Aristotle vs. The God Father On the auspicious day of his Sicilian daughter's wedding, the father of the bride is obligated to fulfill every request brought before him. This tradition forms a cornerstone of familial honor and respect in Sicilian culture, underscoring the gravity of obligations and debts. In "The Godfather," directed by Francis Ford Coppola, this premise serves as a thematic backdrop against which the intricate interplay of Ethos, Logos, and Pathos unfolds. Throughout the narrative, numerous individuals beseech the godfather for favors, not only on this momentous occasion but also on countless other days. However, when requests are denied or ignored, the godfather resorts to taking matters into his own hands, employing methods …show more content…
To evoke Pathos in his argument with Woltz, Hagen must undergo a shift in his mindset. During their discussion about the movie role, Hagen provokes Waltz by highlighting the detrimental switch from Marijuana to Heroin by his top star. This specter of drug use serves as a reminder to Woltz that Johnny, an emerging talent with a clean track record, is a preferable choice for the role. This tactic exemplifies Energeia, as Corleone employs Enargia to send a clear message to Waltz: waking up to find a severed horse head in his bed serves as a stark warning that he could be the next victim if Johnny isn't cast in the lead role. The deliberate imagery elicits a visceral response from Woltz, compelling him to concede and grant Johnny the role. The effectiveness of this strategy is evident later in the film when Johnny expresses gratitude to Corleone for securing his part, symbolized by a bouquet of flowers. Corleone and Hagen used logos to convey the perfect argument with Woltz. We know that Johnny did get the movie through induction because, he provided Corleone with flowers a week after filming started to thank Corleone for his involvement in persuading the
Maria had no authority over her restless family. The source of the conflict between Antonio and Maria originates from her oldest sons taking to going where they please and not caring about their parent’s wishes. The burden of pleasing their parents passes from the eldest sons to the youngest one. With the sole duty of pleasing his parents, Tony internally rebels against their wishes instead seeking to set to rest his churning mind by seeking his own beliefs. His brothers console themselves about abandoning their family by saying that “Tony will be her priest” (Anaya 36) and not knowing that the “dreams of their father and mother [haunt] them” (Anaya 36) also haunted Antonio. Having the responsibilities of his brothers and his family shape the way he grows and thinks. He isn’t just thinking about himself he also has the problems of redeeming his family on his head. Through the story and through Ultima Tony realizes that he is not bound by obligations and can instead shape his own
Another example of the evolution of Tony's sense of good and evil through the utilisation of setting is Tony's own home. To him, his home provided him with warmth and safety. This was due to the people who lived in the house. Antonio's father creates a sense of protection in the home. When Tenorio and his men come to he house to take Ultima away, Tony's father "would let no man invade his home" (pg 123). This gave Tony faith that as long as his father was around, he would be protected. Antonio's mother made home a loving and caring place to be. She would always baby Antonio and give him the affection he needed whenever he needed it. The morning after Tony had seen Lupito killed, Ultima tells Tony's mother not to be too hard on Antonio; he had a hard night last night. His mother puts her arms around Tony and holds him saying he "is only a boy, a baby yet" (Pg.28). The Virgin also makes the atmosphere of Antonio's home peaceful and protected. Tony loves the Virgin Mary because "she always forgave" (Pg. 42). Tony thought she was "full of a quiet, peaceful love" (Pg.42) which she filled the home with. The most important person who contributed to the goodness of Antonio's home was Ultima. She made Antonio feel as though her presence filled the home with safety, love, and a sense of security. When Tony saw Lupito get killed, it was Ultima who calmed him. Whenever he had a nightmare, Ultima was there to comfort Antonio and "[he] could sleep again" (Pg.
Johnny Gunther goes through countless surgeries, hospital visits, and painful illness. Yet, despite his troubles, Johnny is surprisingly upbeat and optimistic. It is not that he is naive, it is simply that he does not want to show his anguish to the people around him. His fortitude shines through him and surrounds every one he meets. Gunther uses light in various ways in his memoir. When Johnny is at home, with friends, or studying the light is always present. This symbolizes him getting to be him with out a single thought of the disease, in essence his happiness. When Johnny is getting worse, or more bad news is brought forward the room always seems dark or full of shadows. Even though it is dark there always seems to be a little light. For example a crack in the door with light beaming through, the moon hitting his face, the sun lighting up a corner of the room. This symbolizes even in the worst of times Johnny finds a shred of hope. Instead of using his energy for self-pity he uses it constructively. He is a very bright young man and when school was no longer an option he was crushed but instead of letting it get him down, he wrote all his teachers and pleaded for tutors. Despite concerns for his doctors he took test, studied, and constructed lengthy science experiments. Even though Johnny knows death is inevitable it does not stop him from learning as much as he can while he can. He even takes his college entrance exam and is accepted into Harvard University. Johnny shows bravery in the worst of circumstances.
A life of organized crime, fancy cars, machine guns, beautiful women, money, power and family; these are the images that have perpetuated the associations of Italian-Americans with the Mafia in film and television for decades. It is in this traditional Godfather fashion that the HBO hit series The Sopranos continues to perpetuate this stereotypical image into the 21st century. From classic films like The Godfather and Goodfellas, to miniseries events like Bella Mafia and The Last Don, to the dramatic series The Sopranos, Italian-Americans have traditionally been portrayed as gangsters and mobsters and have been seen living the lives of organized criminals. Italian-Americans and the Mafia have traditionally been linked in popular culture and The Sopranos is no exception.
	Antonio shows a startling maturity. Psychologically, a typical six-year old will suffer serious mental agonies if he or she witnesses the death of four other people. Tony, however, "[runs] the words of the Act of Contrition" (23) through his mind, praying to God promising that "[he] will sin no more." (170) Furthermore, the typical six year old child will not possess the mentality to question the flaws of a religion nor question why God "forgives all" (173), even murderers. This is not the case for Tony, who is bothered by the fact that God will "forgive Narciso…" only "…if [Tony] also asks [God] to forgive Tenorio." (173) In addition, Tony’s maturity leads him to order someone to "go get the lifeguard" (239) during the drowning of Florence. At the same time, Tony notices a "red spot on [Florence’s] forehead where he must have hit the edge of the culvert." (240) Death, to a six year old, is a mystery while religion is accepted just like the letters of the alphabet. However, Tony’s questions of religion and reactions to death reflect a mindset of someone far beyond his age group.
Edgar Allan Poe, a famous American writer and a poet, had written several short stories such as “William Wilson,” “The Fall of the House and Usher,” “The Cask of Amontillado,” and poems such as “The Bells” and “The Raven,” which was one of the most famous poems ever written in English. There is always something different about Poe’s writing. Most of the classical murders make a person ask “who’s done it?” but his writings such as “The Cask of Amontillado” makes one ask the why question “why did he [Montresor] do it?” (Baraban). Every “detail in his [Poe’s] works that appear” has a purpose behind it (Baraban) and he “rarely depended on much dialogue in constructing his stories (Benton). In “The Cask of Amontillado,” Poe uses setting, foreshadowing,
Does family matter? Yes- family always matters. It is necessary to have some sort of family structure in order to have a stable foundation. This need for stability and structure is how the family survives and the children find safety. In the movies The Godfather and Scarface we will discover how the two differ when it comes to family and family business. These two patriarchs have different views on family and how the family is involved in the business. In this discovery one struggles to gain and maintain power- but looses everything in the process. While the other maintains the family through peace negotiations and understanding business and revenge can not always go hand and hand in order for the family to survive.
Money, murder, power, and loyalty, the epitome and basic essentials of any Mafia movie. Initially, when watching two of the most popular titles in this genre, Goodfellas and The Godfather, they may have similar themes, but in all truth, they are on completely opposite ends of the spectrum. While Goodfellas welcomes you to the family with a friendly smile and a voice-over, The Godfather makes you stand astray and watch in silence as an outsider.
I believe the reason that, 'The Godfather', is such a great film is because it lets audiences decide whether they like the characters or not. Too many movies made about organized crime begin with some seemingly random act of violence. 'The Godfather', however, lets it be known from the start to judge the characters in the film based on what type of person they are instead of the criminal activities they may engage in.
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
People have many different dreams, and many different ingredients for happiness. Some people relay on love, others lean towards money, it may be achieved through money, relationships, or even the misfortune of others, but why does power have the persuasion to change a person and what drives them to gain more?
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
The Christian Worldview in “Godfather Death” The fairy tale “Godfather Death” is an anonymous fairy tale that was transmitted orally, probably for centuries, and eventually written down by Jacob and Wilhelm Grimm. Notoriously known as “the Brothers Grimm,” they travelled around the German countryside and had peasants recite their folk tales to them. They then wrote the stories down and published them to preserve them for posterity. If the Grimm Brothers had not taken this initiative, “Godfather Death” would have been lost forever since the oral tradition was fast dying out in modern industrial civilization.
The Godfather Death is a story about choice and perception, how a man view the powers of the world, whether they were good, bad, or considered to be neutral.
CRITICAL ANALYSIS ON "GODFATHER DEATH", A FAIRY TALE WRITTEN BY JACOB LUDWIG GRIMM AND WILHELM CARL GRIMM