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Differences in the book the hound of the baskervilles to the bbc movie
The hound of the baskervilles movie and book similarity
Compare and contrast the hound of the baskervilles book and movie
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How many ideas can conspired simply over scattered lines, spots, and marks? There is a crowd swarmed around the newest framed abstract piece in a local art museum. They are admiring the exact same shapes, colored lines, and brush strokes on the canvas, however, everybody’s interpretation is different, based on their personal background and experiences. David Attwood’s film adaptation is very similar to Arthur Conan Doyle’s The Hound of the Baskervilles, but due to the choices Attwood made, there are distinct details that differ from the novel. There are key differences between the novel and the film adaptation of The Hound of the Baskervilles because there were two different perspectives on the same story, from two different time periods, affecting …show more content…
He also included extra characters that would make the story more enticing and suspenseful or changed the characters’ personalities. In the 2002 BBC film adaptation of The Hound of the Baskervilles, Laura Lyons, Mr. Frankland, and Cartwright were not included as characters. Instead, Attwood added Dr. Mortimer’s wife as a spirit spirit-obsessed character who tries to contact the spirit of Sir Charles Baskerville. David Attwood made this decision from the fear that the movie would extend the use of unimportant details, leaving the audience bored with the movie. However, he added Dr. Mortimer’s wife to add emphasis on the idea of the legend of the Hound of the Baskervilles to keep the audience constantly intrigued. Additionally, Stapleton and Dr. Mortimer swap personalities because in the film Stapleton says, “I covet your skull,” whereas in the novel that is Dr. Mortimer’s line, for the additional suspicion upon Stapleton (Attwood). Nevertheless, in the novel, Laura Lyons, Mr. Frankland, and Cartwright are included as characters to expand on the amount of details provided for the case. They are also included to draw out suspense and to connect all of the details together. For example, “Frankland clapped his eye to it and gave a cry of satisfaction. ‘Quick, Dr. Watson, quick, before he passes over the hill!’ There he …show more content…
In the film, Sir Henry gets violently attacked and hurt by the Hound of the Baskervilles, most likely for dramatic effect. Also in the movie, Beryl is hung by Stapleton for an increase in dramatic effect. In the ending scenes, there is a final battle between the dynamic duo of Holmes and Watson against the antagonist, Stapleton, as an additional piece of drama in the film. This is shown when Watson gets shot by Stapleton and Holmes is put in a near death situation with Stapleton’s gun aimed directly at him as he drowns in quicksand in the Grimpen Mire. Luckily, Watson shoots Stapleton before Holmes is shot (Attwood). Even though in the novel, the resolution of the case was far less dramatic in the novel because there is no ending fight scene with the protagonist and the antagonist and Sir Arthur Conan Doyle let his characters live to tell the dreadful stories of the past. Sir Henry is not terribly injured by the hound because he can easily speak to Holmes and Watson, unlike where he can’t move in the film. “Sir Henry lay insensible where he had fallen. We tore away his collar, and Holmes breathed a prayer of gratitude when we saw that there was no sign of a wound and that the rescue had been in time,” (Doyle 221-222). Likewise, Beryl Stapleton was not killed by Stapleton, only tied and muffled,
In the novel Huckleberry Finn, Huck goes through many adventures on the Mississippi River. He escapes from Pap and sails down a ways with an escaped slave named Jim. Huck goes through a moral conflict of how wrong it is to be helping Jim escape to freedom. Eventually Huck decides he will go against what society thinks and help Jim by stealing him from a farmer with the help of Tom Sawyer, a friend. In A+P the young man, Sammy, is confronted with an issue when he sees his manager expel some girls from the store he worked in simply because of their defiance to its dress code. In his rebellion against the owner, the boy decides to quit his job and make a scene to defend the rights he feels are being violated. In these stories, both the boys are considered superior to the authority that they are defying because of the courage that it took for Huck to free Jim, and for Sammy to quit his job for the girls because it was what they believed in.
The Hound of the Baskervilles, a novel written by Sir Arthur Conan Doyle, gives off the feeling of eeriness and spookiness. These characteristics fit into many different types of writing. But, Gothic literature is a prime genre for this novel because of the atmosphere of decay; the mysterious, sin, crime, guilt, and secrets of the novel; and, lastly, the woman with a threatening atmosphere. All of these points refer to The Hound of the Baskervilles as one example of Gothic literature.
Fairy tale is a story that features folkloric chapters and enchantments, often involving a far-fetching sequence of events. Fairy tales have been around for thousands of years, whether it comes from Grimm’s Fairy Tales which is what most people consider the “classic” or “traditional” fairy tales to Disney movies, the idea of the fairy tale fills our society with lessons and examples of how we should behave and live; fairy tales teach the same things in different ways, or teach different things with the same tale. A couple of these tales are “Beauty and the Beast”, by Jeanne-Marie Leprince De Beaumont and “The Pig King”, by Giovanni Francesco Straparola. They are both tales about falling in love with someone despite their appearance. The similarities and differences between “Beauty and the Beast” and “The Pig King” is captivating while still depicting a similar tale. They are similar in the way they find love and their love story but they also share a similar behavior pattern in the way the girls behave towards the prince. However, the two tales do display a difference in the attitudes of the princes and their actions towards their love
I was overall pleased with the movie, because it stayed fairly close to the book's descriptions and the storyline. The storyline didn’t change except for the Hound dieing. The book and movie had many more differences and a lot of similarities yet they had the same storyline.
The Adventures of Huckleberry Finn by Mark Twain is a classic novel about a young boy who struggles to save and free himself from captivity, responsibility, and social injustice. Along his river to freedom, he aids and befriends a runaway slave named Jim. The two travel down the Mississippi, hoping to reach Cairo successfully. However, along the way they run into many obstacles that interrupt their journey. By solving these difficult tasks, they learn life lessons important to survival.
Miss Seeton is less conventional and younger Miss Marple type of character who always finds herself embroiled in farcical situations that she had nothing to do with. A teacher at a London art school, the forty something year old Miss Seeton stumbles upon the murder of a French prostitute which turns out not to be local. Bold and moral to the core, the forty something year old woman fights off the would be murderer with nothing but her old umbrella. However, when she reports the crime to the Scotland Yard, she finds herself in a tight spot, as she cannot describe the man though she can draw a perfect rendition of what he looks like. But drawing the picture of the man for the police makes her the target for a crime ring that is determined to find her and exact their revenge while she is holidaying at Plummergen in
It was a relief that the director incorporated the part where Rex says, “Brian's head is so hard, I think the floor took more damage than he did” (13). The plot is still the same. The movie matched the book well in this scene. In the movie, this was true as well.
Dracula, the most famous vampire of all time, which readers were first introduced to by Irish author Bram Stoker in 1897 with his novel Dracula, which tells the story of the mysterious person named Count Dracula (Stoker). The book is an outstanding masterpiece of work, which is why it has been a prototype for various movie releases over the decades. Whenever a film director decides to make a movie on behalf of a novel the hope is that the characters concur from the novel to the movie, which leads to the exploration of the resemblances and modifications between the characters in Dracula the novel by Bram Stoker and Bram Stoker’s Dracula 1992 movie directed by Francis Ford Coppola.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
“The Hound of the Baskervilles” demonstrated the differences between the upper class and the lower class and even between those people who were in the same class as each others at the end of the 19th century in England. Beside those differences, there were also some similarities between the two classes. In this essay, I will analyse how they are alike and different in some main aspects such as the belief in the curse, the relationship to the law, their mysterious actions, and especially the subjugation between people in the same class.
Picture books unlike novels have a very limited amount of words to inform the reader about the characters and the plot (Scott )(ou dvd no7). The use of a picture to complement and enhance the story is paramount, combining with the experience of the reader to disassemble meaning from the picture (Nodelman, 1999). Moebius quantifies this inherent ability into the elements of colour, perspective, position and size with finally line and capillary to create a code. It is possible to use this code to explore and evaluate some invisible and intangible concepts in Voices in the Park and The Tale of Peter Rabbit.
The plot is entertaining and suspenseful which allows it to hold up to the standards of the list. Foreshadowing maintains interest, and is a prominent part of the suspenseful nature of the plot. After the first murder of Mrs. Ascher, Hastings believed that the crime is a singular event, but Poirot stated, “This is only the beginning” (Christie 22). The author uses a delightful example of foreshadowing to hint to the later murders. This keeps the plot suspenseful which makes one want to continue reading. After discussing possible coincidences on the day of the murder with the victims’ friends and families, Poirot realized, “I tell you my friends, it cannot be a coincidence. Three crimes---and every time a man selling stockings and spying out the land” (Christie 211). The finding of clues allows the plot to continue, thus maintaining the reader’s interest and preventing the story from becoming too tedious to enjoy. While Monsieur Poirot finished pronouncing the name of the murderer, the narration stated, “Two detectives...
Beauty and the Beast is a traditional fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins. Her lengthy version was abridged, rewritten, and published by Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants to produce the version most commonly retold. In France, for example, Zémire et Azor is an operatic version of the story, written by Marmontel and composed by Grétry in 1771, which had enormous success well into the 19th century; it is based on the second version of the tale. Amour pour amour, by Nivelle de la Chaussée, is a 1742 play based on Gabrielle-Suzanne Barbot de Villeneuve's version. According to researchers at universities in
Sherlock Holmes was responsible for the safety of Miss Stoner and Dr. Watson, not to mention himself. He was fending off the snake in order to save the three of them. Sherlock Holmes was, at the moment only thinking of driving away the snake, not about the well-being of Dr. Roylott. Holmes had no intention of creating the premature demise of him. Even if Dr. Roylott had threatened himself and Dr. Watson earlier Holmes’ only motive at the time was to defend Watson and himself from the writhing serpent.
Introduction of the characters occurs as the play opens so they are all privy to the same information and have an opportunity to discuss the investigation. The characters themselves are symbols. George Henderson, who is the county attorney, is perceived to be very intelligent and will be able to convict Mrs. Wright of the murder of her husband. Henry Peters, the sheriff, is not as well educated as the county attorney but desires to uphold the law. Lewis Hale, a neighboring farmer, is the person who discovers Mr. Wright's body. Mr. Wright who is dead, is the symbol that allows the play to evolve. These are the men of the play. Mrs. Peters, who is the sheriff's wife, has come to the Wright's home with Mrs. Hale to retrieve some personal items for Mrs. Wright, who is in jail. Mrs. Hale, the wife of Mr. Hale and neighbor to the Wrights, has come to gather Mrs. Wright's possessions to take back to the jail. Mrs. Peters...