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Rococo ap art history
The presentation of love
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I absolutely adore the euphoric aesthetics of the Rococo period. It is the embodiment of decadence & fantasy. In Jean-Honore Fragonard’s, Happy Accidents of the Swing, a young lady loses her shoe while swinging sassily amongst her many suitors. Dressed in yards & yards of apricot ruffles, the light cascading over her figure creates a soft ambiance eluding to the lighthearted nature of the moment. It is a happy painting. You feel good when you look at it. In another example by the same artist, The Stolen Kiss, Fragonard portrays a sneaky moment between two young loves. The way that he painted her dress, with the natural billows & creases in the fabric, is so realistic. And again, the way he uses light in his works is mesmerizing. There
is an ethereal softness to the overall piece & the subject matters are so playful & fun. I also favor the Rococo era for its influence on interior design. The overly formal ornateness of the decorative arts of that time were indulgent to say the least. I can only imagine the dream-like events that took place around that type of furniture. No wonder the aristocracy was drawn to its appeal. I’m sure that the reality of living in this time period, with the multi-layered clothes & uncomfortable furnishings, was cumbersome at best. But sometimes, in our current world so diluted with mediocrity, it is nice to have a place for a girl to escape & dream, even if it only comes through the imaginary events inspired by a painting.
Carol Armstrong begins her essay by pointing out the two main points that come about when discussing A Bar at the Folies-Bergere. These two points are the social context of the painting and its representation of 19th century Paris, and the internal structure of the painting itself with the use of space. She then goes on and addresses what she will be analyzing throughout her essay. She focuses on three main points, the still life of the counter and its commodities, the mirror and its “paintedness”, and the barmaid and her “infra-thin hinge” between the countertop and the mirror.
Contrary to what most think, an “Arnold Palmer” is not just a blend of tea and lemonade. One day, all might be able to swing a golf club like Arnold Palmer. Golf has been around since the thirteenth century and was introduced by the Scottish and Dutch. The main goal of golf is to reach the hole in the fewest amount of shots possible. One main difference between golf and many other sports is the lower the score the better. Regardless of the fact that the game was once banned, golf is now enjoyed by many (“The History of Golf”). Despite the images in common golf commercials, the golf swing is endlessly complicated.
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
Besides bright or dim colors, and fine or rough brush strokes, artists use centralized composition to convey their interpretations in "The Acrobat's Family with a Monkey," "Amercian Gothic," "The Water-Seller," and "The Third of May,1808.”
For years it was thought that the golf swing was a solid piece of movement without any differentiating variables. Vast expansion in technology over the last 20 years has produced more information on the biomechanics of the golf swing. “ Golf Biomechanics applies the principles and technique of golf mechanics to the structure and function of the golfer in an effort to improve the golf technique and performance” (Hume P., Keogh J., and Reid D. 2005) Biomechanics, “The scientific discipline that applies mechanical principles and to understanding movement.” (Hume P., Keogh J., and Reid D. 2005) allows scientists to observe a golfer’s swing to near milliseconds to the point of impact. This is much more precise to previous measurements used such as video recordings, outlines, etc. Understanding how the swing works by breaking down the movements within the swing through visual aids emphasize the opportunity for a better swing and in turn, better golf. Studies of biomechanics within the golf swing have shown the sequential separation from torso to pelvis, disproving the original theory of a solid swing with continuous motion known as the X-factor. Before understanding how the biomechanics of the golf swing works with the X-factor, the basics of the swing must be established.
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
When you put all these aspects put together with my interpretation of what is happening in the painting, a sense of calmness and security was constructed for me. No matter what this couple may be going through at the end of the day they still lean on each other for support. The complementary colors symbolized a sensation of strength between them, the balance of the composition created a stability characteristic, and the smooth and fluid brush strokes created a tranquil energy between the
In this paper I will discuss concepts from “Accidents of Nature” that stood out to me. “Accidents of Nature” is a story based on the life of a young girl with cerebral palsy who attends a summer camp for people who have disabilities which opposes her usual life of living in normalcy. This experience is much to the new for her as she has not fully experienced this life before. The concepts that I will discuss in this paper will relate to topics that are stressed and focused upon in our class and will exemplify many important features that are stressed upon each and every day.
One of the paintings done by Rococo was that of a girl in a field, in the presence of string wind that blowing up her dress and hair. This painting uses a wide range of pastel colors and has graceful curves that embellish the lady’s figure (Adams, & Adams, 2010).
The French 1884 oil on canvas painting The Song of the Lark by Jules-Adolphe Breton draws grasps a viewer’s attention. It draws an observer in by its intense but subtle subject matter and by the luminous sun in the background. Without the incandescent sun and the thoughtful look of the young woman, it would just be a bland earth-toned farm landscape. However, Breton understood what to add to his painting in order to give it drama that would instantly grab an onlooker’s interest.
According to sports, golf become more popular in our society, many people are practice it and other play golf as a hobby. This research will be about golf and the negative affect that cause to society in past or even today. Golfing aims a lot of discrimination among women, it provided racism and the cost of this sport creates tension between social classes.
This essay is about Dances at the Spring. The art work was painted in 1912 by Frances Picabia. The size of the painting is 49 5/8x 49 7/8x 2 inches. The painting is housed at the Philadelphia Museum of Art. The form represents abstract art. The artist used geometric angles with swirling motions that are kaleidoscopic using vivid colors. The content of the art work are two girls dancing at a peasant dance at a festival. The painting represents the art form of Dadaism, which is a movement in the art community that was thought to be against art in the traditional sense and was meant to insult and outrage the community. Dadaism began around the same time as World War I in the early 1900’s.
In this essay, I shall try to examine how great a role colour played in the evolution of Impressionism. Impressionism in itself can be seen as a linkage in a long chain of procedures, which led the art to the point it is today. In order to do so, colour in Impressionism needs to be placed within an art-historical context for us to see more clearly the role it has played in the evolution of modern painting. In the late eighteenth century, for example, ancient Greek and Roman examples provided the classical sources in art. At the same time, there was a revolt against the formalism of Neo-Classicism. The accepted style was characterised by appeal to reason and intellect, with a demand for a well-disciplined order and restraint in the work. The decisive Romantic movement emphasized the individual’s right in self-expression, in which imagination and emotion were given free reign and stressed colour rather than line; colour can be seen as the expression for emotion, whereas line is the expression of rationality. Their style was painterly rather than linear; colour offered a freedom that line denied. Among the Romanticists who had a strong influence on Impressionism were Joseph Mallord William Turner and Eugéne Delacroix. In Turner’s works, colour took precedence over the realistic portrayal of form; Delacroix led the way for the Impressionists to use unmixed hues. The transition between Romanticism and Impressionism was provided by a small group of artists who lived and worked at the village of Barbizon. Their naturalistic style was based entirely on their observation and painting of nature in the open air. In their natural landscape subjects, they paid careful attention to the colourful expression of light and atmosphere. For them, colour was as important as composition, and this visual approach, with its appeal to emotion, gradually displaced the more studied and forma, with its appeal to reason.
The can-can, cabaret and prostitution dominated Paris in La Belle Epoque. Sex was a commerce, an escape, and a way of life. It's prominence in Parisian culture made sexuality synonymous with power and a tool for obtaining it. The combination of beauty and assertiveness could get you places that hard, honest work simply could not. Both men and women took advantage of this lustful commodityprostitutes and mistresses were seen as status symbols, while flirtatious "femme fatales" had their way with the rich and successful. But love, illustrated in Guy de Maupassant's Bel-Ami, was far from romantic. It was a well-planned out ritual, full of lies, deceit and infidelity. However, the power of sexuality in La Belle Epoque does not stray far from its place in today's society"sex sells," after all.
Art is a constantly evolving process. The previous style of work serves as a roadmap for what will follow. As often is the case with any form of growth, there exists a transitional period. Because of this evolution, there are traces of a style’s illustrious history embedded in the adaptive art’s metaphorical DNA. The transition from early to late Renaissance established two styles of art known as Baroque and Rococo. While, on the surface, the Rococo style can appear to be very similar to the work produced by Baroque artists, the two also demonstrate distinct differences in their use of subject and theme, the manner in which they created the art, and how that art was perceived in their time. These factors establish both styles from one another, making them unique.