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Hemingway writing styles
Use of symbolism hemingway
Hemingway writing styles
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Character development is the heart and soul of a story. When one reads a book, they want to connect with the characters.This literary technique allows one to see who they are, why they are the way they are, how they think, etc. Authors often use character foils to develop characters and to move the plot along. They also utilize character foils to make the protagonist look better and to show off the characteristics of the protagonist, usually with another character that is the complete opposite or someone who has many different traits than the main character. In the novels, The Sun Also Rises and Heart of Darkness, the authors Ernest Hemingway and Joseph Conrad respectively both use foils to develop their protagonists.
In the Sun Also Rises,
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we follow the thoughts and life of the first person narrator and protagonist, Jake Barnes. The reader can notice how he tries to normalize his life despite his condition and the after war effects that still burden him from time to time. He does this by hanging out with friends, various foods and by heavily drinking alcohol; alcohol is often a pastime for him and his friends to escape their trouble they face. One of Jake’s friends include Robert Cohn.. Easily influenced by the opinion and thought of others and books, Cohn changes his entire lifestyle to suit the ones that seem ideal in the books he reads. Robert is the first character the reader is introduced to in the Sun Also Rises, yet he is far from the story’s hero. He is the opposite the idealistic hero Hemingway likes to portray, a character who is strong, opinionated, knowledgeable and brave and other words a character like Jake, expect for the fact that the latter is impotent due to the fact that he still has hope for the relationship him and Brett. Despite being friends, Robert and Jake are almost complete opposites, presenting the use of foils in The Sun Also Rises. Robert wants to travel and leave Paris, whereas Jake content is content staying where he is. Robert is the only one of Jake’s friends that has not fought in the war so, he is not experiencing post traumatic stress disorder as can be inferred Jake might have. Jake and Robert’s relationship to each other is one that is complex and seemingly one sided.
Jake refers to Robert as his friend and in multiple sections of the book, is spotted hanging out with him. However, there is a certain antagonism that Jake shows towards Robert. Underlying his feelings and jealousy, Jake acts like there is nothing wrong. In spite of that, his true feelings surface when he finds out about Robert’s affair with Brett. He starts to do things to annoy Robert like not hand over the telegram from Brett that stated Brett’s and Mike’s delay to Pamplona. Robert on the other hand still considers Jake his friend with no strong feelings of dislike. We see this opposite duo face challenges of their friendship. The purpose of the foil of Robert and Jake “Robert Cohn is the character that sparks the whole plot of the book. It’s his affair with Brett and its fallout that sets off the whole chain of jealous explosions that pepper the novel and fuel its action. While he’s not the hero, or even a particularly sympathetic character, he is central to the novel’s plot” (shmoop). In addition, Jake states "I have never seen a man in civil life as nervous as Robert Cohn--nor as eager. I was enjoying it. It was lousy to enjoy it, but I felt lousy. Cohn had a wonderful quality of bringing out the worst in anybody." (Chapter 10, pg. 98). This statement holds true since not only Jake but Bill, a friend of Jake, brought out their darker side, such as both making Anti-semitic …show more content…
comments toward Robert. These events shows the purpose of the foil of Robert and Jake. In the Heart of Darkness, the narrator and main character Marlow is a thirty two year old sailor who got an opportunity to go to the Congo, a place he dreamt of going ever since he was young.
On his journey, he comes to learn about Kurtz, the current manager of the ivory company that Marlow is going to work for. As he learns more about Kurtz and the other workers characteristics, he becomes disgusted of who they are. He disagrees with their viewpoints and even pause multiple times in his narration to collect himself. Even with his distaste of the workers, everything seems to shift for Marlow. He starts to ponder like the workers and even go against his viewpoints he had earlier in the book. “By the end of the novel, Marlow is almost unable to reintegrate himself into European society, having become convinced of the lies and "surface-truths" that sustain it. He tells his story to the men aboard the Nellie to share with them what he has learned about the darkness of the human heart — and the things of which that darkness is capable.” (cliff notes) . The foil in this novel is between Marlow and Kurtz,once almost complete opposites, their relationship turns complex where the reader can not seem to distinguish one from the
other. The foil is the Sun Also Rises and Heart of Darkness is similar because in both novels it helps move the plot along. It differs since In the Sun Also Rises, Jake and Marlow remain opposites whereas in the Heart of Darkness Marlow and Kurtz go from opposites to almost the same person. If it was not for Marlow leaving the jungle, who knows what would've become of Marlow. Foils are very important to developing a novel and characters.
Authors use minor characters that have specific traits to emphasize the characteristics of a main character and this is called foil characters. In the novel To Kill a Mockingbird, Harper Lee, the author, uses Bob Ewell and Atticus Finch as foil characters to reveal the theme of courage and cowardice.
If you have the Harry Potter series, or almost any other story you have been introduced to this literary device that instantly makes your story attention-grabbing, and page-turning. This writing tool is known as a character foil. A character foil is a character that displays contrary, or opposite character traits. An example of a character foil is Draco Malfoy, and Harry Potter. Their rival relationship and other conflicts are the perfect example to showcase foils at work. To continue, in the iconic “Romeo and Juliet” written by William Shakespeare, there are two known character foils in the first Act: Benvolio and Tybalt, and the Nurse and Lady Capulet.
(Whether we read about different people in literature to broaden our knowledge about others, or whether we do it as an interest, we cannot overlook the use of foils in stories. While many people can be similar to each other, others can be complete opposites. One character may do something virtuous, while the other may do something heinous; this in turn makes the virtuous character seem exceedingly better than the other character.) (In literature, many writers use foils to highlight one’s true nature and make it more noticeable; when characters are compared side by side, one character is always superior to the other. In the classic novel, To Kill a Mockingbird, Harper Lee undoubtedly uses pairs of characters to emphasize and demonstrate the themes of prejudice, racism and inequality of characters.)(This writing technique is especially evident with the characters: Atticus and Mr. Gilmer; Miss Maudie Atkinson and Miss Stephanie Crawford; and, finally, Walter Cunningham Sr. and Bob Ewell.)
A foil is a character who serves as a contrast to another character. Writers often use foils to emphasize differences and traits of characters. Such an author would be William Shakespeare, author to many plays, including “The Tragedy of Romeo and Juliet”. William Shakespeare uses foiling to emphasize one of the main character’s traits and differences. This “ foiling” relationship is between the main character Romeo and Paris.
A foil is when a characters differences contrast with another in order to show the main characters traits clearly. By using certain parts of their personalities, the reader sees the other characters opposing qualities. When an author uses foil in a novel the main character is thoroughly developed because the reader can gain more information about the characters own reactions. Mary Shelley’s use of foil characters in Frankenstein Or, The Modern Prometheus enhances the story greatly. Shelley’s way of comparing Victor, the Creature, Robert Walton and Clerval is what leads to the readers greater understanding of who Victor is. The most obvious foil throughout the novel is the Creature and Victor, child and father figure. Shelley uses their similarities
Comparisons and contrasts are important devices which an author may use to help convey his thoughts and feelings about a situation or an event. Joseph Conrad makes use of these devices in his novel Heart of Darkness. Throughout the novel when he was trying to convey a deeper meaning about a situation or a place, he would us a comparison or contrast. The comparative and contrasting themes in the story help to develop Conrad's ideas and feelings in the Heart of Darkness. Light verses dark, the Thames verses the Congo, the Savages compared to the civilized people, and the darkness of both worlds are all contrasts and comparisons that are important to the meaning as well as the understanding of this novel.
Authors use character development to show how a person can change. Through a descriptive portrayal of a charter and their development they become real to the reader. A well-developed character stirs up emotions in the reader making for a powerful story. A person can change for better or worse and Nathaniel Hawthorne shows this thru the character development of Hester, Chillingworth, and Dimmesdale in The Scarlet Letter.
The moment in which Marlow experiences his epiphany is right after the helmsman gets killed by natives, which are associated with Kurtz. The thing that Marlow realizes is the savagery of man and the corruption of the ivory trade. The actual change takes place when Marlow sees the helmsman die. Marlow sees the death take place and is shocked. "The side of his head hit the wheel twice, and the end of what appeared a long cane clattered round and knocked over a little campstool. ... my feet felt so very warm and wet that I had to look down. ... It was the shaft of a spear that...had caught him in the side just below the ribs. I had to make and effort to free my eyes from his gaze and attend to the steering. ... I declare it looked as though he would presently put to us some question in an understandable language; but he died without uttering a sound, without moving a limb, without twitching a muscle. ... 'He is dead,' murmured the fellow, immensely impressed. 'No doubt about it,' said I." When this happened, Marlow realized the savagery of man, horror of death, and the corruption of the ivory trade. He realizes that in the ivory trade, that the ivory is more valuable than human life and that traders will do almost anything to get it. Marlow also realizes man's savagery in the event that man puts greater value on riches than on human life. This is the epiphany of Marlow in "The Heart of Darkness."
In the saying of “Character is what you are in the dark” by Dwight Lyman Moody, can meaning many different things. One being, “you are most yourself when no one is watching”, another one also being, “dark and troubled times bring out a person's true nature”, and “your true nature is on the inside”. This quote can or cannot apply to the play of “Romeo and Juliet” by Shakespeare.
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
Kurtz was the chief of the Inner Station, where he was in charge of a very important ivory-trading post. Marlow learns that because of Kurtz’s ability to obtain more ivory than anybody else, he is of “greatest importance to the Company” and is to become a “somebody in the Administration” (Conrad 143). However, a critical aspect is the way in which he went about his business, as it was ruthless and selfish, characteristics that go hand-in-hand with European colonization.
In the novel Heart of Darkness, there are several themes including Good versus Evil, Power, Femininity, and Fate. Two themes are further prevalent and significant. These themes are restraint and identity. They are the two most noteworthy themes in the book because both capitalize on the complexity and flaws of human nature.
Joseph Conrad’s novella, Heart of Darkness, was written in the year 1902, a time of modernist literature. Heart of Darkness talks about the problems with alienation and confusion as much as it does about imperialism. In the early 1900’s, the lifestyle in England veered towards the Victorian values. Conrad’s novella makes a bridge to connect the Victorian values with the ideas of modernism. Thus “it belongs to a period of change.”(Sardar) For example, the natives are following in the footsteps of their predecessors, following a life of tradition, and their ideas of life are constantly being attacked by people like Mr. Kurtz who think they are doing what is best, when in reality they are creating more confusion
Marlow starts out as just as everyman, trying to put some bread on the table. His original plans were setting out to make money, but his journey turns into so much more. His expedition turns into a quest to find and save Kurtz, and to understand the people so many were prejudice against.
By the time Marlow and Kurtz meet, Marlow is already well aware of the similarities they share. Both are imperialists, and while Marlow detests the treatment of the natives by his employers (Belgian colonists), he also makes apparent his abhorrence toward the Africans. On the other hand, Kurtz abandons the pretense of helping the natives achieve civilization, as displayed by the Europeans. Instead, he adopts their customs and becomes their leader in the never-ending quest for ivory. "He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of the supernatural beings- we approach them with the might as of a deity' (Longman, 2000, p. 2226). Marlow also admired Kurtz' resourcefulness and survival skills, especially his perseverence through jungle fever. "The wilderness had patted him on the head....it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation. He was its spoiled and pampered favorite." (Longman, 2000, p. 2225).