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Analysis of Flannery O'Connor's writings
Analysis of Flannery O'Connor's writings
Flannery o'connor analysis
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Flannery O’Connor once noted that all good stories are ones of conversion (Wood, 217), and Wise Blood is no exception. The central spiritual struggle of the book is that of the character Hazel Motes. The protagonist goes through not simply one but several conversions throughout the book. His spiritual quest is his realization of the Church Without Jesus, and his search for a new jesus. As analysis in this paper will elucidate, Hazel spiritual arc is a critique of approaches to knowing God. The first such method, nihilism, is a belief in nothing. This exists not only as a rejection of belief in an areligious sense, but is an active love of the concept of nothing itself. The second method comes in the debate of how one can come to know God, and whether or not one can accumulate concrete knowledge as a method of understanding the divine. O’Connor, as a Catholic, creates the window of an outsider to view the Protestant dominated South. From a Catholic perspective, Hazel Motes’s quest for an alternative approach to God is one which mirrors the alternative approach to God by the predominantly Protestant South. Hazel’s rejection of his paternal influences is not one which rejects religion or God, but instead is one which seeks his own path towards God based on his terms and conditions, and not His. Hazel’s spiritual trajectory is one which pursues a path of nihilism, to Gnosticism, to despair. His understanding of his own perception, especially sight, leads him to search for Jesus through both sight and non-sight, as he seeks a knowable, corporeal new jesus.
The reader is introduced to Hazel’s spiritual past early in the novel, through the description of his preacher grandfather. He was “a waspish old man who had ridden over three coun...
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...t to be distracted by abstract version of Christ, but instead wishes to find God through his own experience. He does not place faith in a Church With Christ, which commands redemption from on high. The Jesus of this church offers an abstract salvation that comes through the suffering of an unknowable God. Instead the redemption Hazel seeks that comes through a grotesque corporeal mutilation creating suffering in the self, so that one can spiritually move towards a knowable new jesus. In this sense, his grace and redemption come through his suffering. He has no eyes, but he sees, and he does not use his ears to listen to others, though he still hears.
Works Cited:
O’Conner, Flannery. Wise Blood. New York: Farrar, Straus and Giroux, 1962. Print.
Wood, Ralph C. Flannery in the Christ Haunted South. Cambridge: Wm B. Eerdmans Publishing Co., 2004. Print.
He is very rude and h as no respect nor patience for other’s opinions. Within the first pages, while speaking with nice old Mrs. Hitchcock, Hazel responds in very rude ways, “He looked at her sourly and gripped the black hat by the brim. ‘No I ain’t,’ he said in a sharp high nasal Tennessee voice”. This already gives an insight to the type of person he will be. After that encounter with Mrs. Hitchcock he demonstrates his overbearing nature when he practically harasses the porter on false pretenses. The porter himself is characterized to be very grotesque with a description saying “a thick figured man with a round yellow bald head” and “when he bent over, the back of his neck came out in three bulges”, this description gives the reader a hideous image of a giant gross fat man. Because Hazel is so overbearing it demonstrates his disregard for anybody’s feelings. He clearly doesn't see that he is upsetting the porter or that he is bothering him which demonstrates the selfish nature in Hazel because all he cares about is the Porter admitting he is from Eastrod even though he
A deeply pious man, John considers the Bible a sublime source of moral code, guiding him through the challenges of his life. He proclaims to his kid son, for whom he has written this spiritual memoir, that the “Body of Christ, broken for you. Blood of Christ, shed for you” (81). While John manages to stay strong in the faith and nurture a healthy relationship with his son, his relationship with his own father did not follow the same blueprint. John’s father, also named John Ames, was a preacher and had a powerful effect on John’s upbringing. When John was a child, Father was a man of faith. He executed his role of spiritual advisor and father to John for most of his upbringing, but a shift in perspective disrupted that short-lived harmony. Father was always a man who longed for equanimity and peace. This longing was displayed in his dealings with his other son, Edward: the Prodigal son of their family unit, a man who fell away from faith while at school in Germany. John always felt that he “was the good son, so to speak, the one who never left his father's house” (238). Father always watched over John, examining for any sign of heterodoxy. He argued with John as if John were Edward, as if he were trying to get Edward back into the community. Eventually, John’s father's faith begins to falter. He reads the scholarly books
Zuckerman, Michael “Pilgrims in the Wilderness: Community, Modernity, and the Maypole at Merry Mount”, The New England Quarterly, Vol. 50, No. 2 (Jun., 1977), pp. 255-277. The New England Quarterly, Inc.
INTRODUCTION The medieval theologian Julian of Norwich was a mystic, writer, anchoress and spiritual director for her time. She is gaining in popularity for our time as she provides a spiritual template for contemplative prayer and practice in her compilation of writings found in Revelations of Divine Love. The insightful meditations provide the backdrop and basis for her Trinitarian theology’s embrace of God’s
On October 10, 1927, Clarence L. Johnson Sr. & his wife Garnett Henley Johnson gave birth to yet another daughter by the name of Hazel Winifred Johnson in West Chester, Pennsylvania. After, her and her family moved to a Quaker town called Mavern. She was born into a family whose values were strictly discipline, diligence, unity, and pursuit of education. Between her and her other 6 siblings (2 sisters and 4 brothers), Hazel was the one out of them all who always dreamed of being a nurse. She went and applied for Chester School of Nursing, however, she was denied because she was an African American. After being denied to Chester’s School of Nursing, Johnson went on to further her education elsewhere by going to start training at the Harlem Hospital School of Nursing where she graduated in 1950. She then goes on to work in the Harlem Hospital Emergency Ward for 3 years and then practiced on the medical cardiovascular ward at the Veterans Administration Hospital in Philadelphia, all while working to get her baccalaureate at Villanova University. (Hazel Johnson-Brown: Visionary Videos: NVLP: African American History)
Flannery O’Connor believed in the power of religion to give new purpose to life. She saw the fall of the old world, felt the force and presence of God, and her allegorical fictions often portray characters who discover themselves transforming to the Catholic mind. Though her literature does not preach, she uses subtle, thematic undertones and it is apparent that as her characters struggle through violence and pain, divine grace is thrown at them. In her story “Revelation,” the protagonist, Mrs. Turpin, acts sanctimoniously, but ironically the virtue that gives her eminence is what brings about her downfall. Mrs. Turpin’s veneer of so called good behavior fails to fill the void that would bring her to heaven. Grace hits her with force and their illusions, causing a traumatic collapse exposing the emptiness of her philosophy. As Flannery O’Connor said, “In Good Fiction, certain of the details will tend to accumulate meaning from the action of the story itself, and when this happens they become symbolic in the way they work.” (487). The significance is not in the plot or the actual events, but rather the meaning is between the lines.
Wise Blood showcases the flaws of organized religion as seen by the author, Flannery O’Connor, via the story of the anti-religious protagonist and representative of society, Hazel Motes, and his road to redemption. The author makes sharp commentary on the concept of atheism by setting up the idea that christ is a matter of life or death. The novel is used as a proclamation of faith as well as an analysis of american society.. The novel reflects the society, both religious and nonreligious, of the time that it is set in; this reflection allows O’Connor to emphasize both her own and her faith’s opinions of the world that surrounded her post World War II.
The mid-century American south was heavily influenced by Christianity and the desire to look at non-believers with judgmental eyes. Flannery O’Connor often wrote short stories and books on the influence of religion and desperation for a clean appearance. In her book Wise Blood, she wrote about the struggle of one man to abandon his religious upbringing. Hazel (Haze) Motes is a complex character in many subtle ways. Throughout the story, he steers away from his previous self. Haze’s rejection of Christianity led him to grow increasingly more aggressive in his attempt to spread Atheism across a small town in Tennessee.
In this analysis, we will be looking at just how Flannery O'Connor accomplished this seemingly impossible task, non-didactic Christian fiction, by examining elements of faith, elements of style, and thematic elements in her writing. While secondary sources are included for perspective, I have focused primarily upon Miss O'Connor's own essays and speeches in my examination of the writer's motivations, attitudes, and technique, most of which are contained in the posthumous collection Mystery and Manners. Unlike some more cryptic writers, O'Connor was happy to discuss the conceptual and philosophical underpinnings of her stories, and this candor is a godsend for the researcher that seeks to know what "makes the writer tick."
Fulton, Lorie Watkins. "Hiding fire and brimstone in lacy groves: the twinned trees of Beloved." African American Review 39.1-2 (2005): 189+. Literature Resource Center. Web. 5 May 2014.
In James Baldwin’s 1952 novel “Go Tell It On The Mountain” the characters in the novel each embark on a spiritual journey. Baldwin has dedicated a chapter to each member of the Grimes family, detailing their trails and tribulations, hopes and aspirations, as each one’s quest to get closer to God becomes a battle. I have chosen the character John because I admire the fierce struggle he endured to find his spirituality. I will examine how he’s embarked on his quest and prove that he has done it with integrity and dignity.
Noll, Mark A. The Old Religion in a New World: The History of North American Christianity. Grand Rapids, Mich.: Eerdmans, 2002.
8th ed. Vol. C. New York: W.W. Norton, 2012. 662-72. Print.
Walker’s publication of her latest novel, The Temple of My Familiar, has raised the criticism bar. They complain that Alice Walker has adopted a mushy new age philosophy to confront historical Christianity that has misled and misplaced black women. (Hall 8)
Because of their Puritanical beliefs, it is no surprise that the major theme that runs throughout Mary Rowlandson and Jonathan Edwards’s writings is religion. This aspect of religion is apparent in not only the constant mentions about God himself, but also in the heavy use of biblical scriptures. In their respective writings, Rowlandson and Edwards utilize scripture, but for different purposes; one uses it to convey that good and bad events happen solely because of God’s will, and the other uses it, in one instance, to illustrate how it brought him closer to God, and, in another instance, to justify his harsh claims about God’s powerful wrath.