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Hamlets tragic flaw
What were hamlets tragic flaws
Hamlets tragic flaw
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Hamlet is nearly the perfect tragic hero. Nearly. At the beginning of the play, the motives behind the crime he wants to commit against the new king are noble, seeing as though his goal is to avenge his murdered father’s death. Fitting glove-like to the definition of a tragic hero given by Abram in A Glossary of Literary Terms, Hamlet is accompanied by a tragic flaw that results in his downfall, doesn’t get to survive to see the outcome of his actions, and aids in or directly causes all of the deaths in the play, including but not limited to Polonius, Claudius, Rosencrantz and Guildenstern, and Ophelia, making him an almost perfect example of a tragic hero.
What has seen the most controversy in the argument of Hamlet as a tragic hero is the inability to find his true tragic flaw. He is not flawless, but the idea
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It can be argued upon in the case of Hamlet because not just one large flaw lead to his downfall, and what one feels is his true flaw can vary by opinion and interpretation. While there are the popular opinions of his tragic flaw being that he is indecisive regarding taking action against Claudius or too driven toward his ambitions (such as for the throne), Hamlet’s true fatal flaw is his understanding and use of the power of language and words. It is identification with and immense knowledge of language that bring his own tragic ending and the tragic ending of those around him. The idea of Hamlet’s connections to words is a main theme in the play, and throughout the novel the importance of language to Hamlet is emphasized in different ways (example of him reciting and writing play, word words excerpt, etc.). It is this connection he has that leads to his all-too-literary analysis of
Hamlet’s decision to keep the murder of his father a secret to himself, along with the betrayals of many of his close friends and family, leads to his eventual downfall. If someone was there for him, whether it was his mother Gertrude, his girlfriend Ophelia, or Rosencrantz and Guildenstern, maybe his timeless death could have been prevented. Instead, his mother sides with Claudius who wants to kill him, Ophelia won’t go behind her father, Polonius’, back to be with him and Rosencrantz and Guildenstern go behind Hamlet’s back and spy on him for Claudius.
Hamlet's tragic flaw was that he either considered things too much, or he acted on impulse but out of passion and not reason, which leads to his downfall. Hamlet was an over thinker and a complex philosopher who wanted revenge on his father’s death. Things don’t go as planned as Hamlet’s two opposite flaws change things. One of Hamlet’s flaws, procrastination, is shown in the prayer scene when he has the opportunity to kill Claudius and get revenge on his father’s death, and he doesn’t take it. His second flaw completely opposite from the first, was acting on impulse out of passion making him kill the wrong man, Polonius. Hamlet’s acting out of passion and anger not only killed the wrong man but it was also Ophelia’s father, causing her to commit suicide. Hamlet was a hero trying to do the right thing, but his tragic flaws turn everything around when everyone including himself dies .
Foremost, is the character of Hamlet: the causes and effects of his actions, or lack thereof. Hamlet is a very thoughtful person by nature, and often spends more time thinking than acting. However, Hamlet does realize that "...conscience does make cowards of us all, And thus the native hue of resolution/ Is sicklied o'er with the pale cast of thought"(III.i.84-85). Although Hamlet recognizes the fact that too much reflection could end poorly, he does it nonetheless. Every situation he is faced with he insists upon planning it out first, and rarely actually acting upon these plans. Additionally, since Hamlet is considered to be a tragedy, there must be a tragic hero. All tragic heroes have some kind of flaw or blemish, which, according to the article "Characters", "Hamlet's weakness may be that he 'thinks too much' and cannot make up his mind. The resulting inactions leads to his death" ("Characters"). Because Hamlet spends so much time pondering his surroundings, he sometimes misses the chance to act on them. This inability to accomplish anything slowly pulls Hamlet to a point where no amount of thought or action could possibly help him. However, at one point in the play Hamlet comes very near to followin...
Hamlet showed many of his weaknesses in this play. He exhibited some of his weaknesses in the choices he makes and the actions he does. He acts before he thinks, in other words he makes a move before he sits and thinks about it. Like the scene when Hamlet killed Polonius.
Hamlet the Hero There are various ways to define a hero. There is an endless amount of people who are heroes. A hero can be, "one who exhibits courage and/or daring," a hero can be, "one who is supremely noble or self-sacrificing," a hero can be a champion or a winner. A hero can save the day, or even save your life.
The last of Hamlet's problems stem from his relationships with the people close to him. Hamlet suffers from an Oedipus complex. Hamlet's relationship with Ophelia also causes him grief. All of the problems that Hamlet encounters make him question nobility. These ideas all add to the lack of haste in Hamlet's murder of Claudius.
Well Kylie, a tragedy is usually a story of one person, with both the hero victims in the play usually of a high standing of society. This is especially the case in “Hamlet”, with his victims being King Claudius, Queen Gertrude, Polonious, Laertes, Rosencrantz and Guildenstern, all being linked to the Royal Family of Denmark. A personality fault (the tragic flaw) causes the hero to act in a manner which brings about his own misfortune and eventually death, during which he lets the audience know he is dying by delivering a final speech. In “Hamlet”, it is his tragic flaw of his indecisiveness and inability to act, which brings his own suffering and misfortune. Had he been able to kill King Claudius in the beginning none of the suffering would have occurred. He also delivers his final speech telling the audience of his death, “I am dead Horatio. Wretched queen, adieu!” he exclaims after being poisoned by Laertes envenomed rapier.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
By many accounts of Williams Shakespeare’s Hamlet, the main character, Hamlet, is considered to be the classic tragic hero, but in fact Hamlet is not a hero at all. There are many accounts of heroes in earlier writings, such as The Odyssey and Beowulf. These heroes had confidence, careful thought, and thought clearly in their times of trial. Hamlet was not one of these things. His inability to think clearly through his anger leads to indecisiveness, which inevitably puts him in a situation that costs him his own life.
There are many reasons why Hamlet had his downfall. One being his decision to keeping the murder of his father a secret. Another one being the betrayals of his closest friends. Perhaps if Guildenstern or Rosencrantz had been there for Hamlet, to rely and place trust upon, he might not had to fell so alone. A little sympathy from his girlfriend Ophelia, and even his mother Gertrude would have been nice as well. Unfortunately Ophelia is held back from Hamlet, due to her father. Gertrude marries his uncle Claudius, who is responsible for his fathers death, and is looking to kill him next. And Guildenstern and Rosencrantz are ordered by Claudius to spy on Hamlet, and betray him as a friend.
for a person of lowly rank that loses his or her fortune or rank than
As often associated with a tragedy, a conflict usually ensues between a protagonist and another force in the play. A tragedy is ‘a serious drama typically describing a conflict between the protagonist and a superior force and having a sorrowful or disastrous conclusion that elicits pity or terror’ (Webster's dictionary). Given its structure and depth in characterization, this play will or can be analyzed and interpreted from various perspectives and beliefs. However, my analysis of the play is conducted on the basis of various components which are: Hamlet as a tragic hero, the ironic message conveyed in the play, the roles of its characters, the role and personification of madness, the role of paranormality, the role of friends and family, the role of inaction, the role of sex and violence, and the role of death as portrayed in the play. Based on literary definitions and portrayal of his character, there is popular belief that Hamlet as the protagonist acted to satisfy his own conscience but could his actions be attributed purely to his desire or was he being influenced by other factors?
Hamlet’s tragic flaw was shown to him in a dream by the ghost of his father. His father tells him that he was murdered by his uncle, Claudius. In this scene, the tragic flaw was transferred and manifested itself in Hamlet’s actions. His obsession with revenge and death is all he can think about. He needs to act quickly and decisively but finds himself procrastinating about what to do. In Act III, Hamlet holds the knife over the head of his uncle, Claudius, but cannot strike the fatal blow. Instead, he writes a play about the same scenario to study the reaction of Claudius as to a clue of his guilt. After he decides Claudius is guilty of murdering his father, he still relents from taking his revenge. He says, “Haste me to know ‘t, that I, with wings as swift As meditation or the thought of love May sweep to my revenge.
The tragedy of Hamlet, Shakespeare’s most popular and greatest tragedy, presents his genius as a playwright and includes many numbers of themes and literary techniques. In all tragedies, the main character, called a tragic hero, suffers and usually dies at the end. Prince Hamlet is a model example of a Shakespearean tragic hero. Every tragedy must have a tragic hero. A tragic hero must own many good traits, but has a flaw that ultimately leads to his downfall. If not for this tragic flaw, the hero would be able to survive at the end of the play. A tragic hero must have free will and also have the characteristics of being brave and noble. In addition, the audience must feel some sympathy for the tragic hero.
It was my observation after reading Hamlet, that the play and its main character are not typical examples of tragedy and contain a questionable "tragic flaw" in the tragic hero. I chose this topic because Hamlet is a tragedy, but one that is very different from classical tragedies such as Medea. I also found quite a lot of controversial debate over the play and its leading character. While reading through my notes, I found that, according to Aristotle, "the tragic hero will most effectively evoke both our pity and terror if he is neither thoroughly good nor evil but a mixture of both; and also that the tragic effect will be stronger if the hero is better than we are in the sense that he is of higher than ordinary moral worth. Such a man is exhibited as suffering a change in fortune from happiness to misery because of a mistaken act, to which he is led by his hamartia ("error of judgment") or his tragic flaw." It is important that this be clear, because I plan to demonstrate how Shakespeare makes Hamlet an atypical tragedy to begin with, and how controversial an issue Hamlet's tragic flaw is.