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Pop art post ww2
American art before world war 2
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The art I chose to analyze is the Destroy this Mad Brute by Harry Hopps. This piece conveys a strong message of propaganda for war since the headlines is “Destroy this Mad Brute” and there’s also words like “enlist” and “U.S. army” written at the bottom. It’s very monochromatic and doesn’t have many colors other than the bold orange headlines. Furthermore, it has a dark, gloomy, depressing perspective with bright, bold headlines. There are subtle lines that run throughout the painting to guide the viewers. In the background, there’s a shadow of a city which may be a third world country. The main focus of this art is centered towards the gorilla, however, it not a completely closed composition. It portrays a message for the audience to join
In the short story “Chickamauga,” by Ambrose Bierce, there are several examples of imagery throughout the passages that help to describe the horrors of war. Bierce sets the story with a young boy playing war in a forest, who is then approached by a “formidable enemy,” a rabbit. The sudden appearance startles the boy into fleeing, calling for his mother in “inarticulate cries,” and his skin getting “cruelly torn by brambles.” The selection of these details leaves a lucid image in the mind of the reader, allowing them to see a sobbing boy running through the forest, covered in cuts and scratches. It represents the innocence and fear of a child, lost and alone in an unknown place. The birds above his head “sang merrily” as the boy was “overcome
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
The similar controversial natures of Fury’s Kissing Doesn’t Kill and Manuel Ramos Otero’s “Nobility of Blood” suggest that perhaps their intended audiences may have shared characteristics as well. Because Kissing Doesn’t Kill is a piece of poster art, it was displayed out in the public, instead of a museum or convention like usual pieces of art. The poster was plastered in large sizes to the sides of public transportation buses, billboards, and even mass mailings. People of all kinds of backgrounds came across the artwork, whether they wanted to or not. However, since the point of activist artwork like this is to create social change, the effect of this artwork on its viewers is the main focus. To people who agreed with the statements on the
Using the slogan, “every minute counts!”, this particular propaganda poster uses the persuasive technique of fear to speak to the audience. Targeting everyday factory workers, the other slogan used on the poster, which reads “early stopping will lead to a late victory” ignites fear in the worker reading it by giving them the idea that if they spend large amount of time taking breaks, the war will continue for a longer period of time. Therefore, the poster has the effect of influencing the workers to work hard and shorten breaks; otherwise, the poster makes them believe they will be a cause for the war continuing longer than
“In many cases a true war story cannot be believed. If you believe it, be skeptical. Often the crazy stuff is true and the normal stuff isn’t, because the normal stuff is necessary to make you believe the truly incredible craziness.” Pg. 71 This is very true. It follows the saying “You can’t handle the truth” because if one hears it, they think it’s a lie, or the truth being stretched. The use of imagery allows the author to express the emotion he had when he was at war.
One of my all time favorite pieces of work was found in chapter 6 of the Art book. This work is called Hide and Seek, Kill or Speak by, Wangechi Mutu. This piece of work was done with ink, paint, collage, and mixed media on Mylar. This piece of work is just so vibrant and it is full of many translucent colors that blend in with one another. This piece is honestly worth a thousand words. The title of the work just gives off a a sense of an artsy vibe. The meaning behind this painting to me depicts someone who is hiding within themselves. They are afraid to come out of their shell because if they do consider speaking aloud then they may be judged. There is something holding them back from speaking their mind. But, if they don’t speak they may
Art Spiegelman, an American cartoonist, take advantages of postmodern principles in his best known graphic novel Maus. He successfully used the characteristics between animals and humans to demonstrate a cruel and bloody historical event, the Holocaust. Briefly animal imagery is an important and successful means to Art Spiegelman to demonstrate the social background and ethnic problem during WWII period. This comparison gives the readers a better understanding of the ethnic differences between Jewish people and Nazi supporters in a more visual sense. Art Spiegelman as a second generation survivor, experienced the Holocaust as a listener but did not participate in the event, therefore, demonstrate the Holocaust in an authentic way in Maus
...is painful, but without direct experience, these values hold incomplete meaning. A writer’s job is to color in the holes—to paint an entire picture of the immense, excruciating pain war inflicts. Beyond monotonous explanation, a writer produces engaging moving pictures which arouse all the senses. Once keenly aware of seemingly indescribable suffering, an audience may evaluate the purpose and significance of war’s pains. A writer latches onto an audience’s change in perception to introduce his or her own viewpoint. Powerful description not only reproduces an immersive experience but also communicates and encourages the development of new ideas.
Artists portray gruesome events in many ways including poems and videos. Gruesome events are portrayed in similar ways and also different ways including what is put in and what is left out. Whether it be leaving out who started the war, telling the whole story, or emphasizing elements in different ways the artist clearly portrays the Civil War of Spain as a gruesome and horrifying event. Both mediums clearly show how life was before the war and how people have been hurt. Both artists give the reader a sense of how the war affected everyone in Spain and eventually give the rest of the world a reason to “come and see the blood in the streets”(1/5 voices).
"Insanity of War in Slaughterhouse-Five." Classic Notes. 2000. Grade Saver. 28 Nov 2004. 260 - 269
Since the beginning of humans, some sort of conflict ahs arisen between them. Every culture has had a different take on war. There is however a general consensus that war is necessary. Those who question war are looked upon as deviants. It was hard and is still difficult to appose war now. Rise Against’s song Hero of War and Wilfred Owen’s Dulce et Decorum Est can be compared through the problems with war, the unnecessary glorification of war, and breaking from what society thinks of war. Through both works of art there is a general consensus on the terror of war.
In the performance of life, one cultural representation that captivates and entrances people more fluently and describes the human experience more eloquently is that of artistic expression. It imposes itself unto the face of society through the individual who creates it as a reflection of any one or combination of personal, emotional, or physiological effects society or one’s own environment has inflicted onto them to compel them convey their feelings to the public. The essential argument, is whether graffiti has a place in the grand context of society. One end of the spectrum paints it as a nuisance to property owners and city officials allow for a criminal perspective of the practice. While at another end you can view it as the artist in a sense blessing others with the fruits of their inner consciousness. An artistic expression no matter what the viewpoint of society, in an anthropological context graffiti is essential to modern society and its impact is one that cannot be forgotten or lived without.
‘Destroy This Mad Brute’ allegorically represents Germany as a giant, monstrous gorilla, who invades American territory, while presenting America as a frail, helpless dame, unable to escape the hands of the enemy. Formally, classical references become apparent within the rendering of the female form. The woman exudes classical elegance, beauty and sensuousness, evident within the delicate rendering of the flesh and Hellenistic-styled drapery, which contrasts the crude abrasiveness of the gorilla enemy. The gorilla,
This persuasive tool is an influential method used to gain a stronger control over the reader’s response. Readers respond to intriguing situations or words that stick out to them. The description “But even then I was not thinking particularly of my own skin, only of the watchful yellow faces behind” causes the reader to feel sympathy for the sub-divisional police officer (Orwell 624). It is important to gain the audience’s attention and emotions. Therefore, the readers self-consciously judge the Burmese people and become influenced through persuasion. It is clear, the narrator has more respect for the elephant because he focuses more detail into its description. However, the reader only sees the narrator’s point of view which makes it difficult to relate with the Burmese citizens. The narrator does this on purpose because he wants the audience to agree with him. The details of the collapsing elephant “But in falling he seemed for a moment to rise, for as his hind legs collapsed beneath him, he seemed to tower upward like a huge rock toppling, his trunk reaching skywards like a tree” is vivid (Orwell 624). Visuals are a powerful method used to connect to the emotions of the reader. The descriptive detail of “Shooting an Elephant” is a strong text that persuades its readers into agreeing with the narrator’s point of view. These visuals can also be used to describe the scenes of
Throughout Harry Houdini’s career and life, he had many different accomplishments that made him one of the greatest magicians in history. I felt that making a magazine was the best option to portray Houdini. With the magazine I was able to talk about everything that occurred in his life, career, and after his death. In the magazine I talked about his unexpected death, road to fame, magic career, after death experiences, and other magicians. All of these experiences help Houdini become the man he was.