5. *“Hills Like White Elephants” by Ernest Hemingway () 1. Point to the first indication in the story “Hills Like White Elephants” that the two main characters, the man and the girl, are not getting along. What is the first clue about the exact nature of their conflict? Why are they probably going to Madrid and why do they refrain from speaking about it explicitly? Two main characters are girl “Jig” and the American. They are hiding to Madrid, the nature of the conflict is the attempt to do an abortion. The American is indirectly and gently convincing that this is the right way to do. Jig is having second thoughts, but she understands that the relationship will not last after this betrayal of an unborn child that: “And we could have everything and every day we make it more impossible.” 2. …show more content…
What can we conclude about the relationship between the man and the girl named Jig? Specifically, what character do you think might hold the most power or control in their relationship and why? Point to lines of dialogue to support your responses. Back up your claim with a well-developed response (not just that the man holds more because he has the financial means, or that the girl holds more because she’s pregnant). Dig deeper than that and include text quotes! I might be wrong, but I had a feeling that the American met a prostitute and tried to build a relationship with her. But on the other hand, he didn’t see this relationship going too far and having a child with her. I see one more symbol; only girl was given a name/nickname Jig. Probably, Hemingway wanted to tell us what the nature of their relationship was, Jig means: “a lively dance with leaping movements” (Google. WEB 2016 ). 3. Look up concrete meanings of the phrase “white elephant.” Now consider the significance of this phrase in abstract terms in the story. In other words, what might the “hills like white elephants” symbolize in this story? Be sure to connect your interpretation to the facts of the
The main characters’ conflict over not wanting the same things in life is the root of the women’s disillusionment. The theme is furthered by the complication of the antagonist manipulation of the Jig’s feelings for him. Similar to Cisneros’s written work, Hemingway uses the narrative point of view to illuminate the growing disillusionment the women feels about not being able to have everything if she terminates the pregnancy. Hemingway leads the audience to this conclusion when the protagonist states “no, we can’t it isn’t ours anymore… Once they take it away, you never get it back” when referring to her disappointment that the antagonist will not change his mind and they can no longer have everything they ever wanted
Stated in the title and repeatedly mentioned throughout the story, the hills looking white elephants is an important symbol. This symbol is mentioned in the first line, “The hills across the valley of the Ebro were long and white.” The color, being an important indicator of its meaning, as stated by Abdoo is similar to that of a still born child (Abdoo 239). This observation after knowing what the conflict is gives us direction from the first line. Lewis E. Weeks uses the image of the hills to embody the image of a pregnant woman lying on their back (Lewis) This is
Elephants'." Studies in Short Fiction. 17.1 (Winter 1980): 75-77. Rpt. in Literature Resource Center. Detroit: Gale, 75-77. Literature Resource Center. Gale.
Hills like White Elephants by Ernest Hemingway is a short story that deals with the idea of conformity and the conflict caused by internal desire and pressure from another party. The short story is very subtle, and often uses these subtleties in combination with incredible amounts of symbolism interlaced throughout the narrative to cause the reader to look and think deeper into the motives, values and convictions of the conflict between the two protagonists respective desires. When two parties are at an impasse of desire, the conviction of their opposing beliefs becomes increasingly unshakeable. This results in dissension due to the severe lack of understanding between the parties involved and furthermore, they refuse to be held responsible for the inability to communicate their feelings to one another.
Hemingway also uses immorality as the central idea. The American is trying to convince the girl to abort: ‘“I have known lots of people that have done it…. ‘But if I do it, then it will be nice again if I say things are like white elephants…‘I’ll love it” I just cannot think about it” (596,597). Here one sees how the man manipulates the girl.
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
Renner, Stanley "Moving to the Girl's Side of `Hills Like White Elephants'." The Hemingway Review, 15 (1) (Fall 1995): 27-41. As Rpt. in Wyche, David "Letting the Air into a Relationship: Metaphorical Abortion in `Hills Like White Elephants'. The Hemingway Review, 22 (1) (Fall 2002): 56-71. EBSCOhost.
The subtle manipulative control that the American has over Jig’s thoughts and actions transforms itself into a complete control over her decision. After finding out that she is pregnant, Jig has a difficult time weighing her options because of her dependence o...
The material objects that Hemingway uses to convey the theme are beer, the good and bad hillsides, and a railroad station between two tracks. The beer represents the couple’s, “the American” and “the girl’s”, usual routine activity they do together. This bothers the girl because “that’s all [they] do … look at things and try new drinks.” This shows that the girl is tired of doing the same thing and wants to do something different, like having a baby and a family, instead of fooling around all the time. She wants to stop being a girl and become a woman. Hemingway then presents the reader with two contrasting hills. One hill on one side of the station is dull, desolate, and barren; “it had no shade and no trees”, very desert like. However, the other hill on the other side of the station is beautiful, plentiful in nature, and had “fields of grain and tress along the banks of the Ebro River.” Also on each side of the station where each hill is, there is a train track. These objects are symbolic devices prepare the reader in realizing that the characters are in a place of decision. The railroad station is a place of decision where one must decide to go one way or the other. The t...
Jig's smiles, or the times Hemingway tells us "The girl did not say anything" suggest that there is a much deeper story in the background. Critics like Hilary Justice have written many in-depth analyses of the meanings of Jig's smiles throughout the story (3). David Wyche devotes half a page to Hemingway's choice of prepositions (6), and every detail relating to the setting can be taken into consideration in the effort to understanding the meaning of the story.... ... middle of paper ...
As the couple waits between two destinations, Barcelona and Madrid, they are trapped in limbo "between two lines of rail in the sun"(142). The station, placed between the two lines of rails, suggest the two directions the couple may go - toward Madrid and the abortion or away from Madrid and to a family scenario. The landscape describes the conflict, both barren and fruitful. Alongside of one rail line long, white hills stretch across the horizon, the country before them "brown and dry" (143). In stark contrast to the desolate landscape of the hills, the other flank is lush and green, with "fields of grain and trees [running] along the banks of the Ebro" (145). This scenic dichotomy comes to embody the girl's sentiments regarding the abortion: the hills are barren, representing her life if she submits to her partners expressed desires and goes through with the abortion; while th...
Stukas, Jake. "Literary analysis: Hills Like White Elephants, by Ernest Hemingway." Helium.com. Web. 21 Nov. 2009. .
"Hills like White Elephants" is not the normal story where you have a beginning, middle and end. Hemingway gave just enough information so that readers could draw their own conclusions. The entire story encompasses a conversation between two lovers and leaves the reader with more questions than answers. Ernest Hemingway was a brilliant writer. People that study Hemingway's works try to gain insight and draw natural conclusions about Hemingway and his life. Hemingway led a difficult life full of martial affairs and misfortune. Some of these experiences have set the foundation for Hemingway's greatest works. This essay will analyze the influence that Hemingway's separation from Pauline and divorce from Hadley had on "Hills like White Elephants."
Hemingway, Ernest. “Hills Like White Elephants.” Literature Approaches to Fiction, Poetry, and Drama. Ed. DiYanni, Robert. 2nd ed. New York. Mc Grew Hill. 2008. 400-03. Print.