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Traditions of african american culture
Traditions of african american culture
Everyday use of heritage in a growing world
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Heritage is something to be proud of, a feeling of understanding and an appreciation of a family’s roots and history, however, in the African-American community, heritage is something that was attempted to be taken away during slavery. Most search for culture, researching their roots via ancestry.com, tracing back to Africa, almost like filling in empty pages. Many times, African-Americans are unable to trace to the exact origin, so they create their own culture and heritage based on their immediate family history and traditions, or what they feel represents African culture. In the short story “Everyday Use” by Alice Walker, Dee (Wangero) has created her own culture, rejecting her family’s heritage because she feels her family has been oppressed …show more content…
One of the things she does is reject her birth-given name, a name that has been a family legacy and adopts a new name, Wangero. “‘No Mama,’ she says. ‘Not Dee, Wangero Leewanika Kemanjo’” (Walker, 1944, p. 318). Dee truly believes that this new African name is a part of her African heritage more appropriately. With the new name, she feels closer to what she feels her roots truly are. Dee further says that she couldn’t use a name that was used by the people who “oppressed” her, and at this point in the story, she has shown that she has rejected her family’s identity (Farrell, 1998). Dee also feels that her family’s heritage is dead and that her own mother and sister fail to realize it. Dee is dead to her and Wangero is whom she has become. Even though Mama is surprised that Dee has changed her name, she says, “If that’s what you want us to call you, we’ll call you” (Walker, 1944, p. 318), as a way to show her daughter that she is willing to accept Dee’s new name. It also shows that mama is willing to love Dee despite what or who she wants to …show more content…
Dee wants the quilt more than anything, but the quilt isn’t about being a decoration to be hung up like a museum exhibit, it is made to be used daily. Quilting is part of their family heritage. Dee doesn’t realize that the quilt she wants isn’t simply a family heirloom, it means much more than that. “In the African American community, women have been involved with quilting since they were brought to America as slaves” (Martin, 2014, p. 1). They symbol of the quilt in the story is a sisterhood, empowerment, and nature, something that Dee has failed to realize (Martin, 2104). Dee is looking for her family’s heritage and it has been there. The family heirlooms are the true tokens of their origin. Mama finally realizes that she and Maggie have embraced their true heritage through quilting and tells Dee that she cannot have them because Maggie will take it when she gets married. The situational irony in the story at the end, Dee proclaims that Mama and Maggie have no knowledge of their heritage, but it is Dee who does not understand her
...made for, she no longer offers much imagery to the reader. The story comes to an end as the mother reminds Dee that she was once offered the quilts and refused them because she thought they were "old fashioned and out of style" (880). She also turns the table on Dee by snatching the quilts out of Dee's hands and dumping them into Maggie's lap. She tells Dee to get a couple of the other quilts, and with that said, Dee storms out.
... attempts to change the way Mama and Maggie perceive tradition by using the quilts as a wall display. Mama refuses to allow it, Dee was offered the quilts when she was in college and didn’t want them at that time. Mama gives the quilts to Maggie as her wedding gift to be used every day as they were intended, knowing how much Maggie appreciates them. I agree with Mama and Maggie for keeping family memories and objects in daily use. It is important to maintain your family history in your everyday life to preserve those special memories.
...nderstand each other’s view or just each other. Dee especially believes that these quilts are a representation of what has been discarded as trash just as her culture has, however what she doesn’t see is she was the first to disregard them just as she did her family.
The quilts were pieced together by Mama, Grandma Dee, and Big Dee symbolizing a long line of relatives. The quilts made from scraps of dresses worn by Grandma Dee, Grandpa Jarrell’s Paisley shirts, and Great Grandpa Ezra’s Civil War uniform represented the family heritage and values, and had been promised to Mama to Maggie when she married. However, Dee does not understand the love put into the making of the quilts, neither does she understand the significance of the quilts as part of her family heritage. It is evident she does not understand the significance of the quilt, having been offered one when went away to college declaring them “as old-fashioned” and “out of style”. She does not care about the value of the quilts to her family, rather she sees it as a work of art, valuable as an African heritage but not as a family heirloom. She wants the quilts because they are handmade, not stitched with around the borders. She tells Mama, “Maggie can’t appreciate these quilts!... She’d probably be backward enough to put them to everyday use… But, they’re priceless!.. Maggie would put them on her the bed and in five years they’d be in rags. Less than that!” (317). The quilt signifies the family pride and history, which is important to Mama. She makes the decision to give the quilt to Maggie who will appreciate it more than Dee, to whom she says, “God knows I been saving ‘em for long enough with
...y're just collecting dust in the bottom of this old trunk." Momma had other quilts to use. She would not begrudge Dee. However, Momma did promise them to Maggie and so Momma had to keep that promise because Momma knew that regardless of how much more "successful and smart" one daughter was could not be allowed to diminish the love she had for Maggie. For Momma, a promise was a promise and barring her own death, it would be kept.
Alice Walker's "Everyday Use," explores Dee and Maggie's opposing views about their heritage by conveying symbolism through their actions. Maggie is reminded of her heritage throughout everyday life. Her daily chores consist of churning milk, helping mama skin hogs on the bench which is the same table her ancestors built, and working in the pasture. On the other hand, Dee moved to the city where she attends college. It is obvious throughout the story; Dee does not appreciate her heritage. When Dee comes back to visit Mama and Maggie she announces that she has changed her name to Wangero. Dee states "I couldn't bear it any longer, being named after the people who oppress me" (89). Her stopping the tradition of the name Dee, which goes back as far as mama can remember, tells the reader that Dee does not value her heritage. Another symbolism of her lack of appreciation for her heritage demonstrated through her actions is when Dee asks Mama if she can have the churn top to use it as a ce...
In “Everyday Use”, Alice Walker is exploring the concept of heritage as it applies to African-Americans. It appears to be set in the late ‘60s or early ‘70s. This was the time when African-Americans were struggling to define their personal identities. Many blacks who had stories of pain and injustice wanted to rediscover their African roots, and they were denying their American heritage to do so. In “Everyday Use,” Alice Walker argues that an African-American is both African and American.
Alice Walker's "Everyday Use," is a story about a poor, African-American family and a conflict about the word "heritage." In this short story, the word "heritage" has two meanings. One meaning for the word "heritage" represents family items, thoughts, and traditions passed down through the years. The other meaning for the word "heritage" represents the African-American culture.
Walker's view is very clear at the end of the story. By Dee wanting to hang the family heirloom on the wall to look at from a distance, she is alienating herself from her family heritage. That is exactly what Walker thinks is the wrong thing to do. Walker would prefer the quilts to be used and integrated into daily life, like Maggie and her mother prefer. The same idea applies to all of the other household items that Dee has her eye on: the churn top, the dasher, and the benches for the table that her daddy made. They all are a part of life for Maggie and her mother. Walker believes that the only value that they hold for Dee is that they would be good trinkets to show off in her house. By using the quilts in this symbolic way, Walker is making the point that family heirlooms can only have meaning if they remain connected to the culture they sprang from - in essence, to be put to "Everyday Use."
After all, she was never told no, so in her mind her options for success were endless. Dee grew up being taught the there was no real issue with society, but once she moved away to college, her perspective on the situation changed dramatically. Dee States “I couldn’t bear it any longer being named after the people who oppress me” (Walker, 318). This indicates a sense of remorse towards her family’s heritage and the way she was raised. Furthermore, linking the reason why she changed her name. This action is a rebellion towards her heritage and her family’s morals, as it is taking the very essence of their history and rewriting it to claim ignorance on the fact that this poverty induced lifestyle never happened. Although agreeing with Dee on certain situations, I’ve come to the conclusion that you should not step out of your heritage. This could cause you to lose your path and ultimately isolate you from your family’s history. Agreeing on the aspect of higher education, this puts Dee in a strange position in the story. She is not liked because of her ignorance towards her heritage, yet she has a way about her that is compelling to the audience. In “My Dungeon Shook” it states that “The details and symbols of your life have been deliberately constructed to make you believe what white people say about you” (Baldwin, 2). This statement supports the idea that Dee/Wangero changed her name because of what white people said about blacks and their lifestyle. Though afflicted by change, Dee wants to keep something to remember her heritage; she wants to be a part of the history without participating in the actions and lifestyle of her
Quilts symbolize a family’s heritage. Maggie adheres the tradition by learning how to quilt from her grandmother and by sewing her own quilts. Maggie also puts her grandmother’s quilts into everyday use. Therefore, when Dee covets the family’s heirloom, wanting to take her grandmother’s hand-stitched quilts away for decoration, Mama gives the quilts to Maggie. Mama believes that Maggie will continually engage with and build upon the family’s history by using the quilts daily rather than distance herself from
When Dee finds out that her mama promise to give the quilts to her sister, Dee gets very angry and says that she deserves the quilts more than Maggie because Maggie would not take care of them like she would. Dee feels that she can value and treasure heritage more than her sister Maggie. Dee does what she wants, whenever she wants and she will not accept the word no for any answer. “She thinks her sister has held life always in the palm of one hand, that "no" is a word the world never learned to say to her.” Maggie is used to never getting anything. Throughout the entire story, it says that Maggie gives up many things so Dee can have what she needs or
through she is there with her mom everyday(Cowart 171-72). When Wangero comes back with her boyfriend, she acts like she 's better than them because she found her heritage and she lost what is important to them the mother-daughter relationship. In another source it say “Dee obviously holds a central place in Mama’s world,” so her central place is the reason why all the stuff that she wants she gets especially things that hold heritage value(Susan Farrell 180). The mother-daughter bond that she shares with Wangero is much more special and that bond with her mom should mean more to her then the quilts or anything else with any type of history
In the short story, “Everyday Use” by Alice Walker, is written in manner to inspire the reader to show them how deep some family traditions can go. Walker, in her writings, tend to talk about issues that she had experienced in her life, and being an African American, she has learned the value of certain things in her life that her parents and grandparents had taught her. The quilt is so important to Dee because it is something that tells a story of the previous generation; the quilt actually consists of pieces of material that the family once used. The issue of the quilt also sets the mood for the story. It helps the reader to understand the deep rooted power simple things can have when it comes to family relations. All this helps explains
Maggie feels less worthy than Dee. This is why she rejects taking the quit and offers it to her sister. Maggie should be excited about her sister arrival. Instead, Maggie is nervous about her sister coming into town. “Maggie will be nervous until after her sister goes; she will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her sister with a mixture of envy and awe.” (Walker 380) Mama is under the impression Maggie is jealous of Dee. Maggie just is not seem comfortable being in her sister presence. Their mother favoritism may has impacted Maggie feeling embarrassed around her sister. If Dee is given a chance to tell her side of the story; she will feel misunderstood. Dee feels collecting items from her hometown and changing her name to Wangero Leewanika Kemanjo is embracing tradition. She will explain the quilt is memorabilia, she does not want to be ruined. Understanding Wanergo point of view will take away from her seeming unappreciative, rude, and bossy. Wanergo defines heritage as collecting material items, but she does not respect her family traditions. “You know as well as me you was named after your aunt Dicie.” Wangero goes on to say, “But who was she name after?” (Walker 383) Since leaving the south, she has forgotten where she comes from. So much so that she has changed her name to Wangero Leewanika Kemanjo. Mama