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More handpicked essays just for you.
The effect caused by the idea of Thomas Hobbes in England
Thomas Hobbes impact upon society during the Modern Age
Comparisons
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Laughter and humor are ongoing topics amongst philosophers to ponder and to determine what makes one laugh, what’s funny? Thomas Hobbes’ theory, though short, is one that is a central point of reference, to date, when analyzing what makes us laugh. According to Hobbes “the passion of laughter is nothing but sudden glory arising from sudden conception of some eminency in ourselves, by comparison with the infirmity of others” (Hobbes 458). Hobbes believes that it’s one’s superior feelings over another person’s inferiorities that the superior finds humorous, which result in laughter. He also theorizes on Wit. Wit, by the comedic definition, is natural aptitude for using words and ideas in a quick and inventive way to create humor. Hobbes …show more content…
(Hobbes …show more content…
This allows Wycherly to exploit the social beliefs of the Restoration Period through Horner and his relationship with the married women in town. During this era the focus was on good breeding, fine manners, the pleasures of the leisure class, and the standards of London society, which were considered to be the only part of life much worth regarding. The satirical look at this shallow society has one laughing at the moral and social infirmities of an entire population of people. Horner, the rake/eunuch/male courtesan, is the most moral and wittiest of the characters. Though he lies and connives he is not pretentious and often comments on the absurdity of the social mores: “Your women of honour, as you call 'em, are only chary of their reputations, not their persons; and 'tis scandal that they would avoid, not men” (I.i. 153-155). He shoots from the hip with his commentary and his view of society reveals the absurdities in the social behaviors of the period. The Importance of Being Earnest, too, is a satirical look at society. The social mores in the Victorian era also focus heavily on manners, morals, class and pretention. Unlike Wycherly, Oscar Wilde does this through the dialogue between his characters and in personifying Victorianism through the character, Lady Bracknell. She is the epitome of the absurdity of the social belief system and her hypocrisy is the infirmity one laughs
Although modern science has allowed us to develop many complex medicines, laughter is still the strongest one available in the real world and in the book. Laughter proves to be a strong medicine in more ways than one and is completely free, allowing anyone to use it at anytime. It allows us to connect socially with people, it can be used as a way of overthrowing power, and it is good for your health. As Randle McMurphy showed in the novel, One Flew Over the Cuckoo’s Nest, laughter can lighten the mood in the darkest situations.
Laughter is a therapeutic form. In the novel One flew over the cuckoo’s nest by Ken Kesey laughter represents freedom and an escape from nurse Ratched’s restrictions.
In conclusion, Merrill Markoe portrayed high comedy using witty humor along with situational irony in the short story “A Conversation With My Dogs”. She does this while also reaching the moral of the story, which is that with some people or animals you have to be super specific or else they won’t understand what you are trying to say. I have experienced this with some people, including my mom who is often focused on her work. The combination of witty humor and situational irony makes the audience
Thoughtful laughter is a technique used frequently in satirical pieces in literature. It allows for the audience to enjoy the wittiness of a work, later ponder on the meaning, and then apply the message to reality. Thoughtful laughter is often an inner experience that can only be achieved by authors who write meticulously. Two examples of satirical works in literature that display this concept explicitly are Voltaire’s Candide and C.S. Lewis’ The Screwtape Letters. Both authors explore the depths of satire and simultaneously deliver an important message to readers through skillful technique.
This book is about so many things, it is hard to stay on one topic for any length of time. In order to focus on the laugh and laughing as a healing agent, I would like to look towards other influential writers and thinkers to tie together laughing and healing. First, let’s see what laughter is according to Meriam Webster: laughter- n. a cause of merriment. Using this simple definition, we can assume that laughter can come from any form of merriment or emotion like triumph, contempt, relief, and almost any other emotion there is. It is easy to picture in your head different underlying emotions in laughter; the sinister laughs of witches and ghosts, the insincere, fake laughs you hear after pointless, humorless attempts at jokes on the six o’clock news, to the silent laughs of mimes and clowns that fill the people around them with a happy feeling. These are all examples of what laughter is and how it is used. But why do we do it? What in nature created the laugh and made it so successful?
Psychologists, sociologists and anthropologists study humor because it is a fundamental culture value, but they still can’t determine why certain things make some people laugh and others not. There are “humor quotient” tests that are designed to measure an individual’s sense of humor, but these tests are questionable. These tests aren’t accurate because almost all humor depends on cultural background knowledge and language skills. Not every person in the whole world, or even in one country share the same background knowledge and skills, therefore they cannot have the same type of humor. “The fact remains that individuals vary in their appreciation of humor” (Rappoport 9). Since humor varies from individual to individual, humor lies in the individual. How successful or funny a joke is depends on how the person receives the joke, humor cannot be measured by a statistical
Steve Almond’s “Funny is the New Deep” talks of the role that comedy has in our current society, and most certainly, it plays a huge role here. Namely, through what Almond [Aristotle?] calls the “comic impulse”, we as a people can speak of topics that would otherwise make many of uncomfortable. Almond deems the comic impulse as the most surefire way to keep heavy situations from becoming too foreboding. The comic impulse itself stems from our ability and unconscious need to defend and thus contend with the feeling of tragedy. As such, instead of rather forcing out humor, he implies that humor is something that is not consciously forced out from an author, but instead is more of a subconscious entity, coming out on its own. Almond emphasizes
...ct. Even if the fool does not believe in justice, Hobbes believes he will be cast out of society, which makes the promise for anyone's survival bleak.21
Primarily used in satire is the literary device, irony, which is often displayed in both Swift’s essay and Voltaire’s novella; it is used to convey the duplicity of certain ...
Erasmus’s Praise of Folly is a humor-filled satire of pretty much everything. It is filled with wit and sarcasm which make light of serious problems and blow insignificant issues out of proportion all the while bringing a smile to the reader’s face. It is not stinging humor at the expense of others (unless, of course, the shoe fits), rather it is directed towards everyone. Erasmus even includes himself in the joke, practically parodying himself in the first section (xvi). In Praise of Folly, Erasmus uses this humor to criticize without the harsh judgment of seriousness. His humor parallels the import of his subject. When Folly discusses the issues most significant to Erasmus, she loses her jocularity and ironic tone, whereas in her first voice, Folly laughs at those whose foolish ways are reason for criticism but not for scorn.
Comedy differs in the mood it approaches and addresses life. It presents situations which deal with common ground of man’s social experience rather than limits of his behaviour – it is not life in the tragic mode, lived at the difficult and perilous limits of the human condition.
Humor in William Shakespeare's Twelfth Night In Twelfth Night we see different types of humour. There is the witty
Such comedy emphasizes wit, whether true or false…” (Bacon). As a comedy of manners, the play accomplishes its goal of revealing the shallow mindset of the Victorian high society through satirical, yet critical, tone. In his book, Oscar Wilde, Erickson refers to the play as “Wilde’s comic masterpiece” (Ericksen, 145). When critiquing the play, the Times correctly noted a quality in the language of The Importance of Being Earnest that foiled every expectation: “Mr. Oscar Wilde’s peculiar vein of epigram does not accord too well with flippant action. Its proper vein is among serious people, or so we have been taught to think. In a farce it gives one the sensation of drinking wine out of the wrong sort of glass: it conveys to the palate a new sensation, which in the end, however, is discovered to be not unpleasing” (Powell, 119). It seems that the reason for Wilde’s incredible success with his satirical play is due to the fact that it contradicts the purpose of a farce, so where “a typical farce dissolves into bland conventionality, Wilde strikes at the root of accepted standards” (Powell,
If there is one way to bring a smile to someone’s face, it is laughter. Funny jokes, comical stunts, sarcasm- Every person is different when it comes to what makes them laugh. Some find dry humor comical. Others think sarcasm or joke-filled ranting are the best. ‘Comedy’ is such a broad term, broad enough to allow everyone to find something they find comical. In fact, ‘comedy’ includes a specific type of drama, one where the protagonist is joyful and happy endings are expected. Comedy is like a drug; it allows you to escape reality. When we say the word ‘comedy’ in the present, we are generally referring to a type of performance which provides humor. However, in its broadest sense, comedy has only one purpose: comedy makes people smile and
Abstract:Laughter, mirth and absurdity have always evoked interest in us. Shakespeare has been that one magician who gave us famous characters in this oeuvre known as the Shakespearean fools that one won’t forget. Teaching these characters can be fun and made more capturing by introducing contemporary characters from the world of comics and cartoons. Media has been replete with characters that incite laughter among the audience by buffoonery or being burlesque or being in their wittiest best. These figures seem to be an offshoot of the Shakespearean fool that germinated in their respective creators’ minds that were inspired after reading the Bard of Avon. They can be sole comic characters in a crowd of serious characters standing out individually