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Henna essay
Henna essay
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Henna Night- Original Writing The day had finally arrived. The icy cold wind was blowing so strongly, that everything obstructing was thrown instantly. The tall trees were swaying from side to side, bundles golden, brown and red leaves were falling upon the bare ground. The crumpling sound of the leaves attracted Nadia’s attention. She was amazed by the bright coloured leaves, planning ideas for her future art project. Nadia, a sixteen year old had attended a Henna function for the first time. Nadia and her family walked towards the door of the hall, where the function was to take place. It had been a completely new experience for Nadia. Nadia had caught a glimpse of Yasmin walking towards the hall. As Yasmin had entered the room, crowds of people obstructed her view, but Nadia had a clear sight of Yasmin. Yasmin, the bride was walking slowly into the hall, wearing a yellow lehngha (skirt) with glittering golden embroidery. The embroidery was towards the top of the lehngha and at the bottom like a border. Her shimmering top had red and gold coloured embroidery in the middle. She looked like a model posing. At a Henna function it is traditional for the bride to wear the colour yellow or golden. The drole of the drum was getting louder and louder, with the beat gradually getting faster. There were two lines of girls waiting for Yasmin to pass by. They were holding little baskets with party poppers and flowers inside. Included in this line Nadia and her cousins. People looked left and right, up and down, to see where the beat of the drum was coming from. The drummer was at the front, slowly walking and behind was Yasmin. A yellow shimmering sheet with golden threads at each corner of the sheet was carried over Yasmin’s head by her two brothers, Wasim and Aseem. The other two people at the other corners were Yasmin’s friends Tara and Saira. Slowly, as they approached the middle of the hall, pink, white and red flowers were thrown over as they all passed, to
Norma was a really good student. She was smart, intelligent, and attractive too. She seemed flawless. Sonia made Norma her role model. She used to follow her in every way. But then as Norma changed, Sonia became
...hat she does not obliges to what she said to her daughter on about staring to other people. She stared and looked at the teacher twice, which would demonstration that the mother does not like something about her. “Her lips are quivering,” said the daughter showing that her mother had tremble when she was talking to her. They touch and press the lips as an old game but instead the mother put her hand down on her side that indicated it was not part of the old game it was different. The mother shoes as she walked down the hallway from her daughter and the teacher made a very loud sound. Singing and talking in the classroom as they walked towards the room was still not loud enough to take away her mother shoes walking down the hallway. Here the mother is showing emotions that she does not approve of the teacher as in her actions and having loud steps down the hallway.
My favorite thing about this piece is the depiction of the New York skyline during a starry night. This is because I am in love with the city at night time. It makes me feel warm. My least favorite thing is the floral border. At first glance, it looks dumb and out of place. I did not understand the purpose of this border until further research was done on the piece of art. I do not think the artist was successful at achieving her goal. I think this because at first I didn't even notice the young girl flying above the bridge. Once I noticed her, I could not tell she was the same girl laying on the rooftop. This made the wild background not make much sense to me. If I were to do something differently about this piece, I would make the flying girl bigger, or put her into more of the focus. Also, I would do something special to show that they are the same girl. Maybe a unique outfit or something would do the job. During the time this artwork was created, Ringgold played a role in the organization of protests and actions against museums that did not show the work of women and people of color. She usually used “overly political paintings” to present her anger (Spector, Nancy). Within this work, she used a story quilt. Everyone loved it! She turned down her angry theme to show this light hearted example of a “spirited heroine”(Spector, Nancy). Women in this time period’s society loved to see a young colored girl
In the Chapter “A Night” from Hospital Sketches, Louisa May Alcott describes her typical night as a nurse during the Civil War. Though Alcott did serve as a nurse in the Civil War for a brief period of time “A Night” is a fictional story of what Alcott actually experienced. A major part of this chapter has to do with the fictitious wounded soldier named John. Although many readers may just see John as Alcott’s idea of a perfect man, I argue that John is more than what is described, Instead, John is an allegory for a higher power. John, given the state he is in, is unrealistically perfect and provides a light to many wounded in the darkness of war.
This dress features trimming with a silk polychrome fly fringe. It compares to the size of an adolescent. It is quite small in size and has sharp angles among the waist, hips, and shoulder areas. The structure of the gown is what some may consider traditional. While the front of the dress has a dip near the chest area the back has a long cape that extends to the ground. The fabric is rather thick and matte. There is various pleating that adorns the ends of the sleeves, the cape, and the hips. At the front of the gown there is cross-hatching in the stitching at the waist. The gown features one main fabric with various colors and patterns. The fabric has a light blue background with cream-colored leaf shapes. There are also olive-green leafs and maroon (white) flowers printed on the
The right side is almost purely white, with blue and gray shadows; the rest of the body is black, dark brown, and navy. The profile of a white woman obscures the left half of the black face, facing to the right of the piece; her hair is in a large braid and she wears a simple pearl earring. The black woman has long, flowing, bright blue hair, as well as full red lips. The black woman’s body has a rose over it, and the white woman is wearing what looks like a straw bikini; the figure is wrapped in a thick rope from the waist down. The stark contrast between the white and black meet with a definitive line; there is no blending between the two colors, which amplifies the feelings of separation and difference between the two halves of the woman’s
Having established that the females are integral to the work, it is interesting to see how the illumination reveals more about th...
The main interest in this short story is further elucidated when delving into a more profound level of the woman regarding her potential in acquiring timeless beauty. This potential, which transcends the careful inspection of reigning beauties, is only determined with a simple glimpse of her barefoot as evidenced by her, “Exquisitely chiseled toes, nails like the iridescent shells along the sore at Enoshima…” (Tanizaki 100). Her foot, which represents nothing but a small portion of the body, overshadowed the complete existence of other beauties. Only a glimpse of the woman’s barefoot was required for the confirmation to be delivered; a confirmation which ascertain her potential in blooming to a divine entity capable of infinite destruction. This definition of infinite destruction refers to the potential of the woman in having absolute control over men. Progressively, the woman’s potential is eventually seen with greater clarity when the artist was “scrutinizing her intently” during their encounter, and consequently, it has escalated to the sky in the sense th...
The French 1884 oil on canvas painting The Song of the Lark by Jules-Adolphe Breton draws grasps a viewer’s attention. It draws an observer in by its intense but subtle subject matter and by the luminous sun in the background. Without the incandescent sun and the thoughtful look of the young woman, it would just be a bland earth-toned farm landscape. However, Breton understood what to add to his painting in order to give it drama that would instantly grab an onlooker’s interest.
It was an early Wednesday morning, and I lay still in my bed hitting the REM cycle as I dream vividly about a young lady about to be wed. She was dancing in a field of wheat and sunflowers. She was a country girl of whom I had never seen in my life, but in my dream, I knew her. It seemed I had known her family too, they were hillbillies and she was the pride and joy of their family, a shining star on her family crest. She had long, slinky, dark chestnut hair that was pulled up for such an occasion, Decorated with a fresh flower from the fields. She wore a form fitted white dress that looked as if it was her mama’s passed onto her. In her hands were an array of hot pink, sassy orange, and depressed purple Gerber Daisies wrapped precisely with an off white ribbon. She twirled distantly from her family knowin...
At the beginning of the story Arlene and her daughter, Champ, are at K-Mart. Arlene is looking for makeup and hair dye that will go with a dress that she is borrowing. This is where Viramontes first uses the phrase “it sounds right”. Now think, will this color go good with Pancha’s blue dress? – Pancha is Arlene’s comadre. Since Arlene has a special date tonight, she lent Arlene her royal blue dress that she deeps in a plastic bag at the end of her closet. The dress is made of chiffon, with satin-like material underlining, so that when Arlene first tried it on and strutted about, it crinkled sounds of elegance. The dress fits too tight. Her plump arms squeeze through, her hips breathe in and hold their breath, the seams do all they can to keep the body contained. But Arlene doesn’t care as long as it sounds right. (1-526 ) Here is a woman who tries on a dress that makes her feel young and beautiful. And, takes her back in my opinion to a time that outer beauty came naturally.
The story starts off with the bride to be in a yellow sari preparing to meet her future husband by bathing in a lake. She describes the yellow sari as a sunflower after rain. Yellow here could possible signify new times to come or peace. The bath she was taking is relaxing her to the idea that she is about to marry a man she has not even met, as well as the thought of losing her family.
The ballroom at the Yacht Club was decorated with deep red roses and black ribbons, the perfect combination of colors for a winter wedding. Long, tall windows covered the walls to let all the guests experience the view of the nearby ocean. Each round table was decorated with a long black underskirt cloth, a shorter bright white tablecloth, with each placemat arranged around a beautiful vase full of red roses. The wooden dance floor, full of chairs for the ceremony, took up half of the room, while the other half was occupied with 15 round tables and one rectangular Head Table. As the guests walked up the stairs to our ballroom, they would see a guest book that was decorated with pictures and captions and ready for their signatures.
My writing as a poet has been heavily influenced by writers like Langston Hughes, Nikki Giovanni, Alice Walker and Slam poets such as Black Thought and the Last Poets. These writers write and speak about the struggles and uniqueness of Black culture. Their individual experiences and political stances as well as the influences of other artist are evident in their work. For example in Giovanni’s poem “Revolutionary Music” she quotes some of the lyrics from Sam Cooke and James Brown to illustrate her personal views on racism and the equal rights movements. Hughes in his piece titled “Message to the President” skillfully incorporates the political events of his time into his poem using it to sardonically articulate his view on racial inequalities that were occurring in his time. Black Thought and the Last Poets utilize jazz and urban hip hop along with their idea of Black to relay their message.
I was doing everything I said I would never do. Sure I still went to