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Indecisiveness in the play hamlet
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William Shakespeare’s Hamlet is centered around the dynamic protagonist, whom shares the name of the play, and his emotional struggle which is shown throughout his seven soliloquies. Hamlet is a young man whose life is interrupted by his father’s death which in turn, leads him to questions that cannot be answered with certainty. The play stems from Hamlet’s obsession with proving his uncle’s guilt of murdering his father, and his inability to execute revenge. Hamlet’s life falls to ruin due to his tragic flaw of indecisiveness.
Hamlet’s first soliloquy takes place as his life seems to be falling to ruin due to the death of his father, King Hamlet. Hamlet is upset and disgusted with his mother’s quick remarriage to his uncle, Claudius, and
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says “It is not, nor it cannot come to good; But break my heart, - for I must hold my tongue!” Hamlet is unhappy with his mother but feels he must not hurt her by speaking his opinion. “O that this too too solid flesh would melt, Thaw, and resolve itself into a dew! Or that the Everlasting had not fix’d His cannon ‘gainst self-slaughter! O God! O God! How wear, stale, flat, and unprofitable Seem to me all the uses of this world!” The young man feels he has no one to confide in and contemplates his own death, wishing that suicide was not a sin. Through his first soliloquy, Hamlet has a tone of woe and despair and shows his discontentment with life. Hamlet speaks his second soliloquy as he has just met the ghost of his father and received disturbing news. The ghost has just told Hamlet that King Hamlet was murdered by his own brother, Claudius. Hamlet is outraged and a definitive change is shown in him as he swears revenge on his uncle. He says, “So Uncle, there you are. Now my word. It is ‘adieu, adieu, remember me.’ I have sworn’t.” Hamlet is irate and his character has changed as he now has an even greater reason to despise his uncle. In Hamlet’s third soliloquy, his tragic flaw of indecisiveness becomes more evident. As Hamlet watches a play he realizes the passion he lacks, “O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit.” Hamlet wishes he had the passion to revenge his uncle, as the actors had over something fictional. He decides to create a play that will make certain his uncle is guilty which will allow Hamlet to kill him. “I’ll have these players Play something like the murder of my father Before mine uncle: I’ll observe his looks.” Although Hamlet has just sworn his revenge, he is indecisive and uncertain of it, and still awaits his uncle’s confession. Hamlet’s fourth soliloquy reveals a softer, emotional side of him.
He questions, “Whether ‘tis Nobler in the mind to suffer The Slings and Arrows of outrageous Fortune, Or to take Arms against a Sea of troubles, and by opposing end them.” Hamlet does not know if he should exist or kill himself, and what makes him a better person. His indecisiveness is shown again as he desires to end the pain of his life but is afraid of the afterlife. He says, “And makes us rather bear those ills we have, Than fly to others we know not of. Thus Conscience does make Cowards of us all.” In the last line Hamlet says, “Be thou all my sins remembered,” hinting that he has now finally decided to seek revenge upon his uncle. Through his fourth soliloquy, you can see Hamlet’s true sadness and how his indecisiveness reigns in every aspect of his life.
The next soliloquy in which Hamlet speaks takes place as the play has just ended and Hamlet is going to have a conversation with his mother. He says, “‘Tis now a very witching time of night, When churchyards yawn, and hell itself breathes out,” meaning he has decided to now take action against his uncle. Hamlet is planning his conversation with his mother and is angry. When speaking of her he says, “I will speak daggers to her, but use none.” Hamlet desires to kill his mother but isn’t going to. The fifth soliloquy shows, once again, Hamlet’s uncertainty and
anger. When Hamlet presents his sixth soliloquy, he is in the presence of his uncle. Hamlet had planned to kill his uncle but then says, “Now might I do it pat now he is praying, And now I’ll do it, and so he goes to heaven.” Hamlet makes excuses for why he cannot murder his uncle at this time, although he is actually just uncertain of his decision. “When he is drunk asleep or in his rage; Or in the incestuous pleasure of his bed; At gaming, swearing or about some act That has no relish of salvation in it,” Hamlet says he will kill Claudius when he is sinning to make sure he goes to Hell, but is he just avoiding the action. Hamlet is too indecisive to take action against his uncle. Hamlet gives his final soliloquy as he ponders his inability to execute his father’s revenge, even with sufficient motive and cause. He says, “What is a man If his chief good and market of his time Be but to sleep and feed? A beast, no more,” calling himself simply a beast because he has not done anything to avenge his father. Hamlet becomes inspired by Fortinbras’ army who are walking in to certain death in order to gain a worthless piece of land. Hamlet finally resolves that killing Claudius would be justifiable and that it must be done. He vows that he will now murder his uncle and says, “My thought be bloody, or be nothing worth!” Hamlet’s continuous indecisiveness finally came to an end. Throughout Shakespeare’s Hamlet, the protagonist’s compelling characteristics are portrayed through his seven soliloquies. Hamlet has multiple dimensions and when looked at from multiple aspects, he is different. He is impulsive and driven by emotion yet uncertain of his decisions. Hamlet decides early that he must avenge his father but fails to do so as he wavers throughout the entire play. Hamlet’s tragic flaw of indecisiveness leads to not only his death but many others around him.
This famous soliloquy offers a dark and deep contemplation of the nature of life and death. Hamlet’s contemplative, philosophical, and angry tones demonstrate the emotions all people feel throughout their lifetimes.
The interpretation of Hamlet’s, To Be or Not to Be soliloquy, from the Shakespearean classic of the same name, is an important part of the way that the audience understands an interpretation of the play. Although the words are the same, the scene is presented by the actors who portray Hamlet can vary between versions of the play. These differences no matter how seemingly miniscule affect the way in which someone watching the play connects with the title character.
I truly believe Hamlet was having depression issues and did not know how to cope with everything that was going on but one thing is for certain, is that he would not kill himself being it’s a sin. What this quote is stating is that he’s not suicidal by any means but he is ready to die, whether it’s now or later but it’s bound to
Like most teenagers and young adults, Hamlet bases his decisions on his emotions. Feeling out of place in his family without his father, the desire to see him became more prominent; and with no sympathy or support from his mother or uncle, his depression worsened. Since he is not understood and has no one to relate his life to, he expresses his feelings to himself in his first soliloquy in Act one, scene two. This soliloquy reveals his suicidal state of mind when he says, “Or that the everlasting had not fixed His canon ‘gainst self-slaughter!” (1.2. 135-36). In this quote, he explains his frustration regarding God’s “canon” against committing suicide. This shows the audience the depth of his despair, since sui...
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
Hamlet’s first soliloquy takes place in Act 1 scene 2. In his first soliloquy Hamlet lets out all of his inner feelings revealing his true self for the first time. Hamlet’s true self is full of distaste, anger, revenge, and is very much different from the artificial persona that he pretends to be anytime else. Overall, Hamlet’s first soliloquy serves to highlight and reveal Hamlet’s melancholy as well as his reasons for feeling such anguish. This revelation in Hamlet’s persona lays the groundwork for establishing the many themes in the play--suicide, revenge, incest, madness, corruption, and mortality.
Essentially, it all comes back to consequences. If Hamlet takes his life to escape his troubles, he could end up with worse predicaments in the afterlife. However, killing Claudius could very easily end his own life as well. The true irony lies in the multiple deaths Hamlet will unintentionally cause, which includes his beloved Ophelia. This speech connects to many of the play’s themes: including suicide, love, truth, teen angst, the debate between thought and action, natural order, inevitability, and so forth. The soliloquy is crucial. Here it reveals the quality of Hamlet’s mind, his passionate nature struggling relentlessly to escape his misery. And although, there is much up for debate, the reader is reassured that Hamlet has not departed from Christianity. There can be no doubt of his conviction in heaven and hell.
Shakespeare’s Hamlet is arguably one of the best plays known to English literature. It presents the protagonist, Hamlet, and his increasingly complex path through self discovery. His character is of an abnormally complex nature, the likes of which not often found in plays, and many different theses have been put forward about Hamlet's dynamic disposition. One such thesis is that Hamlet is a young man with an identity crisis living in a world of conflicting values.
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
Hamlet’s anger and grief- primarily stemming from his mother’s marriage to Claudius- brings him to thoughts of suicide, which only subside as a result of it being a mortal and religious sin. The fact that he wants to take his own life demonstrates a weakness in his character; a sense of cowarness, his decision not to kill himself because of religious beliefs shows that this weakness is balanced with some sense of morality. Such an obvious paradox is only one example of the inner conflict and turmoil that will eventually lead to Hamlet’s downfall.
Up until this point the kingdom of Denmark believed that old Hamlet had died of natural causes. As it was custom, prince Hamlet sought to avenge his father’s death. This leads Hamlet, the main character into a state of internal conflict as he agonises over what action and when to take it as to avenge his father’s death. Shakespeare’s play presents the reader with various forms of conflict which plague his characters. He explores these conflicts through the use of soliloquies, recurring motifs, structure and mirror plotting.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.
After the first major soliloquy from Act 1, another one takes place in Act 3, Scene 1. Hamlet states a lot of what he is feeling in this soliloquy that is actually emotions that are far worse than the ones that took place in Act 1. He says: “To be, or not to be, that is the question: Whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.56-58). In this section Hamlet is playing with the idea of suicide again because he does not want to continue the suffering. At this point Hamlet is so depressed that he wants to commit suicide just to be free of the depression within him and the cruelties of what fate has brought him. Hamlet’s inner turmoil of whether he should suffer through what his life has become or
Hamlet now seems to make a decision. He makes the profound judgment that ‘conscience does make cowards of us all,’ This sentence is probably the most important one in the soliloquy. There is a religious dimension to it as it is a sin to take one’s life. So with that added dimension the fear of the unknown after death is intensified.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.