, Los Angeles, Chicago, and most recently south Florida and each city is very unique and often times sounds similar based on the area you live in.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .