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This paper will argue that no other literary work explores more about imperial stories focusing on resources besides concentrating on the need to speak stories to the people other than Things Fall Apart (1953) by Chinua Achebe and King Solomon’s Mine (1885) by Ridder Haggard. Chinua Achebe avers that the writer in both new and old nation has a bigger role to play while presenting his or her content to the audience (Faulkner, 2007, p. 52). Taking it from the African perspective, Achebe holds that the writer ought to help people from Africa and abroad comprehend that Africans had and maintained viable culture that remained intact before the arrival of the white man on the African land. In his book Things Fall Apart, Achebe demonstrates that the African writer carries recognizing and celebrating the culture as his or her biggest job in order to make people from Africa start salvaging their dignity. Chinua Achebe presents Things Fall Apart in a way that readers do not fail to appreciate and embrace cultural perspective. To facilitate this understanding, Achebe picks information accessible to the readers as well as that provides cultural and historical; context in many ways. He presents two stories that seem to overlap and intertwine at the same time in the novel under scrutiny in this context. Both stories revolve around Okonkwo, described as a strong man hailing from the village of Ibo in Nigeria (Achebe, 1997, p. 12). The presentation aims at making sure that readers get the right text-to-text, text-self, as well as text-to-world connections. To achieve this, Achebe applies various historical, geographical, literary, and cultural resources.
The first of the two-part stories fallows through Okonkwo’s fall from a prestigious position ...

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...spises any attempt to simplify this concept. He covers destruction of all aspects of life in entirety(Achebe, 1997, p. 19). This is annihilation of the bond that holds people together within the society. In the process, the falcon cannot bear the falconer. The author applies resources to pull the reader into embracing the African culture among the people of Ibo village. For example, the author succeeds in making the reader sympathize with Okonkwo’s father. Who covers both positive and negative influences of missionaries. While some historians and literary critics have ostracized King Solomon's Mines as 'manufactured […] and unimaginative, with an interest in what was only marketable' (Brown, 2013 p.27) , other scholars such as Graham Green, Henry Miller and Margaret Wood have chronicled Haggard's representation of duality and imperialism in the novel (Brown, 2013).

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