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I kept wondering how and when Tita was going to tell John that she wasn’t going to marry him, and what John’s aunt would think about the decision. The confrontation that went on between Tita and Rosaura was very much needed and I think that they got out everything that they had to say. I think the agreement they made about Esperanza was great. She needs Tita to stay in her life, but she also needs her parents. I want Esperanza to have a life without chaos. I feel so sorry for John. The poor thing is in love with Tita, who can’t choose between him and Pedro. If I were in that situation, I would not wait around for the person to make their decision, if you can’t say that you want to be with me then clearly you don’t and I’ll make it easy for
Evaluation: I thought the book was very exciting and suspenseful like her other books. The book had very good detail and an interesting plot. I liked the twist when Juan and the girl’s father came upon Glenn walking down the road. I also liked how the author described the action in great detail. It made me feel like I was right there seeing it all happen firsthand. I don’t think that the author could’ve made this book any better than she did already.
Throughout The House On Mango Street by Sandra Cisneros, many symbols, themes, and motifs appear while analysing the story of Esperanza growing up on Mango Street, a poor neighborhood. Symbols are a very big part of this book, because without deeper consideration of the text, this book would just be a series of dull, unrelated stories. One of the most prominent symbols in this story is the symbol of shoes representing our main character, Esperanza, maturing and adjusting into womanhood and her sexuality.
The House on Mango Street, a fictional book written by Sandra Cisneros is a book filled with many hidden messages. The book revolves around a young girl named Esperanza who feels out of place with the life she has. She sees that the things around her don’t really add up. The story is told from Esperanza’s perspective and the events she goes through to find herself. Through the strategy of fragmenting sentences, Cisneros establishes that the sense of not belonging, creates a person’s individuality that makes them who they are.
Reading is similar to looking into a mirror: audiences recognize themselves in the experiences and characters on the pages. They see the good, the bad, and are brought back to experiences they had overlooked to learn something more about themselves. Some characters touch readers so intimately that they inspire readers to be better than they already are. House on Mango Street, by Sandra Cisneros, follows a young girl named Esperanza and her experiences while living on Mango Street. She is introduced with her desperate wish to escape her poor mostly-Latino neighborhood and live in a house of her own. Esperanza compares herself to her family, innocently knowing what she wants from a young ages. She is observant and holds insights into the lives of others, learning lessons from each person she encounters. While
My vignette “Him” is based off of “Sire”, a vignette in The House on Mango Street by Sandra Cisneros. In the book, the main character Esperanza talks about her feelings and experiences relating to a boy named Sire. She describes his eyes with a metaphor, comparing them to “dusty cat fur” which portrays them as easily moved and shifted, like cat fur blown by the wind (Cisneros 72). In my vignette “Him”, I incorporated a metaphor by using words like: “Dark melted chocolate” (Curry 1). I used this figurative language to illustrate my perception of the boy’s eyes as I know them: warm like a melted dessert and comforting, but excitingly different like dark chocolate.
Sandra Cisneros's writing style in the novel The House on Mango Street transcends two genres, poetry and the short story. The novel is written in a series of poetic vignettes that make it easy to read. These distinguishing attributes are combined to create the backbone of Cisneros's unique style and structure.
In The House on Mango Street by Sandra Cisneros, there is an emphasizes on how rough it is to be part of the low economic class . Through her words you can create an image about the way poverty affects children. She goes through the book making great remarks on the topic. The different experiences that Esperanza goes through have a lot to connect with her family's financial status. She specifically describes her feelings about the poverty they live in through three of her short stories. The three short stories in which poverty seems to be an obstacle are The House on Mango Street, Our Good Day, and Chanclas. When the book begins the downgrading of Esperanza's esteem begins with it.
matter how hard people wish on a star or on a candle, the wishes never seemed to be
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
Everyone has specific characteristics and qualities that make them the way they present themselves. Young, middle-aged, and old people are constantly forming the essentials that affect their self-awareness through their daily activities. Forming one’s identity is an ongoing process, because every person in the world can change people one way or another. In The House on Mango Street, the experiences young Esperanza faced day to day develop her true individuality.
“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and how we grow through our life experiences. In her personal, Cisneros depicts Esperanza Cordero’s coming-of-age through a series of vignettes about her family, neighborhood, and personalized dreams. Although the novel does not follow a traditional chronological pattern, a story emerges, nevertheless, of Esperanza’s search to discover the meaning of her life and her personal identity. The novel begins when the Cordero family moves into a new house, the first they have ever owned, on Mango Street in the Latino section of Chicago. Esperanza is disappointed by the “small and red” house “with tight steps in front and bricks crumbling in places” (5). It is not at all the dream-house her parents had always talked about, nor is it the house on a hill that Esperanza vows to one day own for herself. Despite its location in a rough neighborhood and difficult lifestyle, Mango Street is the place with which she identifies at this time in her life.
In the novel, The House on Mango Street, Sandra Cisneros describes the problems that Latino women face in a society that treats them as second class citizens. A society that is dominated by men, and a society that values women for what they look like, and not for what is on inside. In her Novel Cisneros wants us to envision the obstacles that Latino women must face everyday in order to be treated equally.
Another thing that surprised me was the fact that Michelle and Mariya’s parents left them to go on a vacation. At first I wasn’t sure how exactly they would be able to leave, but then when they said that they had three women come help the girls and their sister it made sense to me. Surprising probably isn’t the best word either, I would probably describe it as interesting because I’ve always wondered how it would look for parents to go away and it was nice to be able to see what all they have to do in order for a vacation.
Sandra Cisneros’ novel, The House on Mango Street, examines various key issues within established social systems. As a bildungsroman story, not only is there much growth and development experienced by the character, but from the reader as well. This is because the novel challenges false preset notions that one may have of the main character’s culture. In tearing down custom barriers and voicing out painful truths, there is a deeper understanding of Latina culture in the United States of America. Sandra Cisneros empowers the women who are living in a patriarchal society and her main character, reinforced by her name, Esperanza, gives women just that, hope.
Esperanza gets a summer job because her family wants her to. One day there was an open fire hydrant and a boy pushed Esperanza into it. Her aunt found her a job at the photofinishing store. Esperanza has to lie about her age to get the job though. She doesn’t think she can sit down for that long. She takes her brakes in the closest and eats in the bathroom. Esperanza makes friends with a guy at her job. She finally has someone to eat with at lunch and makes her feel better. He tells her its his birthday and to give him a birthday kiss. She was going to kiss him only on the cheek when he grabs her and kiss her long and hard.