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The sword and the stone arthurian legend king arthur
Essay on Comedy and Tragedy
The myth of king arthur essays
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It was a dark and sinister night at Paris. I stroll down the street of Paris, knowing not the horror that lies in front of me. The street is empty and clouds hung oppressively low. At length, I came about an insufferably gloomy castle. I have come to this house to entertain my master, due to the banquet that will occur tonight. Although I am a professional jester, my master often times maltreated me and called me a fool. I believe the name “hop-frog” is what he calls me, because I am dwarf and crippled. Nevertheless, I approach to my master, greeting him and his guests. I never know anyone that is alive to a joke as the king was. He seemed to live only for joking. To tell a good story of the joke and to tell it well was the surely his favor. …show more content…
Thus his ministers were noted for their good skills of joking, but certainly it is that a slim joker is a rara avis. Because of the distortion of my legs, I could only move with but great pain and difficulty.
I was captured by the ministers from my region. I cannot say, with precision, from what country I originally came. It was a barbarous region, which no person ever heard of—a vast distance from the castle. Notwithstanding my deformities, they enslaved me and sent me as presents to the king, by one of his general. Under these predicaments, there is no surprise that intimacy arose between me and another captive. We became very good friends. Her name was Margery, and on account of her beautifulness, she was greatly admired, although she was a …show more content…
dwarf. The night of the fête had arrived. A beautiful room had been filled up, and the whole court was in a passion of expectation. The guests wear their costumes, as many of them had made up their minds—a week or even month ahead, so that there is no aspect of indecisiveness. Time flew, and as the last resort, they sent in Margery and I. The king loved to make his practical jokes, and pleasured in forcing me to drink and, as he calls it, “to be merry.” “Come, Hop-Frog,” demanded the king, as the jester and his friends enter the room.
“Drink! The wine will brighten your minds.” I endeavored, knowing that I could be drunk easily. “Ha ha ha!” exclaimed the king, as I reluctantly drink from the beaker. “See what a glass of wine can do! I can tell your eyes are shining already!” All the guests and jesters begin laughing, and laughed, but feebly, as well. “Drink, I say, or by the fiends!” I hesitated, and I can see the king filled with rage, while the ministers chuckled and smirked. Margery, pale as corpse, fall to her knee, imploring the king to spare what he is doing at me. At last, the king grew furious, he pushed her to the floor and threw the content of the goblet at her. Poor Margery stands up as best as she could, and there were dead silence for about half a
minute. After a while I found out that this party was planned to ahead so the king can make fun of Margery and me. I was incensed of what the king did, and finally, the thought of revenge came into my mind. I decide to punish those fiendish people. I announced to the king, “For a masquerade, we should all dress up as monkeys.” “Then, we should chain ourselves together and scare the guests.” “That is a great idea,” The king exclaimed. “But I should lock the door, so no one escapes because of fear.” Indeed, we agreed on what we should do, and I chained the seven ministers and the king together. All the guests were terrorized and their shriek was deafening. In the middle of the chaos, I thrust the torch at them, causing their flammable costumes to catch on flame. With all the confusion, Margery and I managed to escape (we had the keys). Knowing that the king and the ministers that captured me were dead, we disappeared into the night. Margery had helped in my fiery revenge, and together, we effected our escape to our own country, and we were never seen again.
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
Though the king initially represents a joyous man, his physical characteristics and dark humor state otherwise. In fact the narrator makes note of, that for the king “He would have preferred Rabelais’ ‘Gargantua’ to the ‘Zadig’ of Voltaire: and, upon the whole, particle jokes suited his taste far better than verbal ones” (Poe 1).Thus, in accordance to the unknown narrator, the king would fancy laughing at people as opposed to laughing with people. The narrator goes out to even state that the king also has a preference of what type of joke he likes. Instead of enjoying riddles and spoken humor, the king enjoys physically abusive humor. This quote is significant because it gives the reader an idea of how one characters outside role completely differs from their inner darker personality. A King is meant to govern his people, in this case however, the King wishes to oppress for his own pleasure. The Kings main sources of enjoyment were Hop-Frog and Trippetta. Both Hop-Frog and Triplett are described as being helpless and innocent. Hop-Frogs short height only adds to the child-like description given
had spent part of the summer with their grandmother Pontellier in Iberville. Feeling secure regarding their happiness and welfare, she did not miss them except with an occasional intense longing. Their absence was a sort of relief, though she did not admit this, even to herself. It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her. (p. 40)
"Hop Frog", by Edgar Allan Poe, is a short story in which the title character, after enduring much abuse by the king, gets revenge in the end. Hop Frog is not only the king's jester, but is also a handicapped dwarf. The king perpetually berates Hop Frog and plays practical jokes on his poor jester. At one point, king and his seven ministers summon Hop Frog before them so that he may give them ideas for an upcoming masquerade. The king forces him to drink wine (which Hop Frog always has an adverse reaction to drinking) and becomes very upset at him. Hop Frog is saved only by the intercession of Trippetta, a woman from Hop Frog's own land and his only true friend. Trippetta succeeds, but only after suffering great humiliation at the hands of the king. Nevertheless, Hop Frog gives the eight an idea for their masquerade disguises. After tarring them, covering them with flax, and chaining them together, they have the rough appearance of eight orangutans, and Hop Frog leads them into the masquerade. Here his vengeance plot unfolds, as he hoists the into the air and sets them on fire. He then makes his escape, probably with Trippetta and the two are never seen again. But this story is not just about escape from oppression. Instead, it is a love story, because Hop Frog’s entire course of action was inspired only by his love for Trippetta.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
...d her to the extent that her semi-barbaric natured demanded. The idea of the young maiden bearing the children, which the princess knew should be hers, gave rise to her usually dormant rage. All the while, the princess was also thinking of going through her days without being able to set her eyes upon her life’s one true affection. Would she be able to bear witnessing his demise at the hands of the ferocious beast and not having given the information that could have spared him such a horrid fate? Would the memory of him serve her better than his physical presence? Never had the princess felt so powerless while at the same time possessing the all encompassing information that would inevitably decide her lover’s fate. As the princess sat with her thoughts, her eyes suddenly gazed upon the eyes of her lover and with the slight flick of a wrist, fate had been decided.
Wine symbols a luxury, that not many have. Only aristocrats or those who had the extra money to spare were able to drink such extravagance. Wine was many of the things unavailable to peasants. The red wine also symbolizes the blood of the revolution. When the wine was dropped in front of the wine shop all the peasants ran to drink it from the ground.”The wine was red and had stained the ground...It had stained many hands, too, and many faces, and many naked feet, and many wooden shoes.”(p.27.) ”The time was to come, when that wine too would be spilled the street-stones,and when the stain of it would be red upon many there.”(p.27.)
Thesis: In his picturesque short story, "The Naked Nude", Bernard Malamud uses the female characters to develop, enact, and resolve Fidelman's epiphany and to bring about the protagonist's final, artistic self-understanding.
"Human beings need flattery; otherwise they do not fulfill their purpose, not even in their own eyes." These are the words of the bold and heartless main character of Par Lagerkvist’s novel, The Dwarf. The keen insights of this twenty-six inch tall man, described throughout the book, are both shocking and thought provoking. Told from the point of view of the dwarf, the book entails numerous expressions of hatred towards humans and towards the dwarf’s own "detestable" race. The dwarf also displays his disgust for the Princess intermittently throughout the novel. Living as the servant and confidante to a Prince during the time when the Black Death was wiping out Europe, the dwarf experiences many instances in which he must commit wicked crimes for the Prince. He does so willingly, considering his lack of conscience. Ultimately, these crimes force him into eternal imprisonment in the dungeon under the fortress, where he can only write daily recordings of his empty life during the hours when the sun shines through the cracks, and hope to be called upon again by the Prince.
There in front of her is a bottle; it reads quite simply “DRINK ME” (Carroll 14). At first, she was weary about the bottle. It could be poison, but she was not for certain. She did not hurry to drink from the bottle, and studied it for a while. She questioned the consequences, but it seemed that none were too frightening to stop her from
“Enjoy your last meals boys!” Shouted the large Arab as he smacked the slave, unfortunate enough to be serving in the belly of the Colosseum that day. His massive hands shook the bars of the prisoner’s cage, intimidating many of the men held captive inside. “You’ll be dead and burning on the pyre as I feast and fuck this night.” The current prized gladiator climbed the bars and thrust his hand through, gripping one of the larger men about his throat, “Will you be the first to fall to my sword,” He laughed as he shoved the man away and pointed to the one who sat in the corner of the cell. His head was down, elbows pressed to his knees, and although there was a crust of bread still in his hand, he had not eaten it, nor had any of the other prisoners yet deemed it fit to take it from him. “No, it will be you. HEY! LOOK AT ME WHEN I’M TALKING TO YOU!!!”
It is set around the nineteenth century in a kingdom ruled by a tyrant king who loves to joke around. The king was a fat, round, merciless person who used people for his laughter and enjoyment. He entertains himself by watching his fools do ridiculous tricks. These fools were to be “always ready with sharp witticisms, at a moments notice.” Hop-Frog is one of the jesters that he makes fun of because of his dwarfism. He considers having Hop-Frog in his court a triple advantage. Not only was he a dwarf but he was a cripple and a jester. His name was given to him by one of the eight ministers of the king, because he
I was trying hard not to think about Goose. I twisted my fingers together to try and calm myself down. My heart was beating fast, then the noise stopped. I didn't want to know what was going on.
Indeed, with his humorous situations, the story contains the element of humor: comical situations. To illustrate, comical situations are demonstrated when Bill had a “series of terrible screams. Red Chief was sitting on Bill’s chest…attempting to cut off the top of Bill’s head…” (2). To the delighted public, Bill’s “series of terrible screams.” would result in laughing since Bill’s shrieking volume and his cowardly actions of fear presents how a diminutive child overpowers him, embarrassing his reputation. To explicate, Henry records hilarious scenes in his composition in order to reveal that his comical situations allude to low level
Grandgrind addressed that maligned old lady: “I am surprised madam”, he observed with severity, for that an old age you have the face to claim Mr. Bounderby, for your son, after your unnatural and inhuman treatment of her.”(p.234)