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Hamlet essay on Ophelia's death
Hamlet essay on Ophelia's death
Hamlet essay on Ophelia's death
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William Shakespeare wrote ten tragedies in his lifetime. Once referred to as “Nature’s Poet” by Samuel Johnson, Shakespeare uses Nature to kill off Ophelia, one of the characters in the tragic play Hamlet. There is large debate, both in and out of the play, about if her death was accidental or purposeful. Either way, close investigation of the play has determined that Ophelia could live, if only she has help. Ophelia has been driven to madness from the loss of her father and her lover. Without her two largest sources of care, she starves for help, love, and affection, thus affecting her mind. Polonius, her father, warns that “This is the very ecstasy of love,/ Whose violent property fordoes itself/ And leads the will to desperate undertaking” (2,1,102-104). He is warning is daughter that love is a dangerous emotion which can drive a person insane from withdrawal. Help came to Ophelia until she began unknowingly spreading rumors. While doing this, she insults the King and Queen in front of their faces when she graciously bestows flowers that carry secrets: There’s rosemary, that’s for remembrance. Pray you love, remember. And there is pansies, that’s for thoughts. . . There’s fennel for you, and Columbines. – There’s rue for you, and here’s some for me. We may Call it “herb of grace” o’ Sunday! – Oh you must wear your rue with a Difference. (4,5,150-155). Ophelia gives rosemary, flowers of remembrance, to her brother Laertes. She is trying to tell him to remember who killed their father, and then get revenge on that person. She then passes him some pansies in order to tell him that she is about to reveal her thoughts on the King and Queen. Ophelia hands Gertrude fennel and columbines, flowers that represent adultery. ... ... middle of paper ... ...oo many details about Ophelia’s death, plus her behavior at the funeral is quite interesting. Rather than sobbing hysterically or settling in deep depression, Gertrude apologizes to Ophelia’s corpse before talking about things that could have been. In the end, the queen makes up for her lack of help to procure a spot in heaven for Ophelia. Shakespeare uses Ophelia in a manner that is appropriate to her name. Ophelia is Greek for help, and while she faithfully helps the other characters, she lacks help in return. Being the most important character that provides dramatic irony, Ophelia also receives the backfire of all of the failed revenge plans. Although for the time period, she does serve her duty well as a woman until she breaks down. Perhaps in the end, it was best for Ophelia to die, so she could provide the knowledge of failed assistance and the harm it does.
Maki states, “Women of Ophelia’s time had little autonomy and their lives were reduced to the will of their father or husband.”, which applies directly to Ophelia’s state of mind. Maki also goes on to say that some symptoms of hysteria include, “choking and muteness”. For these symptoms to apply to Ophelia’s symptoms, they can be interpreted as muteness of her own opinions and and choking as in being smothered by all the men in her life. Her father and brother are pulling her in one direction and Hamlet is pulling her in another. Ophelia struggles with her instinct to remain as a respectable “good daughter” or to follow her sexul desires and chose to remain with
Ophelia’s mental strength quickly dissipates due to multiple happenings in the play. The man that she once thought she was in love with kills her father, driving her into the dark abyss of grief. She begins to fall into madness, “...speaks things in doubt /That carry but half sense /Her speech is nothing” (3.3.7-8). She begins to jabber on about nonsense. She loses her ability to think, “...poor Ophelia /Divided from herself and her fair judgment” (4.5.91-92). Others see her as an emotional wreck, falling farther and farther into insanity. She finally can’t take it anymore, so she ends her own life, “As we have warranty. Her death was doubtful” (5.1.234). Others saw Ophelia in a dark light, saying that she took her own life, and that she did not deserve a nobel burial. Ophelia was driven into mania by a combination of negative things, that in the end, lead to her taking her own
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
He calls her a “breeder of sinners” (3.1.132) and suggests that she “get thee to a nunnery” he says these out of anger at her, that she would betray him for her father. (3.1.131) Ophelia becomes heartbroken at this, both by the pressure of her family wanting her to break up with Hamlet, always constantly doing what they want and never making decisions for herself, and her relationship with Hamlet, “And I, of ladies most deject and wretched, that sucked the honey of his music vows” (3.1.13) She is saying here that she was susceptible to his words and deceit. Hamlet becomes so consumed by grief and the desire for revenge that he kills Ophelia’s father Polonius, and this is when Ophelia takes a turn for the worse and goes insane. She gives away flowers to her loved ones, “There’s fennel for you, and columbines. There’s rue for you, wear your rue with a difference… I would give you some violets, but they withered all when my father died.”(4.5.205) I believe this is her way of saying goodbye, giving flowers to her loved ones, and showing them representations of how she feels and what they mean to
...She had lost her father and her lover while her brother was away for school, and she was no longer useful as a puppet in a greater scheme. Ophelia was displaced, an Elizabethan woman without the men on whom she had been taught to depend. Therein lies the problem - she lacked independence so much that she could not continue living without Polonius, Laertes, and Hamlet. Ophelia's aloneness led to her insanity and death. The form of her death was the only fitting end for her - she drowned in a nearby river, falling beneath the gentle waters. She finally found peace in her mad world. That is how Ophelia is so useful as a classic feminist study - she evokes imagery of the fragile beauty women are expected to become, but shows what happens to women when they submit as such.
Even the old saying "Sow fennel, sow sorrow" (Eriksson), backs up this fortune telling. To the audience, although Ophelia is not expressing the same message, it is seen that the King will die soon just like the flower that is for him. Ophelia, by telling King Claudius about the fennel, is simply openly confessing of her upcoming suicide, without getting caught. She speaks so openly that the true words she speaks of are being overlooked. The other flower that Ophelia gifts to Claudius is columbine.
Throughout the play Hamlet, Ophelia is associated with floral imagery. Her father, Polonius presents her with a violet, she sings songs about flowers when she turns mad, she drowns amid garlands of flowers, and finally, at her burial, Queen Gertrude tosses flowers into her grave. Flowers symbolize her fragile beauty, blossoming sexuality, and a condemned innocence. Flowers are not deeply rooted. They are beautiful living things at the mercy of their surroundings. With no means of self-preservation, a flower's life relies on the natural forces around it. Ophelia's life mirrors this frail existence. She is entirely dependent upon the men in her life to make her choices. With no control over the storm brewing in her own life and no strength to withstand it, her shallow roots are ripped from under her. She loses her mind and takes her own young life.
Ophelia is conditioned to obey Polonius and Laertes’ commands, thinly veiled as guidance for her “own good.” She is never trusted to have a mind of her own, often having her intelligence openly insulted, causing her to be dependent on the men in her life. These men exercise authority over her, patronize, and degrade her, lowering her self-esteem to a non-existent level, and leaving her a...
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
The causes of Ophelia's decent into madness start long before she is raving and signing rude songs. It is a madness brought of mistreatment; a mistreatment that started with her father. Upon first hearing of Hamlet's affection for her Polonius is very dismissive of it. He even tells her not to waste her time with him as a result "I would not, in plain terms, from this time forth Have you so slander any moment leisure As to give words or talk with the Lord Hamlet." (Shakespeare & Bevington, 2009, pp. P1105 L133-135) This is given as an order, which Ophelia says she will obey. The earlier exchange is quite dismissive of the affection between Ophelia and Hamlet, despite her defending it in terms of Hamlet having shown that love both in words and gifts and the defense of him courting her in an honorable fashion. Polonius is again quick to dismiss his daughter's view of the world saying "Affection? Pooh! you speak like a green ...
The story of Hamlet, written by William Shakespeare, is considered to be a perplexing play as the many subplots twist, turn, and unfold. The relationship between Hamlet and Ophelia is conceivably the most widely discussed topic as countless theories are developed throughout the story. It is a tragedy, of many sorts, that Hamlet and Ophelia are not able to display their love for each other,
After Polonius and Claudius plan for Ophelia and Hamlet to meet and talk while they hide to listen, Ophelia is verbally abused by Hamlet and her father is too caught up with Hamlet’s reaction to think about his daughter. This madness was preventable, the men in her life caused it and Gabrielle Dane’s article “Reading Ophelia’s Madness” explains this excellently, what is written in the article gives clear and straight forward facts and examples on what is the cause of her madness. The cause of her madness started with her controlling father, brother, and lover. All three of these men told her what to do, when to do it, and how she should carry it out, and the things they told her to do always have to benefit them, they didn’t care what would happen to Ophelia’s mental or emotional state in the process.
Among the hundreds of dramatic scenes in Shakespeare’s play Hamlet, one well-known one is the death of Ophelia, in the fourth act. Like all excellent scenes, it is dramatic, beautifully written, and compelling. Still, there is a common motif that seems to give readers extra interpretations and more depth to what Shakespeare attempts to convey. For example, there is a reason that Ophelia drowned instead of dying in battle or a weapon. The scene is a woeful one. Shakespeare writes Ophelia “Fell in the weeping brook, her clothes spread wide; And, mermaid-like, awhile they bore her up… As one incapable of her own distress” (4.7.200-204). In this passage, Shakespeare paints the most haunting, beautiful, eerie picture of this death by
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
In the play “Hamlet,” Gertrude and Ophelia share similarities and they are also contrasting characters. Gertrude, the mother of Hamlet, is a loving, honorable, protective mother. Ophelia, Hamlet’s love interest, is young, foolish, and underestimated. One of the main stances, to which they both contrast, is their love for Hamlet.