Research Paper
The Harlem Renaissance was a very impactful time period for many African American’s during the 1920’s in Harlem, New York. During this decade many African Americans expressed themselves through writing, singing, or even dancing. One such inspirational poet during the Harlem Renaissance was Langston Hughes. Hughes was famous for his poems pertaining to the widespread sense of equality that blacks desired at this time. In “Mother to Son”, “Dream Variations”, and “The Weary Blues”, Hughes demonstrates the hope and struggles of African Americans during the Harlem Renaissance through the use of symbolism, restatement, and personification to develop the theme that the ignorance of society contradicts the desire of people.
In “Mother
…show more content…
In this poem Hughes writes, "Dark like me" (Hughes l. 8), and goes on to say "Black like me" (Hughes l. 17). Hughes writes a poem that depicts the difference between a dream life and reality, and a man's wish for a carefree life away from color prosecution and racism. Through the use of repeated phrases, Hughes describes how impossible this desire is for black people. No matter where African Americans turn they are reminded of what they cannot do because they are not white, but they still desire to live in a world where they are not segregated due to their race. Even today children are taught the connotations that white is pure and good and black is evil. Imagine living a life where a person is considered 'evil' due to their skin color because a white person says so or because whites are too ignorant to see that black people are actually people who have dreams and desires like they do. White people do not understand that the principles that they teach young people today affect how they feel about themselves later on. White people are also ignorant in the fact that these principles have not been stopped, and do not give African Americans the opportunity to tell whites how wrong they are. Due to white people’s ignorance and faulty principles, African Americans cannot achieve their desires for equality. Just the same, in a scholarly article, Cindy Dyson writes, “He was black, poor, and full of …show more content…
By using personification Hughes allows readers to interpret how the ignorance of society contradicts the desire of people. For example, in "The Weary Blues" Hughes writes, “He made the poor piano moan with melody” (Hughes l.10). In this poem, the narrator is watching an old man on Lennox Ave. play the blues. Through this statement the narrator personifies the piano through the way he describes how the piano moans, which is a human trait. The Negro man is forcing the piano to moan through the constant pain of playing that he puts the piano through, and this is like the Negro man’s life. Due to inequality whites placed upon the black man, the man, much like the piano moaning, is not able to live a simplistic life because of the barriers of racial inequality. Whites’ are to blacks’ feelings and think that they are able to oppress African Americans through segregation, which takes away any hope of achieving equality. White peoples’ ignorance robs African Americans from having this desire to the point where people and “pianos” are left in pain. In an article, Tom Verde, quotes Hughes: “Six months in one place is long enough to make one’s life complicated” (2). Hughes did not live a simplistic life due to his family and racial situations. His dad left his home due to racism (2). White ignorance ran African Americans out of the
In his poems, Langston Hughes treats racism not just a historical fact but a “fact” that is both personal and real. Hughes often wrote poems that reflect the aspirations of black poets, their desire to free themselves from the shackles of street life, poverty, and hopelessness. He also deliberately pushes for artistic independence and race pride that embody the values and aspirations of the common man. Racism is real, and the fact that many African-Americans are suffering from a feeling of extreme rejection and loneliness demonstrate this claim. The tone is optimistic but irritated. The same case can be said about Wright’s short stories. Wright’s tone is overtly irritated and miserable. But this is on the literary level. In his short stories, he portrays the African-American as a suffering individual, devoid of hope and optimism. He equates racism to oppression, arguing that the African-American experience was and is characterized by oppression, prejudice, and injustice. To a certain degree, both authors are keen to presenting the African-American experience as a painful and excruciating experience – an experience that is historically, culturally, and politically rooted. The desire to be free again, the call for redemption, and the path toward true racial justice are some of the themes in their
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
This essay showed us how white people wouldn’t let black people have any rights and treated them like they were a problem. It also showed us that no matter how much that black person tries to make something of themselves and it still gets taken away unfairly. John spent years away trying to obtain an education to educate everyone on equality, but the white people took that privilege away from him.
Hughes says, “They hung my black young lover / To a cross roads tree.” (3-4). One can see that the narrator, this young girl has just loss her lover. Her lover got lynched and this causes our reader to have a broken heart. One can see that due to society and racism
Because of that, his writing seems to manifest a greater meaning. He is part of the African-American race that is expressed in his writing. He writes about how he is currently oppressed, but this does not diminish his hope and will to become the equal man. Because he speaks from the point of view of an oppressed African-American, the poem’s struggles and future changes seem to be of greater importance than they ordinarily would. The point of view of being the oppressed African American is clearly evident in Langston Hughes’s writing.
The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.
The New Negro Movement, widely known as The Harlem Renaissance, rolled into Harlem, New York – and touched the whole of America – like a gale-force wind. As every part of America reveled in the prosperity and gaiety of the decade, African Americans used the decade as a stepping stone for future generations. With the New Negro Movement came an abundance of black artistic, cultural, and intellectual stimulation. Literary achievers like Langston Hughes, Zora Neal Hurston, Claude McKay, and Countee Cullen rocked the world with their immense talent and strove to show that African Americans should be respected. Musicians, dancers, and singers like Duke Ellington, Cab Calloway, Josephine Baker and Bessie Smith preformed for whites and blacks alike in famed speakeasies like The Cotton Club. Intellectuals like Marcus Garvey, W.E.B. DuBois, and Alain Locke stood to empower and unify colored people of all ages. The Harlem Renaissance was not just a moment in time; it was a movement of empowerment for African Americans across the nation, and remains as such today.
This image is the author’s perspective on the treatment of “his people” in not only his hometown of Harlem, but also in his own homeland, the country in which he lives. The author’s dream of racial equality is portrayed as a “raisin in the sun,” which “stinks like rotten meat” (Hughes 506). Because Hughes presents such a blatantly honest and dark point of view such as this, it is apparent that the author’s goal is to ensure that the reader is compelled to face the issues and tragedies that are occurring in their country, compelled enough to take action. This method may have been quite effective in exposing the plight of African-Americans to Caucasians. It can be easily seen that Hughes chooses a non-violent and, almost passive method of evoking a change. While Hughes appears to be much less than proud of his homeland, it is apparent that he hopes for a future when he may feel equal to his fellow citizens, which is the basis of the “dream” that has been
The Harlem Renaissance, originally known as “the New Negro Movement”, was a cultural, social, and artistic movement during the 1920’s that took place in Harlem. This movement occurred after the World War I and drew in many African Americans who wanted to escape from the South to the North where they could freely express their artistic abilities. This movement was known as The Great Migration. During the 1920’s, many black writers, singers, musicians, artists, and poets gained success including Zora Neale Hurston, Langston Hughes, Marcus Garvey, and W.E.B. Du Bois. These creative black artists made an influence to society in the 1920’s and an impact on the Harlem Renaissance.
The Harlem Renaissance gave African American women new opportunities in literature. “The Harlem Renaissance was the name given to the cultural, social, and artistic explosion that took place in Harlem between the end of World War 1 and the middle of the 1930s.” (Wormser) It was a challenge for women poets during the Harlem Renaissance because they were both black and women. (Walton) Jessie Fauset, Georgia Douglas Johnson, Regina Anderson, and Nella Larson all played important roles in the Harlem Renaissance. (Lewis) These women inspired many generations of women to come. (Walton)
The Roaring Twenties a period when a dramatic social and political change happened. Researching about Harlem was learning about how the people contributed more the music to America’s New Urban Culture. The Harlem Renaissance was a significant movement during the 1920s were African American artists were brought together, explored what it means to be an artist, what it is to create art and literature, as well as what it means to be a proud African American in a community, that influence each to stand-up together in a white-dominant culture, furthermore Harlem was a hotbed of political, cultural and social activity. While researching about the 1920’s, I found out so
The contradiction of being both black and American was a great one for Hughes. Although this disparity was troublesome, his situation as such granted him an almost begged status; due to his place as a “black American” poet, his work was all the more accessible. Hughes’ black experience was sensationalized. Using his “black experience” as a façade, however, Hughes was able to obscure his own torments and insecurities regarding his ambiguous sexuality, his parents and their relationship, and his status as a public figure.
During the 1920's and 30’s, America went through a period of astonishing artistic creativity, the majority of which was concentrated in one neighborhood of New York City, Harlem. The creators of this period of growth in the arts were African-American writers and other artists. Langston Hughes is considered to be one of the most influential writers of the period know as the Harlem Renaissance. With the use of blues and jazz Hughes managed to express a range of different themes all revolving around the Negro. He played a major role in the Harlem Renaissance, helping to create and express black culture. He also wrote of political views and ideas, racial inequality and his opinion on religion. I believe that Langston Hughes’ poetry helps to capture the era know as the Harlem Renaissance.
The Harlem Renaissance refers to a prolific period of unique works of African-American expression from about the end of World War I to the beginning of the Great Depression. Although it is most commonly associated with the literary works produced during those years, the Harlem Renaissance was much more than a literary movement; similarly, it was not simply a reaction against and criticism of racism. The Harlem Renaissance inspired, cultivated, and, most importantly, legitimated the very idea of an African-American cultural consciousness. Concerned with a wide range of issues and possessing different interpretations and solutions of these issues affecting the Black population, the writers, artists, performers and musicians of the Harlem Renaissance had one important commonality: "they dealt with Black life from a Black perspective." This included the use of Black folklore in fiction, the use of African-inspired iconography in visual arts, and the introduction of jazz to the North.[i] In order to fully understand the lasting legacies of the Harlem Renaissance, it is important to examine the key events that led to its beginnings as well as the diversity of influences that flourished during its time.
The poem “Negro” was written by Langston Hughes in 1958 where it was a time of African American development and the birth of the Civil Rights Movement. Langston Hughes, as a first person narrator tells a story of what he has been through as a Negro, and the life he is proud to have had. He expresses his emotional experiences and makes the reader think about what exactly it was like to live his life during this time. By using specific words, this allows the reader to envision the different situations he has been put through. Starting off the poem with the statement “I am a Negro:” lets people know who he is, Hughes continues by saying, “ Black as the night is black, /Black like the depths of my Africa.” He identifies Africa as being his and is proud to be as dark as night, and as black as the depths of the heart of his country. Being proud of him self, heritage and culture is clearly shown in this first stanza.