What is it that makes a story work? What gives it the ability to stand on its own, to be a unique piece of art? Flannery O’Connor believed that a “grand gesture” is what makes a story. But what exactly is a grand gesture? In Flannery O’Connor’s fascinating essay “On Her Own Work,” she claims that what makes a story work is “probably some action, some gesture of a character that is unlike any other in the story, one which indicates where the real heart of the story lies. That would be the gesture which was both totally right and unexpected... a gesture that somehow made contact with mystery.” This “grand gesture” that O’Connor describes could at times be called the climax of the story, but it may not always be so; it may just be the action in the story that takes place that allows the story to stand on its own – a trait that is very important for short stories. O’Connor claimed that without this gesture, the point of the story may fall moot. She believed the grand gesture is one of the most important components in a story, and is what lets the story reach its fully potential. To address some of these examples of how O’Connor uses this trope in her own writing, turn to the short story “Everything That Rises Must Converge.” This arguably has one of the most poignant …show more content…
Scott F. Fitzgerald’s novel The Great Gatsby is a great example. Occurring in chapter seven, the gesture is when Tom Buchanan asks Gatsby “What kind of row are you trying to cause in my house?” This statement, this gesture, clears the air in the story. The secrets that were kept from Buchanan are out in the open, and the confrontation that occurs from this statement is what causes the story to progress in a way that is very clearly influenced by this confrontation. Clearly, the idea of a grand gesture is evident even in literature other than
Nadal, Marita. "Temporality And Narrative Structure In Flannery O'connor's Tales." Atlantis (0210-6124) 31.1 (2009): 23-39. Fuente Académica. Web. 1 Nov. 2013.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
A compelling story reveals a deeper level of meaning without committing the error of defining it. In Ursula K. Le Guin’s short story, “The Ones Who Walk Away from Omelas”, Le Guin utilizes allegory, realism, and symbolism. By applying these literary elements into her short story, Le Guin has made “The Ones Who Walk Away from Omelas” effectively compelling.
Typically, a novel contains four basic parts: a beginning, middle, climax, and the end. The beginning sets the tone for the book and introduces the reader to the characters and the setting. The majority of the novel comes from middle where the plot takes place. The plot is what usually captures the reader’s attention and allows the reader to become mentally involved. Next, is the climax of the story. This is the point in the book where everything comes together and the reader’s attention is at the fullest. Finally, there is the end. In the end of a book, the reader is typically left asking no questions, and satisfied with the outcome of the previous events. However, in the novel The Things They Carried the setup of the book is quite different. This book is written in a genre of literature called “metafiction.” “Metafiction” is a term given to fictional story in which the author makes the reader question what is fiction and what is reality. This is very important in the setup of the Tim’s writing because it forces the reader to draw his or her own conclusion about the story. However, this is not one story at all; instead, O’Brien writes the book as if each chapter were its own short story. Although all the chapters have relation to one another, when reading the book, the reader is compelled to keep reading. It is almost as if the reader is listening to a “soldier storyteller” over a long period of time.
Raiger, Michael. “’’Large and Startling Figures’: The Grotesque and the Sublime in the Short Stories of Flannery O’Connor.’” Seeing into the Life of Things: Essays on Literature and Religious Experience (1998): 242-70. Rpt. in Short Story Criticism. Ed. Janet Witalec.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
First and perhaps most essential to any story is the plot. The plot is defined as,
Another form or irony found through out the pages of Flannery O’Connor’s short story is dramatic irony. This irony occurs at the very end of the story, when the...
O'Connor's book is powerful because of its complexity of levels. There is a defined consideration for the plot and characterizations, but O'Connor does not stop at this.
Short stories are temporary portals to another world; there is a plethora of knowledge to learn from the scenario, and lies on top of that knowledge are simple morals. Langston Hughes writes in “Thank You Ma’m” the timeline of a single night in a slum neighborhood of an anonymous city. This “timeline” tells of the unfolding generosities that begin when a teenage boy fails an attempted robbery of Mrs. Jones. An annoyed bachelor on a British train listens to three children their aunt converse rather obnoxiously in Saki’s tale, “The Storyteller”. After a failed story attempt, the bachelor tries his hand at storytelling and gives a wonderfully satisfying, inappropriate story. These stories are laden with humor, but have, like all other stories, an underlying theme. Both themes of these stories are “implied,” and provide an excellent stage to compare and contrast a story on.
Some of the characteristics of Modernism are: a desire to break conventions and established traditions, reject history, experiment, remove relativity, remove any literal meaning, and create an identity that is fluid. The rejection of history sought to provide a narrative that could be completely up for interpretation. Any literal meaning no longer existed nor was it easily given; essence became synonymous. Narrative was transformed. Epic stories, like “Hills Like White Elephants”, could occur in the sequence of a day. Stories became pushed by a flow of thoughts. The narrative became skeptical of linear plots, preferring to function in fragments. These fragments often led to open unresolved inconclusive endings. This echoes in the short story’s format. The short story functions in fragmented dialogue. Focusing on subjectivity rather than objectivity. Creating characters with unfixed, mixed views to challenge readers.
What elements are needed to create a good short story? As John Dufrense quoted "A good story has a visionary quality, a personal voice, a signature gesture(1969). The elements used should be used so strongly that it pulls you in; forcing you to connect to the people in the story. Not every story is written well enough to be capable of doing this. This also creates a connection with the reader; leaving some type of effect or impacting the reader along with the characters’ lives. Although there are many elements in writing but one of the greatest things of writing is the ability to make the reader empathize with the characters. This goes beyond than just a connection with the characters; when the reader is able to apprehend with the characters he or she is truly relating and reaching out to them. The author has accomplished something truly special when the reader has the ability to feel the agony that a character is feeling.
The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.
Each character in O’Connor’s short story brings to surface the bitter way society functions today. Take for instance the grandmother, shows how manipulative society can be when things do not go their way through out the story the grandmother manipulates her way to bring the trip to a halt and in to trouble and even when she knows she is lost she reaches out and surprises everyone by trying to side with the convict “Why your one of my babies. Your one of my own children!” (O'Connor 238-248).This quote is. A direct representation of how manipulative the grandmother can be in the story, and in many ways how society is today. Society will manipulate anything from the news to information to better fit a cause and the excuse given is that it is done to better civilization.
Another point that Johnson mentions is “the flashing arrow.” The flashing arrow is when a writer will deliberately point out something that will play a big role. Many times this will point to a piece of evidence that is key to the story but the viewer would most likely not see it if it were not pointed out. The example that Johnson gives takes place in a horror movie. “As the door shuts behind her, the ...