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Horror movie film analysis english essay
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Horror movie film analysis english essay
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Everybody makes fun of the girl in the horror film that yells “Hello, is somebody in here”, the viewer’s general reaction is come on sweetheart do you really think that the psychotic murder is going to be like “Yeah, I’m coming up the stairs to kill you so be prepared”. Everybody who watches horror films hates these clichés, so why do film directors still put these horrible played out clichés in their films. Are the directors and writers’ clueless to the countless number of parody horror films and internet memes, or are they brilliant minds who understand the needs of their core audience? Think about it, why is it that in all the years that horror films have been out they still follow the same pattern? The answer is rather simple, teenagers of today and every generation, no matter how different they think they are from the previous generation of teenagers are the same. Horror films are made to appeal to teenagers, which means the format does not need much changing to get its job done. It is these very clichés that are oh so hated, the distraction from the real world, and the excitement, and the pride felt after because we faced a fear that makes horror films appeals to teenagers as opposed to adults. For teenagers, who in this essay will be defined as people ages 14 to 20, life is constantly changing. They are moving in to Junior High, High School, or their freshman year of college and the world as they once knew it is no longer the same. It seems like as soon as the teen can say “ok this is something that will not change”, it changes. This is why the clichés in horror films appeal to teenagers so much. Stephen King, a famed horror novelist briefly touches on this need for a constant when he says in “Why We Crave Horror”, “We als... ... middle of paper ... ...We still go and watch the horror films though, we do it so that when we walk out we can say I overcame that so I can overcome anything. One of my fellow classmates Kayla Hillegass, said “I like to watch scary movies as a challenge to see what will scare me and what will not scare me”. Teens love and need this thrill and this sense of pride they get when watching a horror film and that is why they keep pilling in to the newest horror film to be released. The clichés that give teens a feeling of normality, plus the break from the real world and all of its troubles, plus the pride of overcoming the fear one feels in horror films, is the perfect equations for why horror films appeal to teens as opposed to adults. As long as teenagers need to feel like they have control of something, and can do anything as well as need a break from life horror films will appeal to them.
Too many horror films provide scares and screams throughout their respective cinemas. Not many viewers follow what kind of model the films follow to appease their viewers. However, after reading film theorist Carol Clover’s novel, watching one of the films she associates in the novel “Halloween”, and also watching the movie “Nightmare on Elm Street” I say almost every “slasher” or horror film follows a model similar to Clover’s. The model is a female is featured as a primary character and that females tend to always overcome a situation at some point throughout the film.
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
King chooses to compare the minds of a child and an adult to see the different resilience levels when exposed to the horror genre. He describes his findings as a paradox, “Children, who are physically quite weak, lift the weight of unbelief with ease” (PP 118). King assumes because the mind of an adult is mature it can handle the horrific depictions within the horror variety yet children seem too be able to withstand the pressure. King backed his theory by analyzing Walt Disney’s movies and their impact on a child’s imagination. Walt Disney’s movie Bambi is what Stephen King pinpointed when comparing the toll of horrific events in children and adult minds. King questioned adults about what was most terrifying about a movie when they were younger and they stated, “Bambi’s father shot by the hunter, or Bambi and his mother running before the forest fire” (PP 119). Another aspect King unveiled was the Doppler Effect and that, “A part of ‘growing up’ is the fact that everything has a scare potential for the child under eight” (PP 119). The cognitive imagination does not stop developing it just suppresses certain mental functions to draw a line between what is real and what is not. Horror novelist mask the tension with comedy yet with one swift motion it, “Knocks the adult props out from under us and tumbles us back down the slide into childhood” (PP
Audiences love to be scared. Horror films attempt to find some sort of trigger in the audiences mind, and develop it to create horror. Preceded by the great horror novels such as Dracula, and developed in the early nineteen twenties and nineteen thirties in Germany. From slash movies, to the post-modern psychological thrillers, horror films have evolved into an art form. This genre relies heavily on the basic horror conventions.
...is that isn’t always the case. Often, we either became the prey or the predator. Another reason is that we need to reassure ourselves our lives could be worse. We have this idea that what happens in movies only happens in movies and therefore we watch these films to guarantee our worst fears will never become our reality, regardless of how realistic it may seem. Lastly, we watch the genre of film that best matches our current mood or events that previously took place that day. Our emotions are key; if we’re depressed, we may be more likely to watch a horror film.
The horror genre of film captives the frightfulness of individual fear, horror is the only genre that is meant captive the terror of the audience. The horror- the genre has been around well over one hundred- years there has been an extension of different types of horror and how the audience perceives horror. Many would even argue that horror films often reflect the fear of society in that certain time period. The evolution of horror reflects the evolution of society’s fear. American in 1929 face the stock market crash-inducing The Great Depression.
I have provided a clear evaluation of his essay in an organized way using the appropriate standards of evaluation. In understanding why humans “Crave Horror Movies” even when some people get nightmares after watching them we find the importance of our emotions and fears. We find those emotions and fears form a body of their own which needs to be maintained properly in order to remain healthy. We see how emotions can be controlled though viewing horror movies. Stephen King’s “Why We Crave Horror Movies” is a well written essay with convincing analogies, comparisons, and urban humor.
Within the genre of horror films falls the sub-genre of teen slasher/stalker films. These teen slasher/stalker films take the horror genre film characteristics into account, however they add more to the formula. More violence, sadism, brutality, and graphic blood and gore are used to increase the terror factor. Sexuality and gratuitous nudity are also key characteristic of many of these films. Imitations and numerous sequels are also a common characteristic of teen slasher/stalker films as well.
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
Horror movies attempt to make the audience experience fear, dread, disgust or terror. The plots often involve the supernatural and fantasy world giving the audience the reassurance that what is being seen is not truly existing. Horror movie plots are often than not, predictable. Horror movies will show gruesome and graphic violence. Many times, this will include close up shots of horrifying deaths and relentless tortures in an attempt to compel an audience to express emotions such as disgust and fright. Also, the way horror movies are promoted and advertised is a difference. In trailers and movie covers the backgrounds are often red or a dark color as such. It suggests danger and advocates violence. A horror movie is scarier in that exact moment and
The 1950s was a time when the term “teenager” was popularized. They all shared some similar characteristics and were grouped into one single cohort. Once they became a term, people began to find ways to label them. With the rise of psychology, they assigned specific emotional and developmental characteristics for them. With that in mind, society constructed an image of teenagers and teenage culture.
Filled with twisted ideas, blood, gore, and supernatural occurring’s, I can understand why a lot of Americans do not crave putting in such a film. What I do not understand is why a lot of them don’t enjoy a good scare here and there. I dont see the mass majority of people watching for the pure pleasure of the ideas and images a film provokes. Most horror movies show possibilities with a real risk factor, diving into a world filled with killers, clowns, and your skilled boogie man. We’re not watching because we feed off the violence and twisted scenes, but were craving the feeling and adrenaline that is triggered by such images and ideas. Watching from a safe place such as your couch, offers an out of body experience simply by putting on a movie. For me, there was nothing more exciting that really could happen late at night, especially when you’re in middle
Introduction Horror movies are probably the most hate to love movies in the world and they have really hit a peak within the last few years, grossing more than they ever have before and almost doubling the amount produced. Every culture and nation has their own idea of how horror should be presented in the movie and in just what ways. Every culture does this differently of course which is why the horror industry is so grand. There are two main cultures that stick out when talking about horror movie styles: the Japanese and the Americans. They each have a certain quirks that make their movies stand out from each other and make one better than the other, so when considering which style you should watch, American horror is better than Japanese
Almost everyone has a favorite genre of film, but how everyone defines their favorite genre can differ greatly. Horror is one of the genres where its definition can be perceived differently by many people. Like all other genres, horror does have rules and traditions that must be included in order for a film to be considered a horror film. These rules and traditions include a protagonist, an antagonist, an escape or escape attempt of some sort, and very influential audio and visual effects.
A Comparison of Modern Teen Films and Those of the John Hughes Era Young adult or “Teen Movies” are a genre of films largely popularized by Director and Writer John Hughes during the 1980’s. Hughes wrote and directed such films as Pretty in Pink, Ferris Bueller’s Day Off, and The Breakfast Club - which are considered to be era defining films. In the modern era, however; their direction has shifted from films about leaving high school, young love, or the characters simply realizing they are about to enter adulthood to films that glorify teen drinking and drug use, sex, and partying. The first major difference between films of the John Hughes and the modern films is the glorification of teen drinking and drug use.