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Character analysis esperanza the house of mango street
Character analysis esperanza the house of mango street
The house on mango street setting analysis
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Quick Summary : Wow, hard task to make a cute summary one such a book. The House on Mango Street is a book that depicts the life of a twelve year old Mexican- American Girl named Esperanza that has recently moved to Mango Street. The book explains that Mango Street is located in Chicago in a Latino based neighborhood that is on the poor side and mostly racially segregated. Throughout the time frame of a year, the book explains how Esperanza must mature rapidly to survive in her new neighborhood. This includes emotional and physical maturity between her family, younger boys, Younger girls, and sadly, older men in the neighborhood. Through the hard times of fighting through poverty, puberty, and sexual assault. Esperanza comes to the conclusion …show more content…
that she wants to move away from Mango street and carry out her life. Literary Elements: Throughout the story, The House on Mango Street, there are many literary elements.
One of the things that stuck out to me greatly is the theme of sexuality. Within the story Esperanza has begins to mature in a sexual way which in modern day society is considered in appropriate for her age of 12. She begins to obtain sexual thoughts of other men. The powerful aspect of this is revealed later on in the story when she pieces together that sexual relations and staying in the neighborhood go hand in hand. Most of the women married are mostly forced to stay in the neighborhood which she does not want at all. But knowing this, she does not allow it to heavily sway her desires to the other boys. Further tying into this theme, you have the symbol of shoes. In the story, shoes becoming the starting point of a sexual image. But this image is not her initial thought of wearing heels, this image is evoked on her by older men as they take the shoes as a symbol of further maturity and sexual attraction. In a negative impact, once Esperanza wears the heels and obtains such attention, she does not want to go back to her childish little girl shoes. This further pushes the rate of maturity in a sexual way. New Vocabulary
: Naphtha- A volatile, flammable liquid mad of hydrocarbons. Trudge- Walk heavily and firmly, as when weary. Porcelain- Ceramic ware made of a more or lass translucent ceramic Threshold- The entrance for passing through a room or building. Fuchsia- A tropical shrub. Currency- The metal or paper medium of exchange that is presently used. Pillar- Supportive structure that takes the shape of a column. Imitate- To appear like, as in behavior or appearance. Intern- An advanced student or graduate. Limp- Lacking in strength, firmness and resistance. Anemic- Lacking vigor or energy. Canteen- A room with food sold to personnel at an institution. Totter- Move without being stable, as if threatening to fall. Spartan- Unsparing and Uncompromising in discipline or judgment. Linoleum- A floor covering. Brim- A circular Projection sticking out from the crown of a hat. Jut- Extend out or project in space. Fleck- A Small contrasting part of something. Chandelier- An ornate branched lighting decoration. Personal Observations: Within the story a few powerful quotes stand out to me in which I can really imagine in a high school aspect. 1. “ Until then I am a red balloon, a balloon tied to an anchor.” To me this quote symbolizes a stand out jewel. Something different and special from the rest, but is held down and restricted from freedom and discover from others. In the context of the story, this could mean that Esperanza feels like she is special and stands out, but is trapped in the neighborhood due to her young age and need to be dependent on her parents. 2. “No, this isn’t my house I say and shake my head as if shaking could undo the year I’ve lived here. I don’t belong. I don’t ever want to come from here.” This quote to me is the most powerful. I interpret this as a pure sign of rejection and bitterness. Explaining that if there was any other choice of freedom, Esperanza would take it.
The House on Mango Street is a novel by Sandra Cisneros. It is set in a poor, Latino neighborhood around 1960. The main character, Esperanza, is expected to get married in order to support herself. However, Esperanza strives for independence, and seeks to end the cycle of abusive patriarchy that holds Mango Street in thrall. Through the use of syntax and figurative language, Cisneros establishes that a sense of not belonging can fuel an individual’s desire for a better future.
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
Esperanza sees all of the women around her, and most of them are the same. The overall idea of the women on Mango Street is they are property to their husbands. They cannot do anything unless their husbands allow them to. It also starts out at a young age. The young girls like Esperanza see the women that live around them and think that is the way to live. They admire them so they start to mature faster than they should. Sally is one of them. Sally loves the attention that she gets from boys, but her father does not like that. Sally grew up and got married at a young age.
Esperanza tries to be a good friend to Sally, but ends up appearing immature and silly. Esperanza feels shame, as she “wanted to be dead”, to “turn into the rain”, and have “my eyes melt into the ground like black snails” (Cisneros 97). With sensory-rich imagery, the author uses similes and metaphors to describe Esperanza’s feelings of utter mortification as she embarrasses herself in front of Sally. Esperanza becomes confused about her newfound sexuality and her loss of innocence when she begins acting strangely, yet awkwardly around boys. She doesn’t know whether to act like a child or an adult because although she wants to be mature and glamorous like Sally, and she gets exposed to the harsh nature of society. The disillusioned view of becoming mature and having boys notice her is especially realized by Esperanza when she gets raped at a carnival. Through detailed imagery, Cisneros describes the dirtiness of the boy, elaborating on “his dirty fingernails against my skin” and “his sour smell again” (Cisneros 100) and the confusion and anger from Esperanza. After this experience, Esperanza blames Sally instead for covering up the truth about boys and is heartbroken about the real truth of sexuality and men. It is clear that Esperanza vividly remembers this awful experience, and just reflecting on this experience causes her thoughts to
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
The House on Mango Street presents mainly women who are “assenting readers” and who influence Esperanza to change. She does not realize in the beginning of the novel that she can challenge the male supremacy because she has grown up with it. She never realized that she simply agreed with their viewpoints until she becomes aware of her own sexuality. Esperanza then realizes this can be used against men but that it can come with a price when she is raped.
In The House on Mango Street by Sandra Cisneros, there is an emphasizes on how rough it is to be part of the low economic class . Through her words you can create an image about the way poverty affects children. She goes through the book making great remarks on the topic. The different experiences that Esperanza goes through have a lot to connect with her family's financial status. She specifically describes her feelings about the poverty they live in through three of her short stories. The three short stories in which poverty seems to be an obstacle are The House on Mango Street, Our Good Day, and Chanclas. When the book begins the downgrading of Esperanza's esteem begins with it.
In the society that Esperanza and her friends live in, love takes a back seat
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
Everyone has specific characteristics and qualities that make them the way they present themselves. Young, middle-aged, and old people are constantly forming the essentials that affect their self-awareness through their daily activities. Forming one’s identity is an ongoing process, because every person in the world can change people one way or another. In The House on Mango Street, the experiences young Esperanza faced day to day develop her true individuality.
... They didn’t seem to be my feet anymore. And the garden that had been such a good place to play didn’t seem mine either” (Cisneros 98). The play place that was once so innocent and is now a junkyard that reciprocates Esperanza’s innocence that slowly turns into reality. She is growing up. Additionally, she gains enough confidence and maturity to make her own life decisions. This is shown when she makes the important decision of where she wants her life to take her. “I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain” (Cisneros 88). This shows Esperanza’s maturity to make her own life choices by herself. She is finally confident and independent enough to know where she wants her life to take her. Esperanza finally completes her evolution from young and immature to adult-like and confident.
Esperanza is a very strong woman in herself. Her goals are not to forget her "reason for being" and "to grow despite the concrete" so as to achieve a freedom that's not separate from togetherness.
Sandra Cisneros' strong cultural values greatly influence The House on Mango Street. Esperanza's life is the medium that Cisneros uses to bring the Latin community to her audience. The novel deals with the Catholic Church and its position in the Latin community. The deep family connection within the barrio also plays an important role in the novel. Esperanza's struggle to become a part of the world outside of Mango Street represents the desire many Chicanos have to grow beyond their neighborhoods.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
In class we read the book House on Mango Street by Sandra Cisneros, the main character Esperanza lives in a lower working class neighborhood and street called Mango Street dealing with poverty. Her house is an important symbol in House on Mango Street. It represents Eperanza’s process of maturing as a person and the change in her perspective of poverty and struggle being shameful, to it being something to embrace and use as motivation. This is a very important part of the story because it is in many aspects where we are from that make us who we become. This is interesting to see in the book as her opinions and perspective of things inside and outside of her neighborhood are shaped by her experiences.