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The visual image most popularly associated with William Shakespeare's play Hamlet is that of young Ophelia's body floating in the river after her suicidal drowning as described in Act 4, Scene 7, lines 167-184. Shakespeare's captivating illustration of an unstable young woman finally at rest has been portrayed by several artists because of its beautiful, whimsical narrative. Ophelia's depiction throughout the play personifies not only youthful love, loss, innocence and naïveté, but also the dependent role of women in the time of Shakespeare.
Throughout the play Hamlet, Ophelia is associated with floral imagery. Her father, Polonius presents her with a violet, she sings songs about flowers when she turns mad, she drowns amid garlands of flowers, and finally, at her burial, Queen Gertrude tosses flowers into her grave. Flowers symbolize her fragile beauty, blossoming sexuality, and a condemned innocence. Flowers are not deeply rooted. They are beautiful living things at the mercy of their surroundings. With no means of self-preservation, a flower's life relies on the natural forces around it. Ophelia's life mirrors this frail existence. She is entirely dependent upon the men in her life to make her choices. With no control over the storm brewing in her own life and no strength to withstand it, her shallow roots are ripped from under her. She loses her mind and takes her own young life.
Before she dies, Ophelia makes garlands of flowers, like a child would. "Fantastic garlands did she make/ Of crowflowers, nettles, daisies, and long purples" (4.7.169-170). During this time, she is reflecting on her childhood, her innocence, and the way life was when everything surrounding her was good and u...
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...hat elevates the tension between Laertes and Hamlet to its peak. This passage encases all of the themes in the play: revenge, death, and doomed innocence. Hamlet discusses suicide throughout the play, but it is Ophelia who, at last, takes action against her own despair. Her final deed forces the other characters to act toward a resolution, pushing them to turn words and threats into events. Ophelia lives her life striving to make her own decisions and trying to find purpose in a world dominated by men. She is used as a pawn in a game of revenge and hatred, and only in her act of suicide does she finally make an impact on the people who control her life. The lines describing Ophelia's death are imperative to the play, obviously marking the point where schemes and thoughts become reality, but also showing the lack of women's power during the time of Shakespeare.
Often overlooked in Shakespeare’s famous play Hamlet, Shawna Maki analyzes Ophelia’s restricting role as a woman in a patriarchal society and how it essentially leads to her death being the true tragedy of the play. Maki supports this argument by stating, “Whereas Hamlet has the power and potential to change his fate, Ophelia does not and her death is tragic because the only escape she sees from her oppression is madness and death.”. The comparison between Hamlet and Ophelia is a common parallel because both characters are inevitably labeled as tragic deaths due to the quick deterioration of their state of mind.
This leads to Ophelia becoming impregnated with Hamlet’s baby in her ultimate abandonment. Ophelia drowns herself, which is only fitting as she is the ultimate symbolic character (Showalter 286). When a woman is about to give birth, her water breaks. Since this will never happen for Ophelia, she dies by completely immersing herself in water. Nevertheless, some may interpret taking her child’s life, in addition to her own, as an extremely selfish act. However, Ophelia may have thought she was doing her unborn baby a favor. Throughout the play, she has no mother,
He calls her a “breeder of sinners” (3.1.132) and suggests that she “get thee to a nunnery” he says these out of anger at her, that she would betray him for her father. (3.1.131) Ophelia becomes heartbroken at this, both by the pressure of her family wanting her to break up with Hamlet, always constantly doing what they want and never making decisions for herself, and her relationship with Hamlet, “And I, of ladies most deject and wretched, that sucked the honey of his music vows” (3.1.13) She is saying here that she was susceptible to his words and deceit. Hamlet becomes so consumed by grief and the desire for revenge that he kills Ophelia’s father Polonius, and this is when Ophelia takes a turn for the worse and goes insane. She gives away flowers to her loved ones, “There’s fennel for you, and columbines. There’s rue for you, wear your rue with a difference… I would give you some violets, but they withered all when my father died.”(4.5.205) I believe this is her way of saying goodbye, giving flowers to her loved ones, and showing them representations of how she feels and what they mean to
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
Ophelia died after collecting flowers from over a brook. I think that she was collecting them to distribute to the court, as she did after her father’s death. Flowers are a symbol of innocence, pure and easily destroyed. The tree she was crawling along whilst collecting these garlands was a willow, which is usually associated with weeping and grief, something we have assigned to the “watery” (perhaps with tears) character of Ophelia. The branches of a willow hang down towards the ground in a downcast fashion, indicating grief. The personification even extends to her garments that were “too heavy with heir drink.” The ...
After her father dies, she "has lost all faith in men, is no longer protected, and goes insane"(Fitzpatrick 94). Ophelia is now struck with grief and thrown into a spiral of madness. Ophelia goes to talk to Gertrude the first thing she said was"Where is the Majesty of Denmark"(4.5.21), she wouldn't address her father in such a tone so "it is to Hamlet that her words apply"(Camden 250). We can clearly see that her father isn't the only thing she is troubled by, if the first thing she says is about hamlet, "it is clear her madness is a combination of love loss and grief over her father"(Fitzpatrick 94). Ophelia tells us about how grief stricken, she is in the lines "He is dead and gone, lady/ He is dead and gone,/ At his head a grass-green turf,/ At his heels a stone"(4.5.25-29). She is talking about how her father is dead, and how her relation with Hamlet is seemingly dead. Ophelia feels alone and adrift in society which she has never felt before. When Ophelia says "There's rosemary, that’s for remembrance. Pray you,/ love, remember. And there is oansies, that’s for/ thoughts./ There's fennel for you, and columbines.- There's/ rue for you, and here's some for me. We may call it/ "herb of grace" o'Sundays.- Oh, you must wear/ your rue with a difference.- There's a daisy. I would / give you some violets, but they withered all when/ my father died. They say he made a good end"(4.5.151-159), she is talking about "her
It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one, characterized by her willingness to let go of her submissive, earth-bound self and leave the world no longer a victim.
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
With the men’s constant abuse, they each start telling her different things. Unsure of whom to listen to, she starts to get confused and starts losing herself. When finally there was no one there to tell her anymore she goes mad, and on the brink of her madness she ends up killing herself. Throughout all these events, no one stops to think of her as an actual person, but instead like a rag doll they could just toss around. The play Hamlet itself was discussed without any bother of Ophelia for nearly four hundred years before scholars started to think of her and read the play with a Feminist viewpoint.
In Shakespeare’s The Tragedy of Hamlet, Prince of Denmark, Ophelia intentionally kills herself. Once spiraling into depression, Ophelia quickly became unable to coherently understand those around her. In her final hours, Ophelia surrounded herself with the beauty of nature to comfort herself. Gertrude states, “Her clothes spread out wide in the water, and buoyed her up for a while as she sang bits of old hymns, acting like someone who doesn’t realize the danger she’s in, or like someone completely accustomed to danger” (4, 7, 170). This statement shows Ophelia’s candid assumption about death and her willingness to put herself in harm’s way. Gertrude explained to Laertes, “Climbing into the tree to hang the wreath
Ophelia is a strange character in the Shakespearean play “Hamlet”. Although she was originally sane, Shakespeare constructed her into a much more complex character. This insanity makes for the perfect canvas for this flower scene. Ophelia proves to have deeper meanings for each flower and emerges in the story as a sarcastic woman. Also, this colorfully illustrates Ophelia’s feelings towards Laertes, Claudius, and Gertrude. Through these symbolic representations Shakespeare is able to give more depth to the story, as well as the character Ophelia using flowers.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
Ophelia loves Hamlet; her emotions drive her to perform her actions. Some would say that Ophelia’s emotions could have actually been what ended her young