How Do Mythical Creatures Help Humans? Us humans could either be severely frightened or seriously interested in mythical creatures. This essay will demonstrate how people make sense of the world using monsters and how they view them. Imagine they’re monsters, zombies, or even ghosts in your town or city. Would you be scared of it? Some people might be petrified or maybe even “weird” out. However, some people may not be scared at all. Many people view monsters or ghosts in alternative ways. Some people use them to cope, and some people may use monsters, zombies and ghosts to make sense of the universe. The writings "Here Come the Zombies," by Kathiann M. Kowalski, "Ghosts Across Europe," by Joan Rockwell, and "Fact or Fiction? The Creatures of Scotland" by Christine Graf explains just that. People can cope with trauma with many different methods. For example, zombies help people cope with trauma. In the text, "Here Come The Zombies" the text explains, "Yet just as zombies can represent different fears, they can help us deal with them." Another way zombies help people make sense of the world is by thinking about themselves vs the world. For instance, the text displays, "Zombies also helps people think about 'us versus them'" This shows that zombies can help people cope. …show more content…
The author argues this in the text when they explain, "Such beliefs probably arose from the fact that people need time to adjust to the loss of someone important in their lives." This shows that people use ghosts to cope with the passing of their loved ones. When people try to keep ghosts out of their home, it makes them feel as if they are accomplishing something. The author states this is in the text by saying, "Most of them do not realize they are following an old custom to keep ghosts from getting in," Therefore, people use ghosts to help them make sense of the
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,
In Ted Genoways’ article “Here Be Monsters,” written in 2005, he elaborates that minds will envision the unfathomable visions regardless. He later supports it by saying that it will lead to creating the fear that monstrous events will happen. Genoways believes that we must grasp the realism of the problems that consume this world to overcome them. This short story comes from the “Virginia Quarterly Review,” which is a magazine created for discussions, reviews, poems, and more. This specific, analyzing article intends to inform and spur discussion. It focuses on improving the world rather than within the self. “Here Be Monsters” is an agreeable writing. The point made is that if there is no action taken, then we will unfailingly fear the threats and retract from those whom we distinguish as dangerous. This piece of writing is a valid impression with supporting philosophies that contains relevant explanations.
Across different works like Virgil’s Aeneid and Aeschylus’ Eumenides, In these representations of monsters, the initial relationship between gods and monsters is simple: all monsters derived from the gods. However, as soon as distinguishing features set the monsters apart, they prove Clay’s point that monsters are seen as threats who need to be contained and whose powers need to be exploited by the gods. The close reading of both texts reveal the relationship between gods and monsters along with the power structures between
times we have been fascinated with all sorts of tales about monsters and intrigued by myths and
Monsters are symbols and representations of a culture. They exist because of certain places or feelings of a time period. Monsters are “an embodiment of a certain cultural moment”. Author of Grendel, John Gardner, and author of Frankenstein, Mary Shelley, both create a monster to represent something larger than itself in order to have the reader reflect on their “fears, desires, anxiety, and fantasy” in society, which is explained in Jefferey Cohen's Monster Culture (Seven Theses). The latest trend in monster media, zombies, also fit into Cohen's theses on what a monster is.
The realm of myths and magic have captivated the attention of masses for decades. Most of the myths and creatures originated from folklore from diverse cultures around the world. The mythological world usually contains myths and stories about fantastic beasts, immortal gods and goddesses, unearthly beings, and bizarre creatures that rule or roam the depths of the earth. Since the rise of the internet, classic myths like mermaids, vampires, dragons, werewolves, zombies, and unicorns continue to have a certain appeal to the public. Due to this advancement of technology, myths like vampires and zombies can tap into people’s needs or yearnings. Either by filling a psychological need, symbolizing the rejected and inexpungable or by creating an
Asma, Stephen. On Monsters :An Unnatural History of Our Worst Fears. New York: Oxford University Press, 2009. Print.
We are in the middle of a zombie apocalypse. Every time we hit “retweet,” a bullet is shot through a zombie’s head. Each email we delete is another zombie down. Finishing last night’s haul of homework is surviving a whole mob of zombies. This is the picture that Chuck Klosterman paints in his article published in The New York Times, “My Zombie, Myself: Why Modern Life Feels Rather Undead.” Having published many books and essays concerning pop culture, Klosterman attempts to uncover the reason why zombies are so popular right now. He concludes that their popularity is a result of the current zombie-like state of our society. Killing zombies is repetitive, and it is no different from the monotonous tasks we engage in every day. Although Klosterman’s claim that zombies are popular because they are relatable is an interesting view, he does not bother to consider a more optimistic perspective: that zombies are popular because they are unrelatable.
The zombie race is very different. It doesn't not have many abilities and is not advanced like humans. Their behavior patterns are different. They cannot stand cold or winter weather. Their behavior is very different and difficult to calculate. They usually stand around lingering and waiting to attack when they hear something. They follow noises.Some abilities that they do have is that they have excellent hearing and can walk but aren't blind.The also can smell human blood. Zombies are generally weak but don’t underestimate what they can do to a human.
The idea of a zombie is made up and it comes from nzambi, the Kongo word for the spirit of a dead person. In states such as Louisiana, or the Creole culture they believe zombies represent a person who has dies and brought back to life with no speech. Kings psychological argument on how we have an urge to watch horror movies because it helps to re-establish our feelings and feel natural again. Klusterman’s sociological essay helped us see the comparison of zombies and humans in real life. In conclusion zombies are not real, they are make believe but help bring a sense of normality to
In the article, “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism” by Sarah Juliet Lauro and Karen Embry, the authors’ evaluate the idea of the zombie and its connection to capitalism and post-humanism. According to the authors, the zombie represents much more than just a fear, it represents a loss of oneself to many different things, primarily to a capitalist society. The authors have come to the conclusion that humans have a fear of what they cannot control, and that is why the zombie is so big in entertainment. We see zombies everywhere, in movies, books, tv shows, fundraisers, marathons, and so much more. They have been around for decades, but recently they have become very popular. The authors believe this is
Envision yourself as encircled by strange, yet terrifying and evil spirits that trouble you in your worst nightmares. The spirits could desire something from you. In fact, they could aid you in locale of frightening you. Should you attend to them? What do you contemplate they are trying to notify you? In one of the inquiries above, notice the ironical use of the word “fact” that endeavors to obscure the fictitious nature of ghosts. It displays that the meaning of the word “ghost” is equivocal. In supplementary words, the word “ghost” is multivalued, that way that ghosts can purpose in extra than one way.
Gilmore, David D. "Why Study Monsters?" Gilmore, David D. Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors. Philadelphia: University of Pennsylvania Press, 2003. 210.
In the field of philosophy, zombies are imaginary creatures that are used to illuminate problems regarding consciousness and its relation to the physical world. As compared to those in witchcraft or films, zombies are exactly like human beings in every physical aspect but without conscious experiences. However, zombies behave like humans and some of them even spend considerable amount of time discussing consciousness. While few people believe in the existence of zombies, many state that they are at least conceivable and some argue that they are possible. Consequently, there are arguments that if zombies are increasingly a bare possibility, then some kind of dualism is true and physicalism is false. This argument is the chief significance of the zombie idea for many philosophers though it also generates interest for pre-suppositions concerning the nature of consciousness as well as the relation between the physical and the phenomenal. In addition, the use of the zombie idea against physicalism generates more general questions regarding the link between conceivability, imaginability, and possibility. Generally, the zombie argument poses a problem of physicalism and attracted response from physicalists who attempt to defuse the problem.
Avery Wells Professor Wilkenfeld English 102 02/08/14 “All Men and Women Are Created Equal” On July 4, 1776 it was said that all men are created equal. What the Declaration of Independence failed to mention was women. This seemed to be a common theme throughout the history of America and is still a problem to this day. Men are constantly being held up on a pedestal, while women are forced to assume the position of looking up to them. Zombieland (2009) tends to take these “old school” ways and sheds a new light on the fact that women too can be equal, if not better than some men.