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Multifarious career of Hildegard of Bingen
Multifarious career of Hildegard of Bingen
Life of Hildegard of Bingen
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Hildegard of Bingen lived to be a multifaceted abbess. She accomplished to be a multitude of professions, such as a preacher, visionary, scientist, poet, philosopher, and a composer during her lifetime. Hildegard’s life was filled with great joy, but also was accompanied with sickness and loss. She grew up in the monastery at Disibodenberg, where her parents entrusted her to the church at a very young age. At the church, Hildegard grew up with her foster mother and sister nuns. However, Hildegard proved to be unlike her sisters. Dean Kozol explored how Hildegard is progressive for her time period and the importance of music. Hildegard behaves in an unorthodox manner for her time period, which can be seen by her actions and in her writings. For example, Hildegard relocated her nuns to Rupertsberg. In the monastery, the nuns were under the power of a man. However, Hildegard wanted more independence. As a result, she and her fellow nuns traveled to Rupertsberg and appointed Volmar as provost. In addition, Hildegard was outspoken. For example, at the age of sixty, she went out preaching against corruption. She also …show more content…
walked five miles to speak directly to her superior at the age of eighty. Hildegard lived during a time period, where women did not have entitlement and men would hold powerful positions. She took a daring step by moving her nuns to Rupertsberg and preaching about corruption. Thus, Hildegard acts courageously during her life. In addition, Hildegard’s writings portray her unconventional nature. Hildegard writes, “reposes of Eden we lost when Adam fell.” In other words, Hildegard is blaming Adam for taking the fruit from the Tree of Knowledge. Hildegard goes against traditions during the medieval era by holding Adam accountable for going against God’s order, when the blame was put on Eve. Ultimately, Hildegard takes a risk by presenting an alteration of the perceived belief. Thus, Hildegard is an embodiment of progressivism during the medieval time period. In addition, Dean Kozol discussed the importance of music during this time period.
Music built a community during the medieval era. Hildegard and her sisters would perform various Gregorian chants. “Caritas abundat” is an example of a melody of Hildegard’s chant. This chant has a free expressive style and displayed melisma, when many notes are sung to a single word. When these songs and chants are performed, the sisters would listen to each other breathes and silences in order to create a melody. As a result, an ambiance mood was created by these chants. Furthermore, these songs were used to communicate ideas to people. During this time period, many people did not receive education unless they were nobles. As a result, illiterate people were able to understand the messages through songs. Music was used as an instrument to unite local people and the
church. Throughout the duration of Hildegard’s life, she took risks by not acting conventional. Hildegard acted courageously by moving her nuns to Rupertsberg, preaching about corruption and walking five miles in order to speak directly to her superior. Dean Kozol’s lecture significantly added to my understanding of the text. She explained the importance of music during this time period. Dean Kozol played “Caritas abundat,” in order to show many notes were sung to a single word like “dedis.” Additionally, Dean Kozol performed a recipe in order to show Hildegard’s influence in medicine and provided a visual presentation of the cosmic egg in order to show Hildegard’s influence in science and religion. She explained how the sun represented god, the fiery outer oval represented God’s strength, and the three stars represented the holy trinity. Hildegard’s illumination merged science and religion, which inevitably reunites the mind and body. As a result, Hildegard proves to be the first modern scientist. Hildegard is an embodiment of progressivism during the medieval time period.
1. Music is a strictly local expression, rich in variety since each culture expresses affective differences through art, 2. Music is a poetic process--complex, vague, and irrational--based upon borrowed traditional musical materials (melodies, rhythms, forms, etc.), 3. Music is for a religious, elitist-class performer who can understand and appreciate its mysterious nature and power, 4. Music is played softly in intimate gatherings, 5. Music making is the activity of Everyman, exacting the talents of variously trained amateurs who, with industry and practice, decorate their recreation and leisure in moments of social intercourse.
Moreover, Hildegard is associated with an abundance of traits. She is a preacher, visionary, scientist, poet, and many more characteristics. Hildegard’s life was filled with great joy, but also was accompanied with sickness and loss. She grew up in the monastery at Disibodenberg, where her parents entrusted her to the church at a very young age. At the church, Hildegard grew up with her mother and sister nuns. Unlike her sisters, Hildegard breaks the status quo in women and spirituality by having a voice and reuniting the mind and body.
Some may think that Hildegard is treated, at times, too harshly for her visions. Hildegard finally decides to express her visionary gift, but unfortunately, she is not openly shown ecstatic emotions. She confides in her friend, Volmar, and is greeted with the proper expressions of excitement and enthusiasm. She is also greeted with these expressions from Abbot Kuno, although slow to show at first but eventually persuaded into enthusiastic reviews. However, when a council of monks inspects the products of her gift, she is met with skepticism and denial. These emotions are mainly brought up because of her gender. Many may believe this is reinforced with the lines: “You’re saying that you can understand, but we can’t?”; “To claim to hear secrets that prophets were denied? Outrageous!”; “Only the Holy Father can judge her case”; and “She will probably be expelled from the Church as a heretic!” Not only
Visions of Hildegard is the story of a woman who has visions of her early childhood and spiritualism. She can imagine and create the picture of the city of
By the end of eleventh century, Western Europe had experienced a powerful cultural revival. The flourish of New towns provided a place for exchange of commerce and flow of knowledge and ideas. Universities, which replaced monasteries as centers of learning, poured urbanized knowledge into society. New technological advances and economics transformations provided the means for building magnificent architectures. These developments were representative of the mental and behavioral transformations that the medieval world underwent and the new relationships that were brought about between men, women and society in the twelfth century. As in technology, science, and scholasticism, Literature was also reborn with a new theme.3
“For over one thousand years the official music of the Roman Catholic church had been Gregorian Chant, which consists of melody set to sacred Latin texts and sung without accompaniment” (Kamien 67). The credit for developing Gregorian chant music, also known as plain...
Art was viewed in a different sense in the fourteenth century. It had a more active role and was not just decoration, but a vital component of worship and pr...
St. Boniface, originally named Winfrith, was an extremely studious man, a converted monk, priest, missionary and finally martyr. Born in 672, near Exeter, England, St. Boniface at an early age developed a desire to follow the path of God and live a monastic life. Through non-stop prayer and religious practices, he tuned his mind and body to reach beyond the obstacles and enticements of everyday life at his young adult age. He was a major influence on society during his life and affected the lives and history of Germany permanently. Often called the “Apostle of Germany”, St. Boniface was a strong believer in the principles of the Church and truly wanted to open any pagan believers minds to the knowledgeable and rewarding path of the Christian life.
One of her most famous works as a composer is the “Ordo Virtutum” and is arguably the oldest surviving morality play. Hildegard also wrote many scientific and medicinal works after gaining experience by working in the monastery’s infirmary. Hildegard never made her compositions for anything other than the reason to praise God. Among many of the things Hildegard did, she also excelled in scientific and medicinal writings. While her ideas corresponded with her visionary works, she had never claimed that this was where her knowledge came from.
Hildegard of Bingen is a remarkable woman who lived during the twelfth century. During this period, most women did not have a voice nevermind access to a sophisticated education, yet Hildegard managed to attain both of these things. From a young age Hildegard lived in a monastery where she was able to receive a full education and knowledge from a variety of different people. When Hildegard’s superior at the monastery passed away she was elected majora but soon after she moved and created two of her own monasteries due to a vision. During her time at the monastery Hildegard wrote many books. These books included ones on her visions, biblical commentaries and a medical/natural-scientific text along with multiple musical compositions. It is thought
Due to her visions, her parents has decided to give her to a monastery. Maybe because they wanted to improve their political position, but Hildegard was offered at age 8 and was an apprentice to Jutta, a fellow nun. Hildegard never got married due to her being a nun, if she did marry while in this position, she would've been heavily reprimanded. She is considered
During the middle ages, music was not very unique. A single melody, or plainchant, would be sung to words from the Bible or other religious texts. Songs were also performed at castles and marketplaces by composer-poets known as minstrels, troubadours, and trouveres. Composers included the German nun Hildegard von Bingen and the popular French trouvere Blondel de Nesle (Novak). Music either associated with the king and nobles, or it was composed for religious reasons. It was a very limited amount of creativity, only singing about heroism and nobility. Music in France had been influenced by many other European countries. They all shared the same style during that time. The instruments that were used during this time period, included wind, string, and percussion instruments.
"Music is a common experience and a large part of societies. In fact, anthropologists note that all human communities at all times and in all places, have engaged in musical behaviours. Music as a mode of human activity is a cultural phenomenon constituting a fundamental social entity as humans create music and create their relationship to music. As cultural phenomeno...
Music plays a huge role in the structure of a society. It can have both negative and positive influence on cultures and communities. First, musical sounds and instruments can be a dividing factor between the people within the same culture. These opposing social and economic identities within these cultures can lead unnecessary animosity between the members. However, music can also be one of the forces that unite members of a culture and provide a sense pride for everyone. This makes it easier for people to display their identification to that culture.
Most of the early music that we have today still in print is primarily sacred music. This music, for the most part, is in the form of sections of the Mass, such as the Gloria, Kyrie and Agnus Dei. Most people of the Middle Ages were poor peasants who worked all day for meager wages and had no idle time lounging the way the upper classes did. Therefore, there are few extant secular compositions of music from this era. The rise of a new middle class, however, gave financial freedom for some people to spend time and money on entertainment in the form of music and dance. Thus, the rise of the middle classes also gave way to the rise in composition and performance of secular music, which became the music of choice for composers of that day.