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Shakespeares revenge essay
Similarities in hamlet and laertes
The theme of revenge in William Shakespeare's
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Hamlet and Laertes: Pawns of the King
1 In Shakespeare’s play Hamlet [Titles] the actions of Laertes and Hamlet are the focal point of the play. They are the sons of major characters who must have grown up together in Elsinore castle, and known each other for years. Laertes warns his sister Ophelia about continuing a relationship with Hamlet because of his royal obligations. The tragic deaths of their father’s [No '] forces them both to seek revenge at all costs. They learn that pursuing revenge is a dark way to travel and it cost them their lives.
2 Hamlet and Laertes are both close and loving sons. The emotional outbreak of shock from Hamlet as his father’s ghost told of his most unnatural murder (Act 1 Scene 5 Line 25). [Frag -1] His father’s ghost had confirmed Hamlet’s suspicions (Act 1 Scene 5 Line 42). Hamlet seems to have a deep[ly] felt loss for his father that can only come from love for his father. The love for his father is twisted later by rage. Laertes is much loved by Polonius, as he leaves for his ship back to France, Polonius gives him a torrent of fatherly advice and his love (Act 1 Scene 3 Lines 55-80). [CS -1] Polonius and Ophelia give him a warm good-bye: they are a close family.
3 Ophelia is a point of contention for both Hamlet and Laertes. Hamlet has been attracted to Ophelia and she to him (Act 1 Scene 3 Line 100). Ophelia is very much attracted to Hamlet and has been told by Polonius to discourage him. Laertes loves Ophelia as a sister and warns her of Hamlet’s show of affection toward her, reminding her of his royal role (Act 1 Scene 3 Lines 10-42). Hamlet and Laertes care for the girl[,] and her feelings for both of them are dangerous for her. Ophelia’s mind is torn apart by Hamlet’s rage against his mother as he turned his frustration on her, telling her to get herself to a nunnery (Act 3 Scene 1 Line 120). The sight of Ophelia’s madness when he returned, melts Laertes’s heart and deepens his need for revenge (Act 4 Scene 6 Line 185).
4 Laertes[,] as Polonius’s son[,] could not imagine being disloyal to the king.
The first foil or character that sets off Hamlet, in the play is Laertes. After King Hamlet's death, he, along with Prince Hamlet, return to Denmark for the funeral services. That is the first sign that Laertes will become a foil to Hamlet in the play. Both Laertes and Hamlet are very fond of Laertes' sister, Ophelia, which is the second similarity of the two. Another similarity of Laertes and Hamlet is the father figure of each, Polonius to Laertes and Claudius to Hamlet, has someone to watch them to see if they are acting accordingly. [accordingly?] In act two, scene one, Polonius instructs Reynaldo to go to Paris to give Laertes money and messages, and to find other Danes that will give him gossip about Laertes. In act two, scene two, Claudius instructs Rosencrantz and Guildenstern to find out why Hamlet is acting so strangely. The next similarity of Laertes and Hamlet is that they both grieve over a death in the play. Laertes grieves the death of Ophelia, while Hamlet grieves over his father, King Hamlet's death. The final similarity of Laertes and Hamlet is that both seek revenge for the death of their fathers. Laertes wishes to kill Hamlet after Hamlet murders Polonius and Hamlet wants to kill Claudius for the murder of King Hamlet. Both succeed in their quest for revenge.
One of the foils important to the play is Laertes. Although Laertes does not appear often in the play, he brings much to the plot and to Hamlet's character. These two are similar in many ways. They both seem to be about the same age, are well educated, and gentleman. One main thing that they have in common is they both are seeking revenge for their father's deaths. Both of their fathers were unnecessarily killed. Hamlet's father was killed by his father's brother for the crown and his wife, and Hamlet killed Laertes' father over mistaken identity. It was the revenge of these two that made up the plot of the story. Because of Laertes, the two could finally fulfill their revenge in the battle at the end that killed both Hamlet and the new king. If Laertes had not challenged Hamlet, the king would have died by some other way; however, the king died by poisoning just as he had killed his brother.
In Shakespeare’s “The Tragedy of Hamlet, Prince of Denmark” Hamlet and Laertes act as dramatic foils, where their similarities are used to highlight their differences. Each character learns that his father has been murdered and each plots his revenge against the murderer. In the first act of the play, the ghost of Hamlet’s father tells him “Let not
In the 1990 version of Hamlet starring Mel Gibson, Laertes is portrayed in a very poor light. He seems to have no redeeming qualities whatsoever. At certain points during the written play, Laertes's actions may be taken entirely differently than they are conveyed in the movie. In the film version of Hamlet, all of Laertes's negative aspects are much more pronounced.
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
Laertes is a mirror to Hamlet. Shakespeare has made them similar in many aspects to provide a greater base for comparison when avenging their respective father's deaths. Hamlet and Laertes love Ophelia. Hamlet wishes Ophelia to be his wife, Laertes loves Ophelia as a sister. Hamlet is a scholar at Wittenberg, and Laertes at France. Both are admired for their swordsmenship. Both men loved and respected their fathers, and display deviousness when plotting to avenge their father's deaths.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
In the play Hamlet by William Shakespeare, the theme of revenge is very palpable as the reader examines the characters of Hamlet himself, as well as Laertes, son of Polonius, and Fortinbras, prince of Norway and son of the late King Fortinbras. Each of these young characters felt the need to avenge the deaths of their fathers who they felt were untimely killed at the bloody hands of their murderers. However, the way each chose to go about this varies greatly and gives insight into their characters and how they progress throughout the play. Hamlet, Laertes and Fortinbras are similar in the fact that each had love, or at least respect, their fathers. Enough to make an attempt to wreak revenge upon their fathers murderers at the risk of their own reputation, freedom, and souls.
The character of Laertes in Shakespeare’s tragedy Hamlet is an interesting one. Though seemingly relatively low-ranking as the son of the lord chamberlain, he nevertheless commands such respect from the populace that they rally to make him king at one point.
As Scene Three begins, Laertes is speaking with his sister, Ophelia, about her relationship with Hamlet, and warning her to ?Weigh what loss your honour may sustain,/ If with too credent ear you list his songs,? (1.3.29) else she lose her virtue to Prince Hamlet. This exemplifies his loyalty and love for his family, and especially his sister, though she replies to his warnings and advice with the sarcastic reply to do not ?Show me the steep and thorny way to heaven,/ Whilst, like a puffed and reckless libertine,/ Himself the primrose path of dalliance treads/ And recks not his own rede.? (1.3.47) Following this, Ophelia and Laertes? father, Polonius, enters, and Laertes departs with a final warning t...
Starting off near the beginning of the play, Laertes was demanding that Ophelia would stay away from Hamlet. He started off by hinting that Hamlet, who is a royalty, is up to no good and will never respectfully love someone like her. After giving Ophelia the impression that Hamlet might never love her how she wants him to; Laertes starts telling Ophelia that Hamlet will not be with her for long. Laertes compares Hamlet to temporary things that are admired
And so he sends his man Reynaldo to look into Laertes’ life there – even, if need be, to put a false dress of accusation upon his son (“What forgeries you please”), the better by indirections to find directions out (250). Mack describes one of the lesser problems in life that Laertes must deal with. The son of Polonius and brother of Ophelia, Shakespeare’s Laertes must suffer the demise of both father and sister during the course of Hamlet. Helen Gardner, by way of overview, compares Laertes to Hamlet and King Claudius in “Hamlet and the Tragedy of Revenge”. Hamlet’s agony of mind and indecision are precisely the things which differentiate him from the smooth, swift plotter Claudius, and from the coarse, unthinking Laertes, ready to “dare damnation” and cut his enemy’s throat in a churchyard.
"Laertes is a mirror to Hamlet. Shakespeare has made them similar in many aspects to provide a greater base for comparison when avenging their respective fathers' deaths" (Nardo, 90). Both Hamlet and Laertes love Ophelia in different ways. Hamlet wishes Ophelia to become his wife, Laertes loves Ophelia as a sister. Hamlet is a scholar at Wittenberg; Laertes is also a scholar at France. Both were brought up under this royal family of Denmark. And both are admired for their swordsmenship. But most important of all, both of them loved and respected their fathers greatly, and showed great devotion when plotting to avenge their fathers' deaths.
Throughout the play, Laertes’s focus is revolved around the ideology of incest. Another example of incest that was perceived was the relationship between Laertes and Ophelia. Laertes believes that Hamlet is just using Ophelia for sexual satisfaction. He tries to explain it to her, but she is reluctant to listen. Laert...
”(153) It becomes clear that the parallels presented throughout the play are there to further illuminate the flaws of Hamlet’s character. Laertes is a hot-headed man looking for revenge. His father was killed by Hamlet and his sister was driven insane due to the series of events that took place because of Hamlet. Like Hamlet, Laertes wants to avenge his father by killing the man who killed Polonius.