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Movie industry brief history
Movie industry brief history
Movie industry brief history
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The film industry, which settled in Hollywood, experienced great financial success through the Great Depression and this is largely due to film studios being able to produce films at a rapid pace. This introduction of the studio system, was in large part, the reason the filming pace was manageable and maintainable and the success led to the ‘Golden Era’ of Hollywood. Actors, directors and production crews were staying employed during a period of economic hardship but viewers found escape from the struggle of daily life. Unfortunately, as the saying goes, “all good things must come to an end.” Even as strong as the studio system was and the eight studios who employed the system, they were not immune to this concept as will be discussed in …show more content…
Studios began investing their own interests back into the production cycle and created a monopoly within the film industry. In 1938, the Department of Justice took notice of the business practice and opened a legal battle with the film industry to disband the monopoly and introduce competition into the market (Lewis, 2018, p.194). However, the bombing of Pearl Harbor in 1941 forced the United States to enter World War II (History, 2009) and this effectively made the Department of Justice to temporarily abandon their legal battle with the film industry. After the conclusion of World War II and a decade of waiting, the Department of Justice resumed its legal battle. In 1948, the Supreme Court agreed to hear United States vs. Paramount Pictures (otherwise known as the Paramount Decree) and from this point on, Hollywood would not be the …show more content…
The verdict revealed on May 3, 1948 favored the small independent corporations while prohibiting the concept of block booking the big studios were known to utilize (Supreme Court Verdict, n.d.). The impact on the major studios was immediately visible as industry (as a whole) and studio revenues were drastically slashed. The less control the studios had, the less impact they had on the community and general film attendance plunged. As the homeland suffered, the film industry saw an uptick in popularity in the foreign market which helped offset the financial difficulties (Lewis, 2008, p.196-197). Even though the foreign connection helped the film industry, there was also a negative affect associated with foreigners. As history would have it, there was also an associated political aspect which resulted in the establishment of a Hollywood
However, after the dust settled, it was widely accepted that the blacklist was unjust, which enabled many film workers to pursue the movie studios in civil courts through the 1950’s for unpaid contracts and wages (Lewis, 2008). While the studios were initially impacted by the Paramount decision, the breadth of competition and independent successes of smaller studios gave rise to the advancement of innovative filmmaking that may not have been possible if it were not for the Paramount decision. Filmmaking is one of the riskiest and most profitable ventures in modern day society, and without these events, the studios and the film workers may not share the successes that they do
Hollywood is a master of revisionist history, especially when that history is its own. One of the defining moments in the histories of both Hollywood and America was the series of Congressional hearings held by the House Un-American Activities Committee, or HUAC, and led by Senator Joseph McCarthy in the late 1940′s and early 1950′s in order to ostensibly eliminate Communism from the United States. Hollywood was intimately involved in the HUAC hearings, and one of those targeted most viciously in the controversy was acclaimed film and theater director Elia Kazan.
...ons as to why the studio system collapsed and how Hollywood tried to prevent this from happening. The Hollywood we see today is a reformed version of the old studio system, yet is still seen as the most dominant film industry in the world, despite its earlier collapse.
Hollywood is not simply a point on a map; it is a representation of the human experience. As with any other location, though, Hollywood’s history can be traced and analyzed up to present day. In 1887, Harvey Henderson Wilcox established a 120-acre ranch in an area northwest of Los Angeles, naming it “Hollywood” (Basinger 15). From then on, Hollywood grew from one man’s family to over 5,000 people in 1910. By then, residents around the ranch incorporated it as a municipality, using the name Hollywood for their village. While they voted to become part of the Los Angeles district, their village was also attracting motion-picture companies drawn in by the diverse geography of the mountains and oceanside (15). The Los Angeles area continues to flourish, now containing over nine million people, an overwhelming statistic compared to Wilcox’s original, family unit (U.S. Census Bureau 1). However, these facts only s...
Recognize that the "Culture of Hollywood" is based on motion pictures as big business as well as entertainment.
The idea of Hollywood, before it was Hollywood as we know it seems foreign. However, it did exist and was known as "Pre-code." Pre-code Hollywood refers to the era in the American film industry between the introduction of sound in the late 1920's and the enforcement of the Hays Code censorship guidelines, which went into effect on June 13, 1934 (Association of Motion Picture Producers 1934). Durin...
In America during the era of the cold war there was a fear of the USSR and communism; Senator Mcarthy’s ideas grew in popularity and “McCarthyism” took hold across America. American people were taught to fear communism and how communism would affect American society. This growing fear led to a witch hunt for communists in America. Hollywood was victim to the bulk of communist accusations in an event called the “Hollywood Blacklist”. The Hollywood Blacklist was a significant event in the Cold War; it affected Hollywood and the victims in many ways.
... middle of paper ... ... Larry Ceplair and Englund stated in the book The Inquisition in Hollywood, “The destruction of the motion picture Left not only transformed the political atmosphere in Hollywood, but also adversely affected the kind of product which the studios turned out. “ In the early 20th century Hollywood reframed from producing politically controversial films in fear of becoming a target of McCarthy or the HUAC.
Largely influenced by the French New Wave and other international film movements, many American filmmakers in the late 1960s to 1970s sought to revolutionize Hollywood cinema in a similar way. The New Hollywood movement, also referred to as the “American New Wave” and the “Hollywood Renaissance,” defied traditional Hollywood standards and practices in countless ways, creating a more innovative and artistic style of filmmaking. Due to the advent and popularity of television, significant decrease in movie theater attendance, rising production costs, and changing tastes of American audiences, particularly in the younger generation, Hollywood studios were in a state of financial disaster. Many studios thus hired a host of young filmmakers to revitalize the business, and let them experiment and have almost complete creative control over their films. In addition, the abandonment of the restrictive Motion Picture Production Code in 1967 and the subsequent adoption of the MPAA’s rating system in 1968 opened the door to an era of increased artistic freedom and expression.
Thompson, K 2003, ‘The struggle for the expanding american film industry’, in Film history : an introduction, 2nd ed, McGraw-Hill, Boston, pp. 37-54
The ‘New Hollywood Cinema’ era came about from around the 1960’s when cinema and film making began to change. Big film studios were going out of their comfort zone to produce different, creative and artistic movies. At the time, it was all the public wanted to see. People were astonished at the way these films were put together, the narration, the editing, the shots, and everything in between. No more were the films in similar arrangement and structure. The ‘New Hollywood era’ took the classic Hollywood period and turned it around so that rules were broken and people left stunned.
McDonald, A. 2006. Through the looking glass: Runaway productions and ‘Hollywood economics’. Bepress Legal Series: 1830. 8-58.
Wyatt, Justin. “The Stigma of X: Adult Cinema and the Institution of the MPAA Ratings System.” Controlling Hollywood: Censorship and Regulation in the Studio Era. Ed. Matthew Bernstein. New Jersey: Rutgers University Press, 1999. (238-264).
The film industry has always been somewhat of a dichotomy. Grounded firmly in both the worlds of art and business the balance of artistic expression and commercialization has been an issue throughout the history of filmmaking. The distinction of these two differing goals and the fact that neither has truly won out over the other in the span of the industry's existence, demonstrates a lot of information about the nature of capitalism.
Film was meant to show the traditions and customs of specific cultures to the rest of the world. However, because of Hollywood's need for a large market to sell a movie ...