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Count dracula character analysis
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Bram stokers dracula gothic conventions
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How Bram Stoker Uses Gothic Conventions to Create an Atmosphere of Suspense and Fear for the Reader
Dracula is one of the most well-know novels, it was written by Abraham
Stoker. At the time Dracula was released in 1897, people regarded it
as being a romantic horror, with some elements of fantasy and also it
was especially famous for it's gothic conventions.
In modern times the term 'gothic' can be regarded as being barbarous,
offensive and uncouth. Although many people may not regard it as being
scary it is still associated with the 'unknown'. In the late 18th and
early 19th century, gothic ways of living were very common in the
Eastern part of Europe, especially in the medieval times.
A convention can be described as a standard feature or an ingredient
of a particular sort of writing and in Dracula Bram stoker uses many
Gothic conventions to excite the reader. Bram Stoker uses many Gothic
conventions throughout his novel in forms of journeys and quests, the
use of diaries, letters and journals, sinister buildings and most
importantly strange creatures. Stoker also relies heavily on the
conventions of Gothic fiction, a genre that was extremely popular in
the early nineteenth century. Gothic fiction traditionally includes
elements such as gloomy castles, sublime landscapes, and innocent
maidens threatened by indescribable evil.
From background knowledge of Abraham Stoker we know that he was the
third of seven children, and he was violently ill as a child. When he
was sick, Stoker read many books and listened to the horror tales his
mother told him. These led Stoker to start writing ghost stories, even
as a child. This explains w...
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...ned out to be a very exciting and fascinating novel. The plot was well structured and was very suspenseful. So basically we find out that Bram stoker uses gothic conventions at the right times to create a certain level of fear as well as suspense. One may argue that when Bram Stoker shows Gothic conventions throughout the novel, it determines the changes in familial and social structures taking place throughout the early eighteenth century.
In his descriptions of the castle we find out that he uses many similes and personification to describe the atmosphere he generates. The book probed deeply into people's superstitions, fears, and beliefs of the supernatural, and how others are sceptic of them are sometimes proved wrong. In all, Dracula is a clever, exciting, and suspenseful novel that uses a ruthless villain to terrify you but forces you to read more.
Since the 19th Century, Bram Stoker’s Dracula has entertained its readers taking them to heights of excitement in the climax
Bram Stoker’s Dracula includes themes of death, love, and sex. Stoker’s use of empiricism utilizes the idea that everything is happening “now”. The book offers clear insight into who is evil without explicitly saying it. Stoker’s interest in empiricism uses British womanhood as a way to distinguish between good and evil.
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Due to the conventions included in the novel, this is a perfect example of a gothic novel. The novel evokes in the audience fear and anticipation of the novels plot. The 19th century audience would have been overwhelmed with terror whilst reading the novel as the atmosphere creates suspense and the pace of the novel is fast.
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Bram Stoker and Sheridan Le Fanu’s texts, Dracula (1898) and “Carmilla” (1872), use gothic tropes in similar ways to captivate readers with horror and terror. This essay will illustrate how, in comparison, both texts include gothic tropes: the New Woman, sexuality and setting, in order to provoke emotions and reactions from the readers. To achieve this, this essay will focus on the women that challenge traditional gender roles and stereotypes, and deconstruct each text in regards to the very strong undertones of homosexuality; specifically between Carmilla and Laura, and Dracula and Harker. By discussing the harshness and darkness of the environments described, including ruined castles and isolated landscapes; this essay will also explore the
While Bram Stoker’s Dracula has been described as the “quintessence of evil creatures we meet in our everyday lives” and “the Darkness” in the hearts of men (Herbert, 2004, pp. 62), Stephanie Meyer’s Twilight
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Stoker chooses to lay some clues out for the readers in order to help them interpret Dracula. The distinct warning presented on the page before the introduction saying the narrators wrote to the best of their knowledge the facts that they witnessed. Next is the chapter where Jonathan Harker openly questions the group’s interpretations of the unsettling events that occur from meeting Dracula, and the sanity of the whole. Several characters could be considered emotionally unstable. Senf suggests that Stoker made the central normal characters hunting Dracula ill-equipped to judge the extraordinary events with which they were faced. The central characters were made two dimensional and had no distinguishing characteristics other then the...
‘Dracula’ is a novel that probes deeply into people’s superstitions, fears and beliefs of the supernatural. The creature Dracula is an evil being with no concern for others, he kills for his own ends and cannot be stopped, and this is what makes ‘Dracula’ truly frightening.
show the audience that the film is in this style, such as the mise en
The blending of terror and romance in Gothic Literature was used in a unique combination to attract and entice the reader into the story. The terror in the literature helps the reader explore their imagination and form their own picture setting of what is happening. Using romance in the story also keeps the reader's attention because of the unknown and the curiosity of what happens next. The Gothic writing became popular after the Romantic period because readers were still a...
The gothic often presents dangling characters and plot lines, which contribute to the main point of the gothic: suspense. Brown’s works depend on the use of suspense as a literary technique and is evident in Wieland within Clara’s first person point of view narrative. Her constant reflections on how difficult it is for her to continue on with the series of events. Such actions, although they may seem trivial, persuade the reader to continue on to find out what happens
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.